Country singer Chely Wright, announced this week as BTD’s 2010 Media Award winner, says coming out freed her
Rich Lopez | Staff Writer firstname.lastname@example.org
“Dallas has been a great market for me,” says Chely Wright.
Truer words might have never been spoken.
The country music star spoke highly of the city when referring to her past concerts here, but she’ll be heading to Dallas this year for a different reason — one that will reinforce her confidence in this city.
Officials with the Black Tie Dinner this week announced that Wright has been chosen to receive the 2010 Media Award during the annual fundraising gala set for Nov. 6.
They also announced that U.S. Rep. Tammy Baldwin, the openly lesbian Democrat from Wisconsin, will be the keynote speaker at the dinner.
When Wright came out of the closet in May with her biography, “Like Me,” the media storm hit full force. She was touted as the first modern country singer to come out of thecloset, and her life story landed her on the cover of People magazine and Oprah.
As the recipient of the Black Tie Media Award, Wright sees it as a step in her reasoning to come out.
“This is noteworthy to be receiving this incredible honor,” she said. “I find it really interesting that this one thing I tried so hard to hide has really set me free. I’ve not only found this gay community but also activist, advocate and civil-minded communities. These are incredible people to be applauded.”
But not only was she setting herself free by coming out, Wright knew that since she was such a public figure, her coming out would facilitate dialogue and education.
Her announcement eclipsed her current album, “Lifted Off the Ground,” and even her career for the past 15 years. But she said she was prepared for that, because it was bigger than just a CD.
“The specific reason I did this in such a grand, comprehensive way was because I was aware this would be discussed,” she said. “As celebrities, we must be aware of our public capital in the community, and there had never been a commercial country artist who acknowledged being gay.
“That’s why I wrote a book, knowing that it was incumbent upon me to do so,” she said.
Along with all that attention came the backlash from both her audiences and the country music industry — no surprise considering it comprises a largely conservative demographic.
Wright said she knew there would be a negative reaction that could possibly put her into “Dixie Chicks vs. Texas” territory. But, she said, the good has outweighed the bad so far.
“I’m aware there are negative comments. No matter what you do, people will hate. On my social networks, we don’t leave them out unless they are overly caustic. We allow that dialogue to happen.
“But I think some of my fans never knew a gay person and thought they were all deviants,” she added. “They see this isn’t the case. Those people are the moveable middle.”
Wright mentions she even received support locally, saying KSCS on-air personality Chris Huff reached out to her after she came out.
To her, that was a step many people in the country music industry are either reluctant to take, or maybe do so quietly.
“Just judging from everything she said and her experiences and the emotions she fought, I think it was a really strong thing that she did,” Huff said. “I can’t imagine what she must’ve gone through the years leading up to that.”
Huff did what, according to Wright, not many have done in her industry. People have reached out to her, but only privately. She said public declarations of support by those in country music are hard to come by.
“Huff was one of the first to e-mail me after coming out. The industry has a lot of really progressive people, but there are a lot of folks who just reach out privately. All of country music is not homophobic, but people don’t feel like that they can say ‘I’m behind you.’”
So instead, Wright is focusing on the positive support, which she has received from other LGBT celebrities, like Rosie O’Donnell and Lance Bass, and from the fans still coming to get her autograph. She’s even relishing the Prop 8 decision from her West Hollywood home.
But ultimately, she says, she feels simply free.
“Imagine a tiny secret being a big one and have it chasing you around, and you’re afraid. Then, it’s gone. It feels like I’ve retired an 80-hour-a-week job at a factory. There is so much emotional free space.
“I think my life felt like black and white before and now it’s in Technicolor.”
This article appeared in the Dallas Voice print edition August 6, 2010.
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