Turtle Creek Chorale presents a delightfully Jangled Christmas

Posted on 19 Dec 2014 at 10:19pm
Baugh.Sean

Sean Baugh

Oh, those poinsettias. More about that in a minute.

The Turtle Creek Chorale is singing with new energy and enthusiasm this season. Jangled, this year’s holiday show is no exception.

Acting Director Sean Baugh has brought back the group’s sense of humor and fabulous sound. Just because “It’s the Most Wonderful Time of the Year” opens the concert, don’t expect to actually enjoy the song until you’re about to leave.

“I’m the Happiest Christmas Tree” alone is worth a trip to City Performance Hall, featuring a quick costume change and clever choreography. “Hard Candy Christmas” and “PC Christmas” are a hoot.

And the rest of the concert? That wonderfully rich Turtle Creek Chorale sound.

And those poinsettias? One for each member of the Chorale no longer alive. Five stand front and center throughout the concert representing members lost this year. Two were friends of mine, so Sean, as promised, when you talked about the poinsettias, you had me in tears.

Three concerts are left: a G-rated matinee on Saturday, a Saturday evening and a Sunday matinee. Buy tickets here.

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Cocktail Friday: Coconog

Posted on 19 Dec 2014 at 12:31pm

With Christmas nearly upon us, who doesn’t like some delicious eggnog. It’s easy enough to spike the nog, but how about making your own? Here’s how the folks at Tommy Bahama — which offers not just clothing, but also a restaurant and bar in certain locations — suggest doing it. Of course, you can always buy the egg nog at the store, but this is the fun part.)

Eggnog prep:

5 egg yolks

¾ cup sugar

1 cup heavy cream

1 tsp. vanilla

½ tsp. nutmeg

2 cups coconut milk

1 oz. Jim Beam

1 oz. Cruzan coconut rum

Making it:

Nog: Whisk yolks with sugar until creamy and the sugar begins to dissolve; add cream and coconut milk; stir in vanilla and nutmeg. Chill.

Cocktail: Add a few ounces of nog mix into a Boston shaker, then add in liquors; shake with ice. Strain into a martini glass and garnish with grated nutmeg.

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Books I’m recommending because they’re by friends of mine

Posted on 19 Dec 2014 at 11:52am

Books always make a nice last minute holiday gift. So I thought I would make a few recommendations — oh, hell, let’s be honest, plugs really. The only criterion I used in making my recommended reading list for the year was these book are by friends of mine.

Heather 2First is a 25th anniversary re-issue of Leslea Newman’s Heather Has Two Mommies, with new illustrations by Laura Cornell. Although Heather is old enough to have a girlfriend of her own and I think Leslea should write Heather’s Little Brat Has Four Grandmas, she didn’t take my advice.

Heather is a book that should be in every kid’s library. When it was released in 1989, the book promoted the revolutionary idea that every family is special.

Leslea is the author of 65 books and was in Dallas earlier this year to read from her book, October Mourning, a book of poetry about the murder of Mathew Shepard. She was in Wyoming at his school the week he was killed. Her upcoming I Carry My Mother deals with the death of her mother.
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JoshDaddy Collected Poems is by Amazon’s #1 selling LGBT poet, Christopher Lee. The book retells the stories of the Bible with a fetish twist by combining erotica with sacred scripture. Through the book’s verses, male bonding is described with truth and sincerity.

Some people know Christopher as Bill Johnson or an array of other names, the schizophrenic, multi-personality board operator for Lambda Weekly on 89.3 KNON-fm. Some know him as Chris, a mild-mannered English professor who teaches at DCCCD. And others know him as Josh Manes, president of Congregation Beth El Binah in Dallas. Christopher Lee is his writer’s persona. Expect lots more from Josh, I mean Bill, I mean Chris.
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KindleDeputy U.S. Marshall Mitch Knox apprehends fugitives for a living. Author Kindle Alexander describes him as having a “calm, cool, collected attitude” and being “devastatingly handsome.”

Knox is gay. Alexander isn’t, but she — I mean they — write wonderful gay romance, mystery and novels.

Kindle Alexander is actually two straight women from Waxahachie who are best friends and they’re very prolific. They’re delightful and their books, Full Disclosure, Always, Texas Pride, The Current Between Us and more are fun reads.

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MetroBall signs Belinda Carlisle as headliner

Posted on 18 Dec 2014 at 12:01pm
Belinda Carlisle V

Belinda Carlisle

MetroBall, which takes place on June 5 at S4, has signed Belinda Carlisle of the Go-Gos as its headliner.

MetroBall benefits the Greg Dollgener Memorial AIDS Fund and over the past decade has raised more than $275,000.

Carlisle was the lead singer for the Go-Gos, before beginning a solo music career in 1985. The Go-Gos became the first all-girl band to hit No. 1 on the charts by writing and playing their own songs.

