If only DTC’s ‘Wiz’ had a heart. And I got yer horse right here, ‘Guys & Dolls’
ARNOLD WAYNE JONES | Life+Style Editor
If there’s one thing a gay guy can be counted on to know something about, it’s The Wizard of Oz. After all, the death of Judy Garland sparked the Stonewall Riots, and even before that, being a “friend of Dorothy” was code for practicing The Love That Dare Not Speak Its Name. You wanna change it? Be prepared for theater queens to take note.
And so it is with The Wiz, the 1975 funked-up, all-black musical that serves as the Dallas Theater Center’s season ender.
The appeal of Dorothy’s adventure has always been the exploration of self-understanding with heavy doses of psychology. (The folks she meets in her reveries about Oz mirror real-life people she knows in Kansas.) This rushed 90-minute kiddie show so trims the classic structure of the film (it’s closer in plot to the book, but that’s not a good thing), it feels more like a series of unrelated vignettes than a mythological journey of personal discovery. Dorothy gets to Oz, meets a good witch (not Glinda), hooks up with three buddies (sans Toto, who is only heard barking offstage in the opening), dispatches an evil witch in about six minutes then presumably makes it back home (we never see Kansas again).
DTC is marketing it as a “family musical,” and I suppose it is in the sense that we might start referring to Michele Bachmann’s husband as “family.” The show — even in this abridged version — is gayer than Liberace on Halloween. The Lion, always the nelliest of the bunch, basically admits he’s gay due to an absent father and strong-willed mother; so many men are obsessed with Dorothy’s shiny shoes (here silver as in the book, not ruby like the movie), I expected one of the Munchkins to be Stanford Blatch; and director Kevin Moriarty employs lithe, half-naked dancers from Dallas Black Dance Theater to gyrate their moneymakers — is this Oz from the book or the gay club on Bourbon Street?
Still, this version of The Wiz is just children’s theater without much heart, brain or courage (it’s difficult to tell if that’s the fault of the book by William F. Brown or the direction, which feels rushed). The style is presentational and flat, with the actors projecting broadly to the balcony with exaggerated emotions.
Although the set famously includes moving “pods” of seats that move the audience around the space, the main actors rarely perform as in true theater-in-the-round, except when the dancers jump into them. I counted a dozen repositionings, but the sense of movement only genuinely grabs you once; during the cyclone, which should make you feel dizzy and excited, the pods move lumberingly around dancers portraying winds. It’s all oddly unsatisfying: It’s there, it ends.
What’s surprising is that there’s not more magic considering how balls-to-the-wall strong most of the singers are. The Tin Man has never been my favorite character — face it: He’s never been anyone’s favorite … until now. Sydney James Harcourt delivers the only truly wrenching musical performance on his solo “To Be Able to Feel,” just moments after the juiced-up eroticism of “Slide Some Oil to Me.” It’s a sexy, charismatic turn in sharp relief to David Ryan Smith’s hilariously flamboyant Lion and James Tyrone Lane’s limber goofing as Scarecrow.
Liz Mikel hams it up, both as good witch Addaperle and her wicked sister Evillene, which gives her the chance to seethe and gnash her teeth at the youngsters in between belt-‘em-out anthems. But Trisha Jeffrey as Dorothy makes little impression. In this construct, without Toto to talk to, the character is a cipher with little to do but watch the rest of Oz upstage her, wondering “Why, oh why can’t I?”
Over at Fair Park, the national tour of Guys & Dolls does a good job of reminding us how gosh-durn terrific a songwriter Frank Loesser was. The score plays like a master class in Broadway hits, with standards (the most famous, “Luck Be a Lady,” isn’t even the best) that convey character through complex harmonies with toe-tapping brio. It’s ironic that “Sit Down You’re Rockin’ the Boat” makes the audience want to jump to its feet.
If only the production were quite at the level it needs to be to showcase those numbers at their best. Four of the five leads — Ben Crawford (Sky Masterson), Steve Rosen (Nathan Detroit), Megan Sikora (Adelaide) and Glenn Rainey (Nicely Nicely) — have great voices, with Sikora stealing the show as the squeaky-voiced stripper. (Erin Davie never rises above the confines of the show’s least interesting role, missionary Sarah Brown.) The book, based on Damon Runyon’s caricatures of New York low-lifes, still has some zingers (and Crawford is especially good at making the dialogue feel contemporary), but it hasn’t aged well.
It doesn’t help that director Gordon Greenberg cleaves closely to outmoded conventions, like a long
introductory ballet (danced only serviceably by a disappointing chorus) and extended, stylized sequences throughout that do little to advance the plot. And with the show clocking in just shy of three hours, there is plenty of room to trim.
Sikora, though, makes it worth a look-see alone, and the songs have more energy and have endured better than those of The Wiz. Given a choice, it’s a crapshoot between the Loesser of two Evillenes.
Anyone who has ever been trapped in an airport during flight delays knows the madness can become infectious, but being balanced and serene is worth the effort. Here are some tips to get your Zen on.
Exercise. You might be on vacation, but your body is not. Exercise in your room, in your hotel’s gym, outside (run on the beach!) or find a nearby gym. Investing an hour in working out can reduce stress, improve sleep and increase energy.
Choose the right attitude. If you approach traveling with the attitude of, “Ugh! I hate to fly/drive/sit,” you’ve already decided it’s going to be a terrible experience. Instead, make the decision to enjoy the journey. Find a good book or download some interesting movies on your iPad. A long flight can be hell… or six hours of scheduled “me” time. The choice is yours.
Eat right. There’s no such thing as “vacation” calories. A calorie is a calorie and unhealthy options are as unhealthy at the beach as they are at home. Make food choices that nourish your body and you’ll feel strong and you’ll enjoy your vacation even more.
Do less, accomplish more. Many treat vacations as narrow windows into which they cram in as much “fun” as possible. While tempting, it can result in seeing a lot but experiencing nothing. Instead, do a few things you’ll actually enjoy rather than constantly looking at your watch.
Stay hydrated. Planes have notoriously dry air; make it a point to get some water whenever the stewards or stewardesses offer it. After going through security, buy a large bottle of water. It makes your body infinitely more comfortable, especially on longer flights.
Meditate. Even if you don’t normally meditate, taking 10 minutes a day to sit quietly is refreshing. Ideally, meditation is best in a quiet room, but even on a packed plane you can make it work. If there is chaos around you, make it part of your practice! Tune it out and find your center. Among other things, it will help reduce tension, relieve stress and improve your mood.
Wash your hands. Restaurants and public transportation facilities are rife with germs. Vacations are more enjoyable when you’re healthy, so minimize your risk of getting sick by washing your hands often.
— Davey Wavey
This article appeared in the Dallas Voice print edition July 22, 2011.
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