Gay Dallas filmmaker Israel Luna has been building his reputation behind the camera since he wrote and directed his first feature film, Str8 Up, in 2001. His subsequent films — including The Deadbeat Club, RU Invited and Fright Flick — secured his place in the Dallas filmmaking community and made him a regular on the independent film festival circuit.
But it wasn’t until the early part 2010 and the release of his latest, the “transploitation” flick Ticked-Off Trannies With Knives, that Luna got a taste of the kind of fame that filmmakers long for. And it was due, in large part, to the protests of an angry transgender activist with nothing good to say about either Luna or his movie.
If Luna wanted attention, he got it, especially from local trans activist Kelli Busey, who at first protested the use of the word “trannies” — a word considered by many to be a pejorative term for trans women — but soon expanded her objections to include the movie’s content, which includes have trans women who have been bashed taking their revenge in a most brutal fashion.
Busey, who acknowledged never having watched the movie and refused Luna’s invitations to attend a screening, said the film painted trans women as psychotic killers who all have silly names, engage in campy dialog and work as “drag” performers. She said the film’s transphobic attitude was a reflection of Luna’s — and many gay men’s — own transphobia.
When, in mid-March, Luna announced that TOTWK had been chosen for the prestigious TriBeCa Film Festival in New York, Busey turned to the Gay and Lesbian Alliance Against Defamation for help in spreading protests against the film. GLAAD soon called for a boycott of Luna’s movie, and called on officials with TriBeCa to rescind their invitation.
TriBeCa officials responded with a reasonably polite but thoroughly firm “no” to GLAAD’s demands, and screenings of TOTWK at the festival not only drew sell-out crowds but received, for the most part, positive reviews — despite protests staged outside the screenings by transgender activists.
In June, Fort Worth’s Q Cinema film fest also screened TOTWK, and again, the movie drew protesters, this time led by Busey herself.
Yet again, though, the screenings sold out, and Q Cinema organizers put together a panel discussion of trans issues after one of them.
The panel included Fort Worth trans woman Tori Van Fleet who had initially agreed with Busey and was opposed to the movie.
Van Fleet, however, agreed to watch the movie before forming an opinion, and she came out of the first Q Cinema screening as a fan of both TOTWK and filmmaker Luna.
Luna’s movie went on to win spots in numerous festivals — including Seattle International Film Festival, Philadelphia Q Fest and Telluride Horror Shows — and audience favorite awards at many of those screenings.
As icing on the cake, in late July Luna reached a distribution deal with Breaking Glass Pictures that put the film on even more big screens through a limited theatrical run of midnight screenings that began in October, and a DVD release in November.
Earlier in the year, Busey turned her attention to an eventually successful effort to convince Dallas Area Rapid Transit to extend protections to its transgender workers, and she continues her trans advocacy online.
— Tammye Nash
This article appeared in the Dallas Voice print edition December 31, 2010.
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