‘Carol’ charming

The lion, the ghost and the wardrobe changes of Carol-er David Ryan Smith

DTCs-The-Wiz

FROM OZ TO DICKENS | David Ryan Smith got a chance to work at both DTC home bases in 2011, playing the Cowardly Lion in ‘The Wiz’ at the Wyly, and now multiple roles in ‘A Christmas Carol’ at the Kalita. (Photos courtesy David Leggett and Karen Almond)

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

David Ryan Smith isn’t a Dallas native, he just seems to play one onstage.

The  New York-based actor has made the Dallas Theater Center almost a second home in 2011 — first playing the Cowardly Lion in last summer’s The Wiz (one of the triumvirate of friends of Dorothy, along with the Tin Man and Scarecrow, who stole the show), and currently in several roles, most notably the

Ghost of Christmas Present, in DTC’s annual revival of A Christmas Carol.

So what accounts for his sudden honorary Texan status? Even he doesn’t know.

“I’d never even been to Texas until this summer,” he says. He grew up in Asheville, N.C., before attending school in Indiana and later San Francisco; he moved to New York six years ago. But he “had a great time” here.

Really?! He liked spending a record-settingly sweltering summer in a furry lion suit? Well, yeah, kinda.

“I’m not a big musical-theater actor, but I’d always wanted to do The Wiz,” he says. He’d auditioned for the DTC before when the company held casting calls in NYC, but actor and part never quite clicked before. Still, he agreed to assist the casting director, helping read other actors for parts. Then the casting director suggested he would be right for the Lion. DTC artistic director Kevin Moriarty agreed, and his Texas tour was on its way.

“The Theater Center is great — the facility and the people. And working with the Dallas Black Dance Theater was amazing, they are all so talented.” He even became friends with his Wiz co-star Liz Mikel, who is in New York right now preparing for her Broadway debut in Lysistrata Jones.

But Smith also wanted to work with DTC’s Joel Ferrell. “Liz and Cedric [Neal] told me, work with him if you can,” he says. So when Ferrell returned this year to direct A Christmas Carol again, Smith jumped at the chance.

It actually wasn’t his first experience with DTC’s annual holiday show — Smith had worked in San Francisco with former DTC associate Jonathan Moscone, who mounted a version of Christmas Carol in the 1990s. “He was really proud of that show,” Smith says.

So what’s it like staying in the holiday spirit 10 times a week since Halloween? Not as hard as you might imagine, Smith says.

“We do original music, not the same old Christmas carols you hear everywhere, so at least it doesn’t make you cranky,” he says. “And wearing those boots [as the Ghost of Christmas Present] takes you into a whole other reality. I see my job in that role as forcing [Kurt Rhoads, who plays Scrooge] into changing. Kurt’s a wonderful acting partner.”

An even better partner is Smith’s boyfriend of five years, Josh. How do they handle Smith being on the road so much?

“It’s part of the job,” he sighs. “Usually he comes to visit, but because of how the holidays fall this year, he won’t get down here, though he visited during

The Wiz. And actually it makes the time we spend together all the better.”

That’s the way to stay in the holiday spirit — especially for a man playing a holiday spirit.

This article appeared in the Dallas Voice print edition December 9, 2011.

—  Kevin Thomas

“A Gathering — 30 Years of AIDS” tonight at the Winspear

Come together

The Dallas arts community is coming together for a spectacular One-Night-Only performance commemorating 30 Years of AIDS. An unprecedented collaboration between some of the finest arts organizations in Dallas, A Gathering: The Dallas Arts Community Reflects on 30 Years of AIDS will feature eleven Dallas cultural institutions coming together and sharing their talents to create a powerful evening of entertainment. With a cast of more than 200 singers, dancers and actors, A Gathering promises to be a soul-stirring performance, and a night to remember.

All the organizations involved are donating their time and talent for this unique performance. 100% of the proceeds will directly benefit four of Dallas’ leading AIDS service organizations. Don’t miss this rare opportunity to be a part of an extraordinary night of song, dance, hope and solidarity.

Participating organizations: AT&T Performing Arts Center, Booker T. Washington High School of the Performing and Visual Arts, Bruce Wood Dance Project, CharlieUniformTango, Dallas Black Dance Theatre, Dallas Opera, Dallas Theater Center, SMU Meadows School of the Arts, Texas Ballet Theater, TITAS and Turtle Creek Chorale

—AT&T Performing Arts Center

DEETS: Winspear Opera House, 2403 Flora St. 7 p.m. $12–$100. ATTPAC.org/Gathering

—  Rich Lopez

Try the Dallas Black Dance Theatre for lunch this week

How about a pirouette for lunch

The Dallas Black Dance Theatre is going to make your lunch plans a whole lot more interesting this week. Now an annual event, the mini-series called Behind the Scenes offers noontime performances. That is something totally to be thankful for. The first two shows will offer a sneak peek at their December Winter Series. The troupe performs A Rag, A Bone and a Hank of Hair to the music of Earth Wind and Fire on Wednesday.

DEETS: Dallas Black Dance Theatre, 2700 Flora St. Noon. Free. For reservations call 214-871-2390. DBDT.com

—  Rich Lopez

Best bets • 11.19.10

Friday 11.19

Girls, comas and dolls — oh my

The Dresden Dolls and Girl in a Coma are perhaps one of the better musical pairings this year. At least for the gay contingent. GIAC rocks out the lesbian in all of us and The Dresden Dolls’ dark cabaret act has been resurrected by Amanda Palmer and Brian Viglione, much to the delight of  the fans who thought their self-imposed hiatus would never end.

