DTC announces 2014-15 season

Posted on 08 Apr 2014 at 6:01am
DTC-DTE Kurt Rhoads and June Squibb - by Brandon Thibodeaux

Oscar nominee June Squibb, last seen at the DTC in Horton Foote’s ‘Surviving the Estate,’ will return to play the lead in ‘Driving Miss Daisy.’

Dracula won’t be swooping into the Wyly Theatre any time soon, but Bruce Wood will make his debut with the Dallas Theater Center, and a recent Oscar nominee will make her return along with a Speedo-clad muscle man, the company’s artistic director, Kevin Moriarty, revealed this morning. The formal announcement will take place later today.

To kick off the season, audiences will get a sweet transvestite from transsexual Transylvania taking a jump to the left in the season opening, The Rocky Horror Show. Joel Ferrell will direct the gender-bending musical at the Wyly.

Ferrell steps immediately into the next production, which will take over the Kalita Humphreys space. Driving Miss Daisy will star June Squibb — who was just nominated for an Oscar for Nebraska — as a prickly Southern lady and her relationship with her African-American chauffeur.

Bruce Wood, the choreographer and occasional stage director, will make his DTC debut with Colossal, a world premiere play-with-dancing about football. It continues the DTC’s preoccupation with sports onstage (baseball with Back Back Back, basketball with Give It Up aka Lysistra Jones, pro wrestling with The Elaborate Entrance of Chad Deity).

“Consistent with [DTC’s mission of producing shows that reflect the community], this show is about people with disabilities — the man character is in a wheelchair,” Moriarty says. “The play will feature full-contact drills, with music provided by a drumline.” And the Wyly will be transformed into a football stadium, complete with bleachers and popcorn.

The musical Stagger Lee, written by DTC writer-in-residence Will Power and developed at DTC for several years, will have its main-stage debut.

“My first year here, I was approached by SMU, who wanted to present the Meadows Prize to a theater artist,” Moriarty says. “I gave them a list of about 10 names to discuss, and [when we decided on Will Power], SMU commissioned him to write a play as part of DTC’s season. The play is a mythical investigation of the African-American experience in the 20th century.

Also scheduled in a regional premiere, The Book Club Play, a romantic comedy about, naturally, a book club.

“Christie Vela runs the perfect book club, but then a documentary film crew comes to shoot it just as a new member joins, and mayhem ensues,” Moriarty says. It will be directed by Meredith McDonough — one of three women directing shows at the DTC this season.

rsDTC Artistic Director Kevin Moriarty_Photo by Tadd Myers

Kevin Moriarty

There are several significant developments this season. In addition to producing a record nine shows (the current season was only seven shows), Moriarty is launching a five-year “classical theater” initiative, which will mount at least two plays each season written before 1900. The two presented this year couldn’t be more different — at least on the surface: The 17th century farce School for Wives and the ancient Greek tragedy Medea. But Moriarty sees a theme.

“Both are plays about women denied power or justice, who eventually are victorious,” Moriarty says. The plays will be presented in repertory at the Kalita, with the Moliere comedy performed upstairs and Euripides’ masterpiece in the long-overlooked basement space, once known as Down Center Stage. Sally Vahle will play Medea, but will also take a role in School.

“It will be true rep — we’ll rehearse eight hours a day, the first four of one show, then lunch, then the next four with the other,”says Moriarty, who will direct both.

A Christmas Carol — this season performed at the Wyly for the first time, and included as part of the regular season subscription — becomes a bonus show again. The version performed this past December, written and directed by Moriarty, will be revived, though Lee Trull will direct and Jeremy Dumont will serve as choreographer.

Another development is that the traditional family-friendly summer won’t take place — or rather, hasn’t been programmed yet. The final show of the season will be a stage version of Jane Austen’s Sense and Sensibility. But that production will conclude before Memorial Day of 2015, meaning the summer of 2015 may still have a musical in it … but it’ll be part of the 2015-16 season instead.

The Dracula Cycle,  set to open last year, was delayed when the playwright, gay scribe Roberto Aguirre-Sacasa, become entrenched in commitments in theater (Spider-Man: Turn Off the Dark), television (Glee) and film (the Carrie remake). It was expected to return next season but has officially be taken off the books.

Here’s the complete schedule of shows and production dates:

The Rocky Horror Show at the Wyly, Sept. 11–Oct. 19.

Driving Miss Daisy at the Kalita, Oct. 16–Nov. 16.

A Christmas Carol at the Wyly, Nov. 25–Dec. 27.

The Book Club Play at the Kalita, Jan. 1, 2015 –Feb. 1.

Stagger Lee at the Wyly, Jan. 21–Feb. 15.

School for Wives and Medea at the Kalita, Feb. 19–March 29

Collosal at Wyly, April 2–May 3.

Sense and Sensibility at the Kalita, April 23–May 24.

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