Nathan Lane starred on Broadway in ‘The Nance,’ which will receive its regional premiere from Uptown Players in 2015.
Uptown Players’ upcoming 2015 season will feature two major recent Tony winners, from a new comedy to a rock musical, as well as the return of a TV spoof in the Rose Room at S4 and the annual fundraising performance.
Things were more complicated for Uptown Players this time, scheduling-wise. For several years, they have shared the Kalita Humphreys Theater with the Dallas Theater Center, which moved to its new digs in Downtown’s Wyly Theatre, but which is still the primary leaseholder at the Kalita. DTC mostly performs at the Wyly … mostly — not exclusively. So when DTC announced its 2014-15 schedule this spring, it threw a monkey wrench into the works: Its plays would seesaw between the venues, and the timing was going to interfere with Uptown Players’ calendar.
But they worked it out, in part by starting a month early. The first show of their 2015 season will actually be in December 2014: Christmas Our Way, UP’s holiday-themed Broadway Our Way fundraiser (where men sing women’s songs and vice versa) will be held Dec. 11–14.
The first official show of 2015 will be Gilligan’s Fire Island, another spoof by playwright/actor Jamie Morris, who was last represented onstage at the Rose Room as Julia Sugarbaker in Re-Designing Women. As the title suggests, the castaways have gotten pretty gay.
The mainstage season will arrive at the Kalita in June, starting with the wonderful comedy-drama The Nance, then the regional North Texas-produced premiere of Catch Me If You Can, the rock opera Hedwig and the Angry Inch and the new off-Broadway hit Harbor.
See the complete lineup after the jump. You can also get season tickets here.
You know how arts organizations are always encouraging you to become a season subscriber for all the great benefits? Well, here’s a prime example of why it really does pay to do that.
Starting right now, the Dallas Museum of Art has on sale tickets to hear David Sedaris talk pretty via its Arts & Letters Live series at the Winspear Opera House on Nov. 11. Tickets don’t go on sale to the general public until Aug. 12. Now, you may think, “That’s only two weeks; the Winspear holds 2,300 people. I can wait.” But you’d probably be wrong. Or at least disadvantaged.
I know from experience how quickly Sedaris’ readings sell, and how hard tickets can be to come by. You really will benefit getting them early, and you can join for as little as $100 (which comes with free parking at the museum and is 80 percent tax deductible). Click the link or call 214-922-1247 to join and get the code. Tickets start at $25.
In the current edition of Dallas Voice, we have an interview with Benj Pasek, the gay half of the composing team responsible for the musical Dogfight, which gets its outside-of-New York premiere at WaterTower Theatre, which opens tonight. You can listen to a sample of what the show has in store here, with one of the charming musical numbers form the show.
“Lighting, sweetie, lighting!” is Tori Amos’ theatrical retort to my compliment about how she’s still looking as radiant as she did at the launch of her career more than three decades ago. Now 50, and with her acclaimed 14th album, Unrepentant Geraldines, she’s facing age head-on. Candor isn’t unusual for the composer; from rape to religion and even her MILF status, she’s approached a bevy of topics too controversial for most artists.
That same directness extended to our recent conversation, prior to her appearance in Dallas on July 29 at the Winspear Opera House in support of the album, during which Amos chatted with our Chris Azzopardi about the LGBT influence on “Promise,” a duet with her daughter; being the muse for the big Frozen ballad; and the gay fans who share their “traumatic experiences” with her.
Dallas Voice: How did your last several projects — Midwinter Graces, Night of Hunters and Gold Dust — reenergize the contemporary songwriting heard on Unrepentant Geraldines? Amos: All of them fit into giving me fresh perspective. Starting with Midwinter Graces, I was thrown into the deep end, studying carols from the last few hundred years and just immersing myself in a different genre. It’s almost as if it became a baton hand-off, from Midwinter Graces to Night of Hunters and Gold Dust, back and forth with The Light Princess [a musical written by Amos], which was floating between all these projects, because she’s been in development for five years. All of them were giving inspiration to the other. Each one was giving some kind of spark.
