The Music of ABBA tonight at the Meyerson

Thank them for the music

Unless you were one of the lucky ones a few decades back, The Music of ABBA tribute show is going to be the closest to hearing the Swedish pop gems live and that’s not so bad. This band delivers the goods to astounding perfection.

DEETS: Meyerson Symphony Center. 2301 Flora St. 8 p.m. $30–$70. DallasSymphony.com

—  Rich Lopez

MUSIC NEWS: Duffy, Natasha Bedingfield, Erasure, Hercules and Love Affair, Kylie Minogue, Daft Punk, ABBA, Deadmau5, plus five free mp3′s

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GuestbloggerMODERN TONIC

Modern Tonic — a free daily email delivering gay-approved pop culture gems before they get co-opted by everyone else — presents a weekly music update here on Towleroad.

RoadTODAY’S FEATURED NEW RELEASES:
 
EndlesslyAfter winning a Grammy® for her retro-fabulous debut Rockferry, Welsh singer Duffy doesn't stray far from her hit-making template on her follow-up Endlessly. Yet why should she? The highlights of her debut — the aching title track, the London tube-station inspired "Warwick Avenue," and the soul sparking "Mercy" — were guided with expert ears by the formed London Suede guitarist Bernard Butler. For Endlessly, Duffy recruited Albert Hammond of "It Never Rains in Southern California" fame (he's also the proud papa of the Strokes' guitarist Albert Hammond, Jr.). Hammond brings Duffy's blue-eyed Motown soul into the early 70's and mines her sensitive vibrato for a gritty AM-radio vibe. The premiere single "Well, Well, Well," with backing from the Roots, could fit perfectly between Al Green's "Let’s Stay Together" and the Staple Singers' "I'll Take You There" on a 1972 radiocast. "My Boy" harkens to the danceable soft rock that predated disco. And the title track is a gorgeous ballad as languid and warm as a long summer's day. The Euro-disco of "Lovestruck" sounds like it floated over from Kylie Minogue's Aphrodite; a baffling misstep that mars an otherwise pristine collection.   
 
Natasha As good as Natasha Bedingfield's songs can be, she's always seemed a bit anonymous, one in a line of solid but undistinguished pop singers. But her third album, Strip Me, might change all that — not only does it play like a non-stop singles machine, it's infused with more personality than ever before. First single "Touch" — produced and co-written by veteran Steve Kipner (Christina's "Genie In a Bottle") — is a bottom-heavy pop rave with crossover club potential. The title track, co-written with Ryan Tedder of OneRepublic, has a mid-tempo beat so slinky you're likely to start removing your clothes before the end of the first chorus. And Swedish beat-master Andreas Kleerup steps out of his dance-friendly comfort zone to offer up the airy synth ballad "Break Thru." Bedingfield’s in great voice throughout — clear and gritty; if this is her stripped, we wouldn't mind if she got naked more often.


Towleroad December 7, 2010 by moderntonic.com

RoadMUSIC NEWS:
 
ErasureRoad Erasure has re-recorded "A Little Respect" with the youth chorus from the Hetrick-Martin Institute as a fundraiser for both the Institute (home of the Harvey Milk High School) and Cyndi Lauper's True Colors Fund. It's available now at digital outlets.

Road The worst album covers of 2010.

Road No U.S. release date for Hercules and Love Affair's sophomore album Blue Songs yet (it's out in Europe January 31). Listen to the album's lead single, "My House," here.

Road An early review of Michael Jackson's posthumous Michael, out next week: "Not as terrible as you may think. I mean, we're not saying it's good, but…"

Road Kylie Minogue has released a digital bundle featuring her cover of "Santa Baby" from a few years back, plus a brand new recording of "Let It Snow." Stream the new track in our player above.

Road Katy Perry joined Glee hottie Darren Criss for a few lines of "Teenage Dream" during a live a cappella performance (with the Warblers!) at a Trevor Project fundraiser in L.A. Sunday.

