Concert film of the gay-inclusive sitcom is as empowering as Bieber, but far more relevant
“Don’t Stop Believin’” also kicks off the new theatrical release Glee The 3D Concert Movie, and is played during the closing credits. Hey, when you have a formula that works, why introduce New Coke?
But this concert film is a strange hybrid — neither fully part of the series nor outside of it. The cast of Glee perform their hits songs, but all in character as their teen counterparts; in backstage interviews (and for the fans out front), they maintain the façade that 29-year-old actor Cory Monteith is really 17-year-old virginal jock Finn Hudson. That creates a convolution, if not a paradox: The Glee kids are lovable because they are nobodies, so why has all of New Jersey showed up to the Meadowlands to watch them perform an arena-rock concert with enough special effects to start a James Cameron film? When gay kid Kurt (Chris Colfer) looks at the camera to say, “Thank you for loving me” to his adoring fans, is he still Kurt?
Once you can get beyond this peculiarity, you begin to enjoy the film for what it is — that is, if you allow yourself to enjoy it. Watching the Glee movie is probably a lot like calling the DEA and reporting your ex as a Colombian drug mule: All In good fun, until someone finds out.
Yes, it’s a kind of coming out experience to admit you enjoyed a movie aimed at a teen audience (although middle-aged gay men are clearly the secondary target demo). The enthusiasm surrounding Glee isn’t appreciably different than that showered upon teenybopper acts like Justin Bieber or the Jonas Brothers: Rabid fan-fed joy fueling a giddy sense of teen empowerment.
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