VIDEO: Cupcake, meet beefcake

If you’ve been wanting to make a contribution to a Kickstarter campaign — that web site that allows people with movies, albums, books and the like to crowd-source funding — I may have found the perfect one for you. Babe Scott — she’s the babe, duh — is trying to launch a cookbook called Man Candy & Cupcakes. And it’s just what you expect: 40-plus recipes, presented with shirtless (nay — near naked) male bakers. And if you think bakers are gonna be as round as a cupcake, well, you’re wrong. They bring the beefcake to cupcakes.

Here’s a video… You know, if you want to make a contribution … not just to stare.

—  Arnold Wayne Jones

WATCH: Gay singer Matt Zarley’s ‘WTF’

If you’re not familiar with Matt Zarley, the pop singer, think Colton Ford or Brian Kent. They kind of run together in that scruffy-but-polished-gay-dance-singer category. They sing fine, but rely more on looks, muscle and dance beats to get our attention.

Instinct oozed all over this new Zarley vid, which doesn’t highlight his beefcake as much as it just includes a whole bunch of it. The song is cheese, as is the video (if not kinda embarrassing), but wanted to share since he debuted it earlier this week. It’s probably PG-13, so I can’t give it a strong NSFW rating.

WTF from Matt Zarley on Vimeo.

—  Rich Lopez

BEEFCAKE WEEKEND: Porn stars to pack ‘em in

Samuel Colt, left, and Chris Porter
Ricky Sinz

Maybe you could call it ironic that the weekend before Fat Tuesday, Dallas is being inundated with lots of muscle. It also gives those gays who head down to Cedar Springs something to repent during Lent: Lustful feelings will be top on the list.

Over at The Tin Room, Men magazine’s Man of the Year for 2010, Samuel Colt, pictured top right, joins real-life boyfriend and fellow adult film star Chris Porter, below right, for two nights of booty-shaking deliciousness. They will make a joint appearance starting at 11 p.m. on Friday and Saturday.

Also on Saturday, hot star and multiple GayVN Award winner Ricky Sinz, pictured below, will make his Dallas bow with an appearance at TMC: The Mining Company. You can get your photo taken with the sexy hunk beginning at 11:30 p.m

Samuel Colt and Chris Porter at the Tin Room, 2514 Hudnall St. March 4 and 5, 11 p.m.—2 a.m.

Ricky Sinz at TMC: The Mining Company, 3903 Cedar Springs Road. March 5, 11:30 p.m.

— Arnold Wayne Jones

—  John Wright

Sticky sweet

Cheeky raps and beefcake videos? Yes. But Cazwell is serious about his music … even if he is a club diva

RICH LOPEZ  | Staff Writer lopez@dallasvoice.com

HIS ‘ICE CREAM’ BRINGS THE BOYS TO THE YARD  |  Damn right! Cazwell, in front with white hat, put together his viral video in a day, but the rap is poised to be his biggest hit yet — thanks in large part to all the beefcake.
HIS ‘ICE CREAM’ BRINGS THE BOYS TO THE YARD | Damn right! Cazwell, in front with white hat, put together his viral video in a day, but the rap is poised to be his biggest hit yet — thanks in large part to all the beefcake.

CAZWELL
Station 4, 3911 Cedar Springs Road. Sept. 30 at midnight. Doors at 9 p.m. $15.
Caven.com.

………………………………..

The most surprising thing about Cazwell is his soft-spoken demeanor. With all the bravado in his rhymes, ranging from overtly sexual to ridiculously fun, he’s really just a guy. He just happens to also be the toast of gay club culture. But first thing’s first.

“Normally it takes a couple of months of planning,” he says. “But we did this quick.”

He’s referring to “Ice Cream Truck,” his rap and video which has turned into a sensation on gay dancefloors everywhere.

With a bevy of scantily clad beefcakes, including the tattooed hunk himself, the music video is two minutes and change of amateur production that doesn’t matter one bit — its guerrilla roots aside, it’s sexy as hell. When the video pops up at Station 4, the boys aren’t hoppin’; they’re staring at the monitors.

“That’s awesome,” he chuckles. “We were just gonna run up an ice cream truck with some friends and make it into this summer video. I knew some of the guys; Marco [Ovando, the director] knew others, and they came over. We filmed the whole thing at my apartment in a day.”

The video was posted a month ago on YouTube by Cazwell’s label, Peace Bisquit, and has notched more than 2 million views. For what started out as “a stupid song” for a movie called Spork, the old-school rap recorded in three hours is positioned to be Cazwell’s biggest hit to date.