Tinadico Road MPFREE: We've got a great collection of free mp3's in our player today. In order: "Synchronize" by Discodeine (aka French producers Pentile and Pilooski) featuring vocals from Brit-pop legend Jarvis Cocker, out today on DFA Records; Album track "Love All Around" from songstress Tina Dico's seventh studio album, Welcome Back Colour (a collection of greatest hits and new acoustic recordings), out February 1; "Cover Your Tracks," the new single from Canadian indie rock/ethereal pop band Young Galaxy; and a cheerful slice of holiday pop called "California Christmas" from NYC-based Sleepy Rebels off their new album Bah! Humbug!; the Razor N Guido Bango mix of Austin, Texas dance siren Zayra's "Baby Likes To Bang" off her EP of the same name.

Road Adam Lambert on his Grammy nomination and the American Idol "stigma."

Road MORE NEW RELEASES:
 
Tron The dancing French robots of Daft Punk return for their sinister, bleak and ambient soundtrack to — mais oui!Tron: Legacy.

A hybrid documentary, Feist's Look At What the Light Did Now (DVD/CD) follows the journey of her Grammy®-nominated release The Reminder and includes live footage, videos and more.

ABBA — the Swedish Beatles — offer a remastered edition of Gold, including 19 classic hits and a DVD's worth of remastered videos for all the dancing queens on your holiday list. (Play an ABBA quiz here.)
 
Deadmau5 Though a giant mousehead is involved, it's not Disney World when Deadmau5 returns with 4×4=12, eleven fresh dance tracks that prove that it must be hard to multiply inside a hot and sweaty mask.

RoadMUSIC VIDEOS:

Sufjan Stevens — "Too Much"
To go with the experimental orchestral folksiness of his latest The Age of Adz, Sufjan Stevens offers this pixilated, eye-popping video.

Darwin Deez — "DNA"
A couple dances through the end of their love from the kitchen to the outdoors to the bottom of a pool in New Yorker Darwin Deez's jumpy tune.

Edei — "Loved"
Twenty two-year-old Londoner Edei pines in her U.K. bedsit on this sweetly longing single — featuring the bass line from Ben E. King's "Stand By Me" — from her forthcoming, hotly anticipated 2011 debut.

Hurts — "All I Want for Christmas Is New Year's Day"
The dour Manchester duo Hurts forgoes the holiday blues by yearning for a bad year to end and a happy new one to begin. Lots of snow, a graveyard, an open grave, and a very Gothic vibe is attained.








Towleroad News #gay

—  admin

That ’70s Show vs. Show

2 music icons who rose to stardom in the disco age — Elton John and ABBA — face off (sort of) with modern takes on classic sounds

In the decade of disco, ABBA was at the top of the charts with hit after hit on the radio and the dancefloor. At the same time, Elton John was making his mark taking glam rock to new levels with his touch of gay flamboyance.

Both have endured — ABBA mostly in nostalgia, John with new albums on a regular basis. And they both hit North Texas this week — in a manner of speaking.
ABBA Mania recreates the live ABBA experience, while John’s tour stops in Fort Worth for his newest album, a collaboration with Leon Russell called The Union.

So which will you lean toward?

In The Union, John teams with Russell, the legendary R&B Okie, and producer-of-the-moment, Fort Worth’s T-Bone Burnett, combining John’s piano boogie and Russell’s bluesy roots — with mixed results. He’s been quoted as saying he’ll make real music now instead of pop fodder. The live show has won raves, with the first half devoted to the new CD and the last filled with John classics.

With John’s new “serious” outlook, will you have as much fun as you could at ABBA Mania? It was hard enough to sit still through Mamma Mia! without singing along while dancing out of your seat. The tribute show has toured the world with the absolute goal of giving the ABBA concert most people under 50 never got to see.

We broke down the best about John and the actual ABBA to see if it could help us make up our minds, but we may just flip a coin on this one. Tough call, for sure.

— Rich Lopez

………………………………

Elton JohnElton John (with Leon Russell)

…. wore outlandish bell bottoms, platform shoes and glittered glasses in the ’70s.

…. won an Oscar for the song “Circle of Life” for the Disney film The Lion King.

