At its heart, Anonymous is no more historically accurate than Shakespeare in Love, a film with which it shares several characters but little else — either plot or tone. In Love, the Bard was shown as a capable playwright finally...
Read MoreKevin Moriarty is a director who embraces the full spectacle of Shakespeare, and while you can disagree with his decisions sometimes, you have to respect his commitment. He likes elements we might consider by-products of the...
Read MoreLast month, Britain’s National Theatre broadcast the (sort of) live production of its stage version of Fela!, a musical about the African musician and activist who eventually died of AIDS. The same service now presents a very...
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