Throughout the early 1980s, the Go-Gos remained one of the most beloved bands in America, with hit songs like “We Got the Beat” and “Our Lips Are Sealed” dominating radio and MTV. The discography of Carlisle’s solo career includes seven studio albums, three compilation albums and 31 singles. Her memoir, Lips Unsealed, was published in 2010 by Crown Archetype.

Belinda has a gay son. Earlier this year she and her son, James Duke Mason, spoke to a PFLAG group about Mason’s coming out. Duke is an actor, writer, candidate for the West Hollywood City Council and the grandson of the late British actor James Mason.

The $30 advance tickets for MetroBall are now on sale here.

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Hollywood, offensive speech and why ‘The Interview’ actually matters

Posted on 18 Dec 2014 at 10:02am

TheIntSome neocons like to argue that the protections afforded by the First Amendment really only apply to political speech — that artistic speech of a non-political nature simply isn’t subject to the same rigorous scrutiny. (Even political speech to them doesn’t include, apparently, blocking traffic or wearing T-shirts on the field at sporting events) And while no one has probably ever referred to what Seth Rogen does as art, the free expression issues raised in the controversy over his new film, The Interview, reach the level of serious discussion.

If you haven’t heard, the comedy — which was supposed to screen for local critics tonight and open in Dallas on Christmas Day — is a about the comical attempts of a talk show host and his producer to assassinate Kim Jong Un, North Korea’s dictator. Last month, pro-North Korean factions hacked the private servers of Sony (the parent company of Columbia Pictures, which is releasing the film), and disclosed all sorts of embarrassing details about the company, and threatened to blow up movie theaters who dared screen the film which dares parody the leader of the most oppressive regime in the world. In other words, to these guys, there is no such this as protection for free expression of ideas, even stupid ones. (I suppose they have that in common with a lot of folks at FoxNews — ironic, since FoxNews specializes in stupid ideas.)

Yesterday, Sony caved to pressure, and yanked the film from distribution, not even planning  for a video-on-demand or DVD release at a later date. The ironic thing was, many hours after the decision had been announced, commercials for The Interview we’re still appearing on cable TV shows, promising a movie viewers would never see.

Without defending the specifics of The Interview (which I have not seen), keep in mind what this says about society: The Interview is a fantastical comedy, albeit about one real person (highly fictionalized). Comedy is key to this. But what other films actually opening on Christmas Day? A story about another real person, only it’s a true story: Louis Zamperini was brutally tortured by the Japanese during World War II (Unbroken); astonishingly, Japan has not required that the film be censored, nor have Japanese-American groups threatened terrorism for portraying their people in a negative light. Another true story is about a gay man, who also happens to be the greatest mathematician of the 20th century, who was unjustly treated by the horrific homophobia of the British system in the 1950s (The Imitation Game). To date, Queen Elizabeth has not demanded an apology. And in the Dec. 25 release American Sniper, real marksman Chris Kyle methodically uses a long-range rifle to kill a prepubescent boy in Afghanistan, then immediately turns his site on the boy’s mother and takes her out as well. (They were wielding grenades at U.S. troops.) The Islamic community so far has not declared a jihad on the studio.

Then there’s a movie in which a key plot point is a young African-American orphan is kidnapped (Annie) … a movie where a witch practicing dark arts casts spells to keep a couple barren, and people die as a result of their bad behavior — no happy endings in Into the Woods … even in The Gambler, African-Americans and Koreans are portrayed as thuggish gangsters (I guess impugning South Koreans is OK)  All in all, this season at the movies is rife with controversy, downbeat themes, violence, injustice, and brutality — often at the hands of people who might otherwise be offended at the characterization. But only the comedy about a country that doesn’t even know the Internet exists is being pulled from theater.

To be fair, Sony didn’t have many options. Major theater chains had refused to show the film, citing safety concerns. But think about what this statement says on the same day the U.S. announced efforts to normalize relations with another oppressive dictatorship, Cuba. It’s a message that tyranny wins, and self-expression isn’t an absolute. The loudest voices can drown out the sensible ones. It’s sad that all this time, we were worried about North Korea having nuclear capabilities, when all they really needed was wifi.

It would appear that the neocons have been proven right: Freedom of expression may very well be dead … and not just in North Korea.

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Ben Whishaw: The gay interview

Posted on 18 Dec 2014 at 8:53am

Ben Whishaw, right, in ‘Lilting’

As our final lead-up to The Hollywood Issue on Friday, we offer up an interview with the notoriously private Ben Whishaw, who — aside from his work in films like Skyfall and Cloud Atlas — will be appearing soon in Paddington and the supernatural drama LiltingLawrence Ferber tracked down Whishaw and Lilting’s writer/director Hong Khaou.

