REVIEW: ‘Bull’

Alex Ross, Jeremy Schwartz with Natalie Young, Ian Ferguson (Photo by Karen Almond)

Alex Ross, Jeremy Schwartz with Natalie Young, Ian Ferguson (Photo by Karen Almond)

Thomas (Ian Ferguson), a schlubby British salesman, fidgets nervously in a stark room. Across from him, Isobel (Natalie Young) sits coolly, dressed elegantly and moving with the stealth of a panther. “Why didn’t you wear your good suit?” she asks Thomas. He thought this was his good suit. Maybe she’s screwing with him. Then Tony (Alex Ross) walks in. “Why didn’t you wear your good suit?” he asks. And from there, the dominoes fall.

Bull, a play by Cock playwright Mike Bartlett, takes its name in equal measure from the bullshit that yuppie business types toss around each other and the bullying that takes place of Thomas, unrelentingly, for an hour. These aren’t playground taunts and gimme-your-milk-money strong-arm tactics; they are acts of outright warfare where words are weapons and victory requires scorching the earth of your adversary. It’s medieval, primal … and completely contemporary.

It’s also gimmicky, though not necessarily in a bad way. It’s easy to make people squirm uncomfortably while watching someone, if not self-destruct, then at least contribute to his own demise through poor decision-making. Just have the characters be unrelenting, the protagonist (? — Thomas is hardly a hero) do the exact wrong thing at each moment. It’s patent audience manipulation, but it does serve a purpose: Just how far will human nature take us? Does compassion ever kick in?

But an even better point raised by this production, directed by Christie Vela and performed through the weekend at the Wyly courtesy Second Thought Theatre, is whether Thomas deserves our sympathies. Awful as it is to say, Thomas projects his weaknesses and allows himself to be victimized by them. You wanna slap him and yell, “Stop being a doormat!” But maybe he can’t help it — maybe he is destined to be forever walked upon. After a while, his whiny lack of survival techniques begins to make you see the point advanced Isobel, Tony and later their bloviating boss Carter (Jeremy Schwartz): If you can’t swim with the sharks, you’d better get out of the water or relent to a life as chum.

Of course, as much of a weakling as Thomas is, the cruel mindgames Tony and Isobel relentlessly inflict upon him — from a homoerotic exercise calculated to emasculate him to bitchy snipes that burrow under his skin — take them to the point where they reject their own humanity. You begin to see this as some elaborate twist on the TV show The Apprentice (Bartlett even mentions the show, which, I wouldn’t be surprised, was his inspiration for writing the play). What they do becomes a form of torture. They are cold-blooded.

Still, the play is better than Mamet’s equally divisive and outrageous Oleanna, in part because the issues seem more present. And the fact the cast delivers all the animus with such steely-eyed makes it all the more shocking. It’s not the kind on play to see on a date, but do it. What, are you afraid you little pussy? Huh … punk?!

—  Arnold Wayne Jones

Cazwell headlines a full day of Razzle Dazzle today

Bedazzled

Once you recover from last night’s MetroBall, then you have a full day of Razzle Dazzle with today’s street festival. The day starts with the Sidewalk Sale and Fair where merchants once again offer discounts on your shopping excursions. The cool part will be the vintage auto show.About 50 autos from Classic Chassis Car Club will be parked along Cedar Springs Road until 4 p.m.

The night picks up when the Street Festival gets underway featuring live performances by Cheer Dallas, The Bright, Uptown Players, Chaz Marie, the Gary Floyd Trio and more. DJs Mickey Briggs and Tim Pfleuger provide dance music all night. All that will be highlighted by the return of Cazwell on the mainstage. And there is still all the goings-on in the bars and Midway of carnival games, a mechanical bull and an obstacle course. This could be like gay Wipeout.

DEETS: Cedar Springs Road and Throckmorton Streets. Sidewalk sale 10 a.m.–4 p.m., Street Festival 7 p.m.–1 a.m. Free. RazzleDazzleDallas.com.

—  Rich Lopez

Photo: Crocheted Wall Street Bull

Bull 

Before the blizzard hit this week, NYC street artist Crocheted Olek hit Wall Street with her most recent stealth art piece. I've posted her work before (see here) but it seems to be getting a bit more monumental.

Olek (whose real name is Agata Olek) crocheted a coat around the famous Wall Street bull, which lasted for about two hours, she says.

Olek writes: "It was truly a year of guerrilla actions that opened a new path in my crocheted investigations.
I started it with a bike and ended up with the Charging Bull as a Christmas gift to NYC and a tribute to the sculptor of the bull, Arturo di Modica, who in another guerrilla act, placed the bull on Wall Street in Christmas of 1987 as a symbol of the 'strength and power of the American people' following the 1987 Stock Market crash."

Bull2

(images via animal and agata olek)


Towleroad News #gay

—  admin