The spark linking all of those works is very evident. They’re very interconnected, and The Light Princess cast recording — I’m producing that for Mercury Universal — will be out globally in early 2015, and we’re making the record on the tour, so [Unrepentant Geraldines] will be affecting that. They all gift each other something. I don’t always know what it is when it’s happening; you just get energy from one that propels another.
There is a freshness, a new perspective [on the new CD] that I was able to bring to contemporary writing because of all these other projects that had shown me different possibilities in structure and different possibilities in line. In that way, I feel like I’ve been rejuvenated by these other projects. When these songs were coming, they were coming not for me to make a record; they were just coming so that I could process what I was going through. And I didn’t share them with anybody. They were for my own private notebook.
Attorney and activist Mike Anglin of Dallas is the recipient of the 2014 Kuchling Humanitarian Award, which will be presented at the 32nd annual Dallas Black Tie Dinner in November.
BTD officials made the announcement Thursday during the Black Tie Dinner Sneak Peek event at Park Place Motorcars in Dallas.
Anglin is being honored for his long record of activism in the Dallas LGBT community, starting in the late 1970s with the Dallas Gay Political Caucus and threading through the community’s story, up to present day when he was a founding member of The Dallas Way history project.
For the complete story, read the Friday, July 25 issue of Dallas Voice, or find the story here on our website.
Two weeks ago, I posted a notice about an open casting call for Dallas Theater Center‘s upcoming production of The Rocky Horror Show (they are looking for engaging side-show-like acts). Well, some of the information has changed. Due to a schedule conflict with director/choreographer Joel Ferrell, the event will now be held at the Wyly Theatre (instead of the Rose Room) and the time has been compressed. The correct information is below:
Wyly Theatre, 2400 Flora St.
Saturday, July 26
Check-in at 2:45 p.m., call from 3–4 p.m.
Chris Miklos, the popular bear who died suddenly in his sleep this week at age 40, will be remembered by his friends Friday night with a celebration at the Dallas Eagle. “Join us for a night of celebrating and dancing, the way Chris would have wanted us to,” the invitation reads. Folks will gather to remember Chris starting at 11 p.m.
You can read the invite and spread the word here.
Last weekend, over the course of a brief 24 hours, three different charities — AIDS Services of Dallas, Legacy Counseling Center and Founders Cottage and AIDS Arms — received an awful lot of love from the Dallas gay community … and did so with a lot of costume changes.
On Saturday, The Summer Party, a 12-year-old pool bash at a private home in East Dallas, raised money for ASD, and included a fashion show by Skivvies, as well as a sarong contest for the gathered guests. Later that evening, The Red Party, a fundraising group benefiting Legacy, staged a poolside fashion show of its own at the ilume, with vodka by Hudson Ferus, snacks and margaritas from Mi Cocina and swimwear by Aussie Bum, ES Collection, Marek+Richard and others. Then on Sunday evening, the Rose Room gave over to the Miss LifeWalk contest, a fundraiser for AIDS Arms. Thousands of dollars were raised … and a lot of eyes popped.
You can see slide shows of each of them with these links to the Summer Party, the Red Party and Miss LifeWalk.
If you’ve ever wondered what to read before visiting a state, Vulture.com, the online entertainment portal owned by New York Magazine, just made the list for you. In choosing 50 nonfiction books to read about 50 states, the website includes both national treasures like James Agee and Walker Evans’ Let Us Now Praise Famous Men (Alabama), Zora Neale Hurston’s Dust Tracks on the Road (Florida) as well as some kitschier choices like Vice President Joe Biden’s Promises to Keep: On Life and Politics (Delaware).
Before even scrolling down, I assumed their choice would be kitschier, if not dismissive. (Think Rick Perry’s presidential manifesto Fed Up.)
If you want to learn about Texas, Vulture.com suggests the groundbreaking Borderlands/La Frontera: The New Mestiza by the late Gloria Evangelina Anzaldua, a well-known Chicana lesbian activist and writer born in the Rio Grande Valley. Released in 1987, the semi-autobiographical book challenges and explores, through poems and prose, concepts like borders and identity.
If you’re interested, the book is available at Amazon.com and if you’re lucky, your neighborhood library.