Lost in translation

Language isn’t the only barrier that stands between a gay man and the non-English-speaking mother of his dead, closeted boyfriend in Lilting.

The feature debut of Cambodian-British writer/director Hong Khaou, this elegant chamber drama stars acclaimed British actor Ben Whishaw (Skyfall, Cloud Atlas) as Richard, who enlists a translator and attempts to forge a bond with Cambodian-Chinese Junn (Hong Kong actress Cheng Pei Pei of Crouching Tiger Hidden Dragon), the retirement home-bound, prickly mother of his recently deceased partner, Kai (Andrew Leung). Although Junn and Richard mourn the same person, Kai never came out or divulged the nature of his “friendship” to mom, and the jaded, sourpuss Junn disliked Richard from the get-go .…

Khaou previously worked for London-based LGBT film distributor, Peccadillo Pictures, and directed a pair of acclaimed short films, Spring and Summer. Thanks to his experience watching and distributing queer-themed films, he learned a few important lessons to apply to his own delve into feature filmmaking. “I wanted to make sure the kissing was correct,” he shares. “I remember having a conversation about that with the actors. It’s such a difficult detail to get right. I understand certain actors, if not gay, they have that trepidation, but if you’re an actor and take on kissing, you want to make sure to convey it correctly. I was very aware the kissing was right!”

Khaou shot the indie film over a tightly scheduled 17 days. Specifically citing John Sayles’ 1996 Texas-set feature Lone Star and 2011’s Martha Marcy May Marlene as cinematic influences on Lilting, Khaou also drew heavily from his own family life when writing the script. Born in Cambodia, his family fled to England during the 80s while he was a child. His mother struggled to learn English upon arrival, and even now has trouble with the language. One thing she does understand, however, is that her son is gay. “Her reaction [to my coming out] was fine,” Khaou says. “The build up was agonizing. I was shaking and petrified, but having told her she was fine.”

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WATCH: Naked athletes frolicking. Yeah, that (NSFW)

Posted on 17 Dec 2014 at 4:22pm

The rowers for the Warwick crew team original made a naked calendar as a fundraiser. Now they do it, in part, to support gays in sports. Bully for them!

Watch the NSFW video below.

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Socially conscious shopping tips for the Dallas holiday shopper

Posted on 17 Dec 2014 at 2:18pm
Armani

While Neiman’s gets a miserable score, gay Giorgio Armani scores a shameful zero

If you’re still holiday shopping and want to make sure your LGBT dollars are going to companies with the best policies for its employees, one place to look is Human Rights Campaign’s Corporate Equality Index.

It’s been out for awhile, but for the holiday shopping season, I’ve pulled out some highlights for local Dallas shoppers.

Department stores

Let’s say you’re looking for something from a local department store. That’s a no brainer, because what’s more gay than Neiman Marcus?

Well, local and gay friendly? J.C. Penney for one. Plano-based J.C. Penney gets a 95. Neiman’s scores a miserable 15. In the 1950s, Jack Evans was once fired from the store because he was gay. They couldn’t do that now or they wouldn’t have a staff, but they also offer few protections and no benefits to their LGBT employees.

So if you’re counting out Neiman’s, what about the rest of NorthPark’s anchors? Macy’s and Nordstrom get 100 percent. Dillards? Not so much. 30.

If you’re shopping at the Galleria, the new Belk gets a failing 15.

Elsewhere in NorthPark

Abercrombie, American Eagle, Gap, Nike and Tiffany rate 100

Kenneth Cole, Ralph Lauren: 90

Aeropostale: 85

H&M: 70

J. Crew: 30

Foot Locker, Donna Karan, Burberry, Guess, Urban Outfitters: 15

Ann Taylor, Giorgio Armani, Gucci, Versace, Express, Skechers: These are the ExxonMobils of the mall that offer no protection and no benefits to their LGBT employees. And Versace was gay and so is Armani. I guess just because you’re gay (or built your retail empire on the reputation of someone who was) doesn’t mean you don’t say fuck you to those who work for you or your LGBT customers. If Armani just had a no-cost nondiscrimination statement that included sexual orientation and gender identity, he’d get a 15. Shame on him for not saying, “Of course we won’t fire our gay, lesbian and transgender employees.”

Local chains

What about other local chains? Pier 1 and Radio Shack are both based in Fort Worth. Radio Shack: 30. Pier 1: 15.

Do the Dallas-based The Container Store or Michaels do better? Both rate a pitiful 15.

Strip centers:

Shopping for the lesbian on your list may be easy this year. Home Depot gets a 90, but, across the street, Lowe’s only gets a 30.

Target: 100

Office Depot and Staples: 100 (Office Max: not rated)

Ross: 70

Bed, Bath and Beyond go below: 30.

Big Lots: 15

Dollar stores

Dollar stores aren’t all the same. Family Dollar and Dollar Tree rate just 30, while Dollar General gets a more respectable 70.