DEETS: Granada Theater, 3524 Greenville Ave. 9 p.m. $29. GranadaTheater.com.

………………………………………

Saturday 11.20

So they think they got talent

The Texas Gay Rodeo Association hosts Thanks for the Giving which shakes up your usual talent show. TGRA puts nonprofits to the test who have to put their best entertainer up to lip-sync, dance, drag or whatever for their life. Or at least for some fat cash. The winner of the contest takes it all for their agency.

DEETS: Dallas Eagle, 5740 Maple Ave. 6 p.m.
DallasTGRA.org.

………………………………………

Monday 11.22

How about a pirouette for lunch

The Dallas Black Dance Theatre is going to make your lunch plans a whole lot more interesting this week. Now an annual event, the mini-series called Behind the Scenes offers noontime performances. That is something totally to be thankful for. The first two shows will offer a sneak peek at their December Winter Series. The troupe performs A Rag, A Bone and a Hank of Hair to the music of Earth Wind and Fire on Wednesday.

DEETS: Dallas Black Dance Theatre, 2700 Flora St. Noon. Free. For reservations call 214-871-2390. DBDT.com

This article appeared in the Dallas Voice print edition November 19, 2010.

—  Michael Stephens

Applause • Black. Power. Movement.

Dallas Black Dance Theatre ramps its 2010-11 season way up before celebrating 35 years

RICH LOPEZ  | Staff Writer

Dancers Chris and Bravita
Dancers Chris and Bravita bring a fine line to the new season of the Dallas Black Dance Theatre. Photography by Richard W. Rodriguez

As far as birthdays or anniversaries go, 34 isn’t usually considered a standout milestone. But for Ann Williams, it means a lot.

As the founding artistic director of the Dallas Black Dance Theatre, Williams sees the company’s upcoming 34th season as one of renewal and renovation — and one about preparing Dallas for its inevitable 35th year in the city.

“I did not think 35 years ago that it would ever be like this,” says Williams. “Back then, I just wanted a place to educate little girls; I just had my academy. Now, we get to service the city with professional dance theater.”

The DBDT calls its 2010–11 lineup A Season of Strength, Intensity and Seduction — virtues that have kept the theater going seemingly nonstop. Without missing a season since its beginning, DBDT renews itself by bringing in four new dancers to the troupe — not to mention last year’s move from the Majestic Theater into the Wyly Theatre, and its new home at the old Moreland YMCA in the Arts District.

Williams, with executive director Zenetta S. Drew, has steered the organization into its rightful place among Dallas arts.

“There’s been such a boon of the arts in Dallas,” Williams says. “I hope it continues with the economic times, but we’ve also been privileged to have these arts in this town. Plus, it’s exciting that we have the theater. We can actually plan a series.”

On both sides of the stage, the theater has had its own connection with the LGBT community. In past seasons, and even in the upcoming one, the theater has performed works by noted gay choreographers.  In February, the theater performs its Cultural Awareness Series including Smoke by Fort Worth’s Bruce Wood.

“For our dancers, the stigma of being gay has not hindered them or anyone not one bit,” Williams says of the welcoming approach the DBDT has taken toward the gay community— whether in the seats or onstage. “When I audition a dancer or talk to a potential employee, dance must be their passion. But I want everyone to remain individuals. I don’t want to see anyone hold something in. The only time I want to see people fitting in is during rehearsals. That’s the only time I have for cohesiveness.”

This season starts with the fifth annual DanceAfrica Festival at the Majestic. Despite its new home, DBDT keeps some ties to its former stage. The October event features dance, music art and cuisine of Africa.

This also marks a season of collaborations. DBDT teams up with the Dallas Museum of Art for African Masks: The Art of Disguise in October, the Irving Symphony for Hope Boykin’s in-ter-pret and perhaps the most anticipated, the Dallas Theater Center’s July production of The Wiz. All of this has Williams pretty excited.

“This is going to be so cool! There will be over 55 performers in this show,” she says.

The collaboration combines the Wyly’s two resident companies, and should also introduce Dallas Black Dance Theatre to new audiences it might not have gotten on its own. Williams finds that even today, the theater can break barriers.

“We have had very supportive audiences,” she says, “but we always want to reach out to others and embrace new fans.”

Growing from a basement space academy over three decades ago, Williams is aware that she has created an arts legacy for this city — even if she can’t believe it.

“I’m very humbled by who we are. It is still surprising,” she says. “When I see those beautiful dancers onstage working together, it brings tears of joy.  It really does.

And she wants to remind the audiences that they can expect a great season, but be prepared for the next.
“Thirty-five is right around the corner,” she says with a smirk. “That is the year we will really show out.”

Dallas Black Dance Theatre
2700 Flora St. The 2010-11 season begins with the
5th Annual DanceAfrica Festival
The Majestic Theater, 1925 Elm St.
Oct. 8–9. $10. Season tickets $96–$208. 214-871-2376.
DBDT.org.

This article appeared in the Dallas Voice print edition August 27, 2010.

—  Kevin Thomas