Latin flair

comedy
MUY FUNNY | Dan Guerrero works for laughs while being gay and Latino in his one-man show.

Before he could write ‘¡Gaytino!,’ Dan Guerrero first had to find his roots

rich lopez  | Staff Writer
lopez@dallasvoice.com

Growing up gay and Latino can be a tough hand to play. In a culture that revels in religion and machismo — hell, the word “machismo” is Latino — coming out poses pitfalls.

But Dan Guerrero lucked out. With some artsy upbringing by a musician dad and a not-so-practicing Catholic background, Guerrero’s closet was easy to open. In fact, it was harder for him just to be Hispanic.

“Los Angeles never made me feel like I was good enough,” he says. “I fell in love with musicals in junior high. I wanted to hear Julie Andrews in Camelot! Who gives a rat’s ass about mariachi?”

His dad might have given one. He was famed musician Lala Guerrero, the father of Chicano music who popularized the Pachuco sound in the 1940s (the beats most associated with Zoot suits and swing dancing). While Guerrero appreciated his father’s legacy, he established his own identity by moving to New York to become an actor. That didn’t work out so much, but becoming an agent did.

“It was kind of by accident, but I ended up being an agent for 15 years,” he says. “I got into producing and I loved it.”

Although he stepped away from performing, Guerrero finds himself back onstage Friday and Saturday at the Latino Cultural Center with ¡Gaytino! The autobiographical one-man show is part comedy, part cabaret, with Guerrero recounting in lyrics and punch lines his experiences growing up gay and Latino, life with father … and having to rediscover his roots after moving back to L.A.

“The main reason I did the show is, I wanted to know more about my dad and my best friend. I was already fabulous,” he laughs. “So I don’t think of this as my story. I wanted to embrace his legacy and celebrate him and our lives, but also tell of being a born-again Hispanic.”

In L.A., Guerrero rediscovered his heritage. While still working in entertainment, he noticed a lack of Latinos behind the scenes. He started a column in Dramalogue to change that, interviewing actors like Jimmy Smits and Salma Hayek and producing shows that spoke to Latin audiences.

And then came ¡Gaytino!

“Well, the word itself hit me first so I trademarked it. Then it was madness as I set about writing it,” he says.

When the show debuted in 2005, Guerrero hadn’t performed in 35 years. He was a different man, no longer a young buck with nothing to lose and untarnished optimism. He was a behind-the-scenes producer and casting agent. He was — gasp! — older.

“I remember thinking, ‘What am I gonna do? What if I forget my lines?’ I’m an old codger,” he says. “But I got onstage and it was like I had did it the day before. Performing is just part of who I am.”

With his successful day job (he once repped a young Sarah Jessica Parker), a healthy relationship (32 years this November) and irons in many other fires, why bother with the daunting task of writing a show and carrying it alone?

“It still feels like I’m breaking into show business. At least when you’ve been around as long as I have, you can get the main cheese by phone,” he answers. “But really, I had something I wanted to say and I love doing it. I’ve been lucky to stay in the game this long but it’s not by accident; it’s all been by design.”

What he loves isn’t just doing his show, but how it pushes positive gay Latino images. He’s dedicated this chapter in his life to that. Guerrero now feels parental toward the younger generation — maybe because he has no children of his own.

“I do feel a responsibility and not just to younger people, but to all,” he says. “For ¡Gaytino!, I first want them entertained, but I hope audiences will leave more educated about some Chicano culture and history and Gaytino history.”

……………………………………

QUEER CLIP: ‘BEGINNERS’

screen

 

Beginners is such a dreadfully forgettable and generic title for what is the year’s most engaging and heartfelt comedy, you feel like boycotting a review until the distributor gives it a title it deserves.

Certainly the movie itself — a quirky, humane and fantastical reverie about the nature of love and family, with Ewan McGregor as a doleful graphic artist who, six months after his mother dies, learns his 75-year-old dad (Christopher Plummer) is gay and wants to date — charts its own course (defiantly, respectfully, beautifully), navigating the minefield of relationships from lovers to parent/child with simple emotions. It’s not a movie that would presume to answer the Big Questions (when do you know you’ve met the right one? And if they aren’t, how much does that matter anyway?); it’s comfortable observing that we’re all in the same boat, and doing our best is good enough.

