Show vs. Show

In this installment of Show vs. Show, we take a look at two bands both welcome at any party. It’s the battle of young and not-so-young as The B-52s bring out their campy tunes and CSS turn on their Brazilian beats for Dallas audiences.

Despite a healthy discography, we might always know The B-52s for “Love Shack,” but there are worse tunes on which to hang a legacy. Now a classic party anthem, the song has held up for more than 20 years.

The band’s talent shouldn’t be overlooked for its camp factor. When the late Ricky Wilson threw down that riff for “Rock Lobster,” he made music history with a strong sound. It’s easy to blow off, but over the years, has proven unforgettable. Guitarist Keith Strickland stepped in and filled those shoes with the perfect blend of musicality and whimsy.

Cindy Wilson and Kate Pierson always keep our attention with their mod outfits and high-to-heaven ’dos, but Fred Schneider symbolizes the band most with his outrageous flair.

But don’t count out CSS for party ’peal. The Brazilian popsters may be the heirs apparent to The B-52s (if not LMFAO), infusing a comic touch on their songs. They don’t offer as much of a punchline as The Bs do, but with tunes like “Let’s Reggae All Night” and “City Grrrl,” they add their own panache. Another point in their corner is opening dance band and performance artists MEN, led by lesbian JD Samson.
This should be more like Party vs. Party. All that’s missing are the party favors, confetti and punch bowl.

— Rich Lopez

Artist: The B-52s

Concert-2

The B52's

 

Known mostly for… being the premiere party rock band veterans, churning out hits “Rock Lobster,” “Love Shack” and “Roam.”

Good for the gays? As gay as it can get. Their camp factor is off the charts.  And of course, there’s queer singer Fred Schneider.

What to wear? Anything but beige or gray. And lots of hairspray.

Relevance: The B-52s haven’t delivered big since 1989’s Cosmic Thing, but their songs are timeless fun.

Reason to be there: This is one resilient band that wholeheartedly still delivers. And how awesome is “Love Shack” going to sound live?

Reason to not: It’s in Frisco.

Deets: Dr. Pepper Arena, 2601 Avenue of the Stars, Frisco. Nov. 3
at 7:30 p.m. $27–$77. Ticketmaster.com.

Artist: CSS

Concert-1

CSS


Known mostly for… their Brazilian dance pop. Hipsters party out to this band
that wants nothing more than to have a good time.

Good for the gays? With openers MEN, both are queer-centric with refreshing
but catchy tunes.

What to wear? Ironic T-shirts and colorful Converse Chuck Taylors.

Relevance: Their latest album, La Liberacion, strikes an unusual dance chord that’s also infectious and irreverent.

Reason to be there: While CSS has a strong fan base, they are still off the gaydar. You can be the one to tell all your friends about them.

Reason to not: With this one-two punch of catchy alterna-pop, there really isn’t a reason not to be there.

Deets: With MEN. House of Blues, 2200 N. Lamar St. Oct. 28
at 8 p.m. $18–$20. HouseOfBlues.com.

This article appeared in the Dallas Voice print edition October 28, 2011.

—  Kevin Thomas

Dance 10, smarts 3

If we could turn back time … we’d still want to see Cher in this campy hoot

QUEER DELIGHT | Stanley Tucci as the gay BFF and Cher imbue ‘Burlesque’ with crazy camp appeal.

3.5 stars
BURLESQUE

Cher, Christina Aguilera, Stanley Tucci, Cam Gigandet, Eric Dane.
Rated PG-13. 125 mins.
Now playing wide release.

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In Burlesque, pop diva Christina Aguilera plays a small-town girl with a big voice who leaves the heartland to chase a predictable dream in L.A. She lands a job as a cocktail waitress at the Burlesque Lounge, meets a couple of hot guys (Cam Gigandet and Eric Dane), builds a friendship with one dancer (Julianne Hough), makes enemies with another (Kristen Bell), and learns a few life lessons from Tess (Cher), a broke, weary, but totally hot burlesque goddess with a heart of gold.

Big surprise: It’s not a great script. The mortgage is due and the moneylenders lurk and gosh, the lounge needs a miracle to survive! But who will go see it for the plot, the hokey dialogue or the not-so-great acting from Aguilera (her character is hardly full-bodied, with a backstory that is even slimmer than her hips).

But do go see it, because the movie is exactly what its audience is looking for: A campy, sexy hoot. It struts. It’s fun. It’s funny. There’s some serious eye candy with Gigandet and a box of cookies. There’s Stanley Tucci, playing Sean, the surly gay manager of the lounge.

And of course, there’s Cher. Cher still has the glam to pull the clichéd Tess off — and she still has that voice. The ups and downs of her life (both Tess and Cher) can be summed up in one show-stopping number: “You Haven’t Seen the Last of Me.”

Burlesque is not supposed to be Cher’s movie, but she steals it anyway — along with Tucci, whose one-night stand with a potential life partner is heartwarming and real. Tucci may be playing a gay BFF to a burlesque queen, but Sean is not some kind of gay caricature. He’s the heart of a film that has no brain.

— Angela Wilson

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Diva-licious

It’s unfortunate that Cher and Christina Aguilera don’t get a duet on the Burlesque soundtrack. Wonder who was the bigger diva voting against that. But we digress. Fact is, yes, Aguilera has the voice and uses it with all its might on eight of the 10 tracks. Playing with soulful rock, jazz and ’50s throwback a la Back to Basics, she’s in fine form.

Opening with “Something’s Got a Hold On Me,” Aguilera sets the tone, belting out a strong intro and morphing into something from a Jerry Lee Lewis album. In “Tough Lover,” she does her best Little Richard with the high-pitched “whoos,” but still growls her own signature.

When the songs go more contemporary, they deliver some radio-ready tunes. “Express” and “The Beautiful People” are fun highlights and she delivers  in the ballad “Bound to You.” She’s reliable that way.

Cher contributes only two tracks: “Welcome to Burlesque,” a cliche opening weirdly recalling Aladdin’s “Arabian Nights,” and “You Haven’t Seen the Last of Me.” This one’s a beautiful gem for her. Oscar nom? Hard to say. But maybe. While never earthshattering, there is a lot of fun to be had on the album. Just hearing Cher again has a queer appeal all its own.

— Rich Lopez

Three stars

This article appeared in the Dallas Voice print edition November 26, 2010.

—  Michael Stephens