Drug stores

Both CVS and Walgreens rank 100.

Groceries

Safeway (which owns Tom Thumb) gets 100.

Kroger rates 85.

Whole Foods could do better with a 75.

Central Market: 40.

Trader Joe’s: 30.

Aldi, Fiesta and my favorite local supermarket Rio Grande: not rated.

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Kiesza: The gay interview

Posted on 17 Dec 2014 at 8:17am

Kiesza

Continuing our lead-up to The Hollywood Issue this week, we chat with “Hideaway” singer Kiesza, who’s long be an ally to the gay community. But is she more an Mariah or Whitney fan?  — Chris Azzopardi

Even before making the streets of New York City her own private dance floor for “Hideaway,” Kiesza was courting the queers. The lead single off the 25-year-old’s major-label debut, Sound of a Woman, has certainly boosted her appeal within the community — who could resist the sports bra and suspenders look? — but the gays and this former sniper-in-training for the Canadian Army actually go way back.

On her way to the airport, Kiesza called to chat about pretend-marrying her gay best friend, how Barbra Streisand taught her to sing and her request for the drag queens.

Dallas Voice: Have you been feeling the gay love yet?  Kiesza: I’ve been feeling it before any other love, actually. Even before “Hideaway,” when I was doing other projects, the gay community was always the community that supported me as a brand new artist. I always felt supported by the gay community before anyone else, so it’s a really special community to me.

When did you know the gay community was in love with you?  I would actually meet the people who were coming to my shows and it showed me who my audience was, and I had a very strong gay following, which is amazing. They’re so enthusiastic, and they come dressed in clothes that emulate my own style. They’re always going the extra mile.

You know you’ve made it when guys are doing you in drag.  Yeah, I saw some people doing “Hideaway” in drag, which is amazing. I wanna go to a drag show and see someone performing “Hideaway” live!

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Jeffrey Tambor of ‘Transparent:’ The gay interview

Posted on 16 Dec 2014 at 8:17am

Our Hollywood Issue comes out Friday, so we thought we’d do a lead-up with celebrity interviews from the world of entertainment. Kicking everything off? Our Chris Azzopardi‘s piece on the controversial new streaming series Transparent, where he talks to star Jeffrey Tambor and associate producer Zackary Drucker (herself MTF). 

When a show makes its mark on society, it’s more than just TV — it’s history.

In 2014, we met Maura, the protagonist of the brazen, boundary-breaking Transparent, a dramedy centered on a 70-something male-to-female’s journey in coming out to her family. Written by Jill Soloway (Six Feet Under) and produced by Amazon with a standout lead performance from Jeffrey Tambor, the show is being heralded as an Emmy contender for its authentic look at trans life.

Dallas Voice: Jeffrey, what drew you to the Maura character?  Jeffrey Tambor: I was coming into Los Angeles from my home in New York, and I was doing a talk show and my representatives, who are tremendous, are always on the lookout for really good things. They sent me this script by Jill Soloway, and I got off the plane — I had about a 15-minute drive to my hotel — and by the time I got to the hotel, I had read this. I called them and I said, “I’m in, I’m in, I’m in. Let me meet Jill.”

Jill and I met the next day — we had a great meeting — and then that afternoon I saw her movie Afternoon Delight, and I called her again. You know, in the pilot, I don’t have that big of a role, but you could just see how beautiful that family and their dynamic was. You could see that Jill was after big themes, but the people were so real, so authentic and so accessible, and so I just said, “I’m in.”

Even though your role is slight during the pilot, your presence is massive.  Tambor: Thank you. The key scene, I think, in that pilot is around that table. That barbecue scene — I could watch that on a loop for the rest of my life. I remember when we were filming that and every face I looked into was just filled with genius and light and quicksilver moods. It’s really a real coup of casting.

With so few representations of transgender people in the media, and trans visibility being at the forefront culturally, what kind of responsibility did you feel to Maura and to the trans community?  Tambor: A huge responsibility. I had nervous self-tappings on my shoulder the whole time. I don’t think I have been as nervous as when I did the scene when I had to come out to my daughter Sarah [Amy Landecker]. I was shaking, and not because I was nervous about being good, or nervous about being talented, or nervous about learning the lines — I wanted to do it right. I turned to Jill many times during the making of this, and to Zackary and [co-producer] Rhys Ernst many times, and said, “This is big. This is huge.” You would feel it at times and think, “This is so much more than all of us put together. This is a big movement.”

Zackary Drucker: Jeffrey brings a tremendous amount of humanity to this role, and from a very internal place without falling into stereotypes or tropes of other representations of trans people that we’ve seen. I think that this show is a huge step in the right direction, and as a trans person, I have a lot of hope, actually, that there are many more to come. This is one big step for bringing trans people into pop culture and into television and film.

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