The Dallas Opera has announced its 2013-14 season, adding a fourth mainstage opera to this season’s smaller lineup of three major productions. That’s still under the five operas they had mounted in previous seasons.
Entitled Love Transformed, the season is made up of two familiar works, and two less well-known. It begins with Bizet’s Carmen, kicking off the season (as usual) in October. That classic will be followed in February 2014 with American composer Tod Machover’s Death and the Powers, then Erich Korngold’s Die Tote Stadt and Rossini’s The Barber of Seville in repertory in March and April.
Carmen will be directed by acclaimed gay stage director Bliss Hebert and conducted by Emmanuel Villaume. Death and the Powers, inspired by sci-fi, is a one-act opera by the still-living MIT professor Tod Machover, who specializes in a modern, rule-breaking operatic style. Die Tote Statd (The Dead City), by Hollywood composer Korngold, will be conducted by Sebastian Lang-Lessing and staged by Mikael Melbye.
No director or conductor was released for Barber of Seville, but it appears all four productions will have different artistic staffs. Dallas Opera musical director Graeme Jenkins, pictured, is stepping down following his conducting of The Aspern Papers, the last production of the current season. It runs in rep with Turandot starting in April.
Subscriptions for season tickets start at $76 for all four productions, and include benefits such as priority seating and exclusive cabaret recitals. DallasOpera.org.