K.D. Lang, on her new CD, Lady Gaga and her burgeoning butchness
K.D. Lang is manning up, thanks to the likes of Lady Gaga, Katy Perry and other sexpots of pop who shoot whipped cream from their chests and ride disco sticks. The longtime gay activist, who turns 50 in November, made a rebellious decision to boost her butchness, evident in the video for “I Confess,” the lead single from her disc Sing it Loud.
She comes to the Meyerson on Tuesday with her band the Siss Boom Bang, but before the show, she dished about the album’s evolution, why being the first out country star doesn’t matter and her work with Glee.
— Chris Azzopardi
Dallas Voice: Why did you approach Sing it Loud with a fuller sound and, for the first time in 20 years, a band? Lang: It just seemed to be the right thing to do. It was just what I was feeling. I was working with Joe [Pisapia], writing songs, and it came time to record them and I just felt like the band was the right way to approach it — very live and spontaneous. We put the band together and it was beyond my wildest dreams what transpired.
“On “I Confess,” you sing the lyric I’ll be your daddy. How do you think that line would’ve been received had you recorded this song 20 years ago when you first came out? Probably the same as now. I think there’s going to always be people who feel uncomfortable with it and there’s always going to be people who are titillated by it. You just have to know that’s going to be the case for a long time.
Would you say you’re embracing your butchness more than you used to? Yeah, this music really asks for it. I also think that the aesthetic nature of today’s music, with people like Lady Gaga and Katy Perry — not that it’s new, it certainly isn’t; I know better than that — is being very exaggerated I thought, I can exaggerate, too!
What do you make of the way the music business has shifted in the way it sells music? I think it’s boring because everything is so overexposed. But it’s fine; it is what it is. In terms of music, there is always going to be a place for someone who can sing and someone who can communicate with an audience.
Did you ever feel pressure to conform in your career? That would depend on what I wanted to reap from my music. I’ve always been quite sure that I wanted to have a more artistic career and a career of longevity, so in that respect, no. I’ve made decisions that have nurtured my art rather than my public awareness or my celebrity. That’s been self-determined. So no, I never felt the pressure.
If you hadn’t come out, how do you imagine your life and career now? I can’t imagine, because I was always out and coming out wasn’t really a big deal for me. But it certainly made things easier. I can’t imagine what it would be like, but at the same time it’s definitely made my life easier just because it kind of stripped away the question marks in the audience’s minds. It took away any pretense or question.
There was a big hoopla when Chely Wright came out as the first gay country star, because some argued that you beat her to it. What did you think about all that? I don’t know who Chely Wright is, but I don’t care. I mean, to a whole generation of people who know Chely Wright, they probably don’t know who I am. So to them it is the first country star to come out. I don’t really care who’s the first, who’s the last, because before me there were a lot of people that helped get me to a place to feel confident and comfortable with coming out.
Last year you lent your voice to a song on a Glee soundtrack. Would you ever do the show? I don’t really watch Glee, but I know it’s very popular and gay-friendly, which is great. And Jane Lynch is hilarious! If they asked me I would consider it, but I’m really happy that I could be a part of something that’s supportive and promotes alternative and varying lifestyles.
This article appeared in the Dallas Voice print edition October 7, 2011.
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