…. Does gigs with anti-gay personalities. At the Grammys with Eminem (forgivable) then performing at Rush Limbaugh’s wedding (his $1 mil fee went to his AIDS foundation — still deciding)

…. recorded “Hello, Hello,” a duet with Lady Gaga for the upcoming Disney movie
Gnomeo and Juliet about  garden gnomes in love.

…. conquered Broadway with The Lion King and Billy Elliot; won a Tony for
2000’s Aida.

…. being a gay man, had no ties to disco music during the rocking ’70s, with fellow community member Freddie Mercury of Queen.

…. lost a whole lotta street cred performing a Diet Coke commercial with Paula Abdul in 1990.

…. is a gay icon for being a diva, a legend and even kind of a bitch. He’s not much of an advocate for the community but stands by its side enough.

…. performs at the Fort Worth Convention Center Arena, 1201 Houston St. Nov. 13 at 8 p.m. $53–$173. Ticketmaster.com.

………………………………..

ABBAABBA Mania

…. wore outlandish bell bottoms, platform shoes, but with the occasional ascot and lederhosen. Not cute.

…. had a hit movie with their old songs in Mamma Mia! which turned out to be the No. 1 movie of all time in Britain. Oscar their ass.

…. sidestepped most public drama. Even the marriages and divorces within the band weren’t all that controversial.  Snore.

…. inspired the 1990s clones Ace of Base who subsequently inspired the beat behind Lady Gaga’s “Alejandro.” OK, that’s reaching, we know.

…. had a fling with Broadway when Benny Andersson and Björn Ulvaeus received acclaim and award noms for Chess and Mamma Mia!.

…. were all straight and the epitome of disco alongside the Bee Gees and Donna Summer. So straights do better dance music while non-straights can rock your face off. Who knew?

…. maintained their dignity by rarely, if ever, doing anything outside of performing their music.

…. are gay icons for their work on the dancefloor. All they really had to do to secure a spot in the gay pantheon was release “Dancing Queen.” Yes, ABBA, thank you for the music.

… plays at the Eisemann Center, 2351 Performance Drive, Richardson. Nov. 16 at 8 p.m. $40–$65. EisemannCenter.com/Tickets

This article appeared in the Dallas Voice print edition November 12, 2010.

—  Michael Stephens

The Women’s Chorus invites you to sing along with ‘Mamma Mia’

No, really, thank you for the music

As if the combo of ABBA and a musical on stage and the big screen isn’t heaven enough, The Women’s Chorus of Dallas goes one better. The ladies present Mamma Mia! The Movie Sing-Along! giving you the chance to belt out the way you wanted at the theater. “Dancing Queen” should likely be a spectacle to hear and see, on screen and off.

DEETS: Studio Movie Grill, 11170 N. Central Expressway. 2 p.m. $15. TWCD.org.

—  Rich Lopez

Best bets • 07.30.10

Saturday 07.31

Hit over the head with comedy

Seriously, there is nothing better than a man who makes us laugh. Four men and two women are even better. The improv comedy troupe Blunt Force Drama will work hard for your laughs, but we have yet to see out member Dave Cudlipp in action. As the strong, silent type, he may be the most hilarious.

DEETS: Mouth, 2626 Main St. 7 p.m. $10. MouthDallas.com.

Saturday 07.31

No, really, thank you for the music
As if the combo of ABBA and a musical on stage and the big screen isn’t heaven enough, The Women’s Chorus of Dallas goes one better. The ladies present Mamma Mia! The Movie Sing-Along! giving you the chance to belt out the way you wanted at the theater. “Dancing Queen” should likely be a spectacle to hear and see, on screen and off.

DEETS: Studio Movie Grill, 11170 N. Central Expressway. 2 p.m. $15. TWCD.org.

Thursday 08.05

No dinner with this murder mystery
In Theatre Three’s Sherlock Holmes in the Crucifier of Blood, we follow the detective all the way from India to an opium den in London as he unravels his mystery of the moment. But the best part — it already sounds better than the Robert Downey Jr. movie.

DEETS: Theatre Three, 2800 Routh St. #168. 7:30 p.m. Through Sep. 5. $20–$40. Theatre3Dallas.com.

This article appeared in the Dallas Voice print edition July 30, 2010.

—  Kevin Thomas