McGregor’s placid befuddlement over how he should react to things around him — both his father’s coming out and a flighty but delightful French actress (Melanie Laurent) who tries to pull him out of his shell — is one of the most understated and soulful performances of his career. (His relationship with Arthur, his father’s quasi-psychic Jack Russell, is winsome and winning without veering into Turner & Hooch idiocy.) But Plummer owns the film.

Plummer, best known for his blustery, villainous characters (even the heroic ones, like Capt. Von Trapp and Mike Wallace), exudes an aura of wonder and discovery as the septuagenarian with the hot younger boyfriend (Goran Visnjic, both exasperating as cuddly). As he learns about house music at a time when his contemporaries crave Lawrence Welk, you’re wowed by how the performance seethes with the lifeforce of someone coming out and into his own. His energy is almost shaming.

Writer/director Mike Mills’ semi-autobiographical film suffers only being underlit and over too quickly. It wouldn’t be a bad thing to spend more time with these folks.

—Arnold Wayne Jones

Rating: Four and half stars
Now playing at Landmark’s Magnolia Theatre.

This article appeared in the Dallas Voice print edition June 10, 2011.

—  Kevin Thomas

Fahari’s lecture series brings in Kenyon Farrow tonight

Ushering in a new queer agenda
Kenyon Farrow is a man the LGBT community needs to get to know and the Fahari Arts Institute is doing just that with its (Queer)note Lecture Series. Farrow comes to speak to Dallas in the presentation Moving Toward a True Black Queer Liberation

DEETS: South Dallas Cultural Center, 3400 S. Fitzhugh Ave. 7 p.m. FahariArtsInstitute.org.

—  Rich Lopez

Weekly Best Bets

Saturday 04.16

No, the jacket won’t make you look fat
DIFFA’s back in a big way this weekend. The event promises to be off-the-charts fabulous, but we can’t wait to see the designer jean jackets. Pretty much our eyes are set on this cotton candy fur-sleeved one. Almost makes us want winter to come back quick. Oh, and we feel sorry for the person who bids against us. You’ve been warned.

DEETS: Hilton Anatole, 2201 Stemmons Freeway. 6 p.m. $300. DIFFADallas.org.

 

Sunday 04.17

Dog days are just beginning
You think you know what your dog thinks and says? You will when you head to the 5th Annual Dog Bowl. Sipping pools, dog games and the Cotton Bowl as the largest dog park for them to run around in will make them happy as clams. And give you some good karma in the doggie-verse.

DEETS: Cotton Bowl Stadium at Fair Park. 1 p.m. Free. FairPark.org.

 

Thursday 04.21

Ushering in a new queer agenda
Kenyon Farrow is a man the LGBT community needs to get to know and the Fahari Arts Institute is doing just that with its (Queer)note Lecture Series. Farrow comes to speak to Dallas in the presentation Moving Toward a True Black Queer Liberation

DEETS: South Dallas Cultural Center, 3400 S. Fitzhugh Ave. 7 p.m. FahariArtsInstitute.org.

—  John Wright

Cultural Environment in Bible Belt promotes Gay Hate Crimes

Another obvious hate crime occurs in Tulsa, Oklahoma. These kinds of attacks are starting to get the attention and recognition from the local media that they deserve, but we have a long way to go before we are treated the same way as other suspect classes when they are attacked simply for being who they are.

Actually, a straight friend of mine was the one who notified me of this particular attack. He wanted to relay his experience at his day labor job site where he was working. He was disturbed that his coworkers, who consisted of four blue collar types, were not the least bit ashamed to laugh and make fun of the victim, during the segment on the local television news, while proclaiming, “Hahaha! That is what those f*ggots get for being there!” My friend felt compelled to tell me their reaction because he knows I’m active in civil rights for the LGBT community. If our government is serious about sending any message to our LGBT youth that “It gets better,” then they need to follow through on the promises made to our community that we will no longer be treated as second class citizens, and subject to state