With this tune and others such as  “I Seen Beyonce at Burger King” and “I Buy My Socks on 14th Street,” it’s easy to get the impression that Cazwell is more club kid than musician. And that would be wrong.

“I am serious about music,” he says. “Just because I don’t get too deep with my lyrics shouldn’t make me feel like I don’t do a good job. I’m flowing with it and I know I’m doing a good job. I think people might take things way too seriously. I just want people to connect to what I’ve done.”

Good thing, then, that he’s down with the people almost every night.

“Clubs are my life. I’m out like five nights a week,” he admits. “I don’t think anything shapes my music as much.”

Cazwell’s music is club-based, with slick danceable beats and raps that flow well over his groove. He’s a throwback to actual disco from its heyday. Cazwell and his team cleverly sidestep the detachment of DJ-induced techno and house and deliver reliable music to dance to.

“DJing has influenced my music and lyrics,” he says. “To me it’s more about the hook and lyrics. I think people don’t wanna think so much. That’s what I’m hearing in clubs. People just want to dance.”

With a big life in the circuit and club scene, Cazwell seems to have a very un-Lohan like air. He describes himself as a closet health nut and begins discussing his crash regimen to get cut for “Ice Cream Truck:” He swears by liquid meals and cleansing protocols.

“That’s changed my life the most,” he says. “I see results really quick and I’ve lost most of my cravings for processed foods — unless I’m stoned. Plus, I go to the gym as much as I can.”

Regardless of his boisterous persona and ability to get shirtless faster than Matthew McConaughey at a paparazzi convention, Cazwell is just a timid soul. Or so he says.

“The thing that would surprise most people about me is that I’m really, really shy,” he says. “People don’t expect that and sometimes I think they feel like I’m not making an effort. But, yeah, I’m painfully shy. “

He assures that won’t be an issue at Thursday’s meet and greet after his show at Station 4 — he knows how to turn it on. Mostly, he looks forward to meeting the fans he gained with his last show in Dallas at minc back in 2007. Plus, being in a different city than the Big Apple gives him some new perspective.

“Sometimes I take it for granted that I live in New York City where all these gay guys know the words,” he says. “I think they gain a sense of entitlement, but in a good way. I want people to feel like that. I hate to sound corny but it’s cooler to be gay than straight and I want people to get a taste of that.”

This article appeared in the Dallas Voice print edition September 24, 2010.

—  Kevin Thomas

‘The Twilight Saga: Eclipse’ targets the gay community … even though its Mormon creator favors anti-gay author

Two things — well, three really — about the new Twilight Saga entry, Eclipse. First, my review will be in the paper this week, so look for it. That’s kinda the third thing.

Second, when perusing the press site for the film, I came upon these two photos. Look carefully at Taylor; now look at Robert; they are actually the same picture, taken from a scene from the film. The only difference — other than the fact that, once you look closely, you can see how it was Photoshopped — is that in one, the girl is missing. Now, she’s in the scene in the movie. So the question is, why was she removed from the photo?

And the answer, according to one person in my office, is clearly: To appeal to the gay community.

Certainly it is convenient for the studio to streamline all the beefcake in one two-shot and omit the woman — which, when I think about it, is probably the only reason most girls go to see these films. (Who likes Bella, anyway?) But I think gay guys want it all conveniently tied up without female distractions, too. And the producers know it.

They also seem to know it insofar as the two directors in competition to helm the adaptations of the last book in the series were gays Gus Van Sant and Bill Condon (Condon got it). But deep down, it’s hard not to feel exploited by the creator.

Which brings us to point No. 3: The author of the books, Stephenie Meyer, is a devout Mormon who had never written so much as a letter to the editor before she became fabulously wealthy with her Twilight series. Some have analyzed the books through the prism of the LDS church, noting the virginal heroine and Edward’s insistence on marriage are conservative religious principals. Meyer has denied it.

What she hasn’t denied is being a fan of Mormon sci-fi author Orson Scott Card. Card is a virulently anti-gay bigot (which, if you saw the documentary 8: The Mormon Proposition, is par for the course for that cult). Last year, he joined the board of the anti-gay National Organization for Marriage and has said no one can claim to be gay and a Mormon.

Now, I see these movies for free as part of my job (plus I have a well-documented crush on Taylor Lautner). But it makes you wonder: Does Meyer agree with Card’s view on homosexuality? Does she have as much contempt for her gay fans as Card seems to?

—  Arnold Wayne Jones