Ryan Gosling has discovered a cool little niche for himself recently: He gives equal time to parading around shirtless showing off his abs on magazine covers and in digestible Hollywood pabulum (Crazy Stupid Love, The Notebook) and staring off blankly under the guise of acting in regrettable art films (Drive, All Good Things). That formula has won him praise by easily fooled critics, who appear to be the target audience for The Ides of March, a slow and pretentious political thriller in which Gosling gets to be the love interest and the intellectual hero, all without betraying anything bordering on genuine emotion.
Set during a presidential primary, it’s little more than a middling episode of The West Wing, laden down with a weak performance by Evan Rachel Wood, a contrived, unconvincing political scandal involving candidate George Clooney (who also directs, woodenly) and even a self-important title. Vote “no” on this ballot measure. Please, Ryan, just strip and stop trying.
— Arnold Wayne Jones
Two stars. In wide release.
This article appeared in the Dallas Voice print edition October 7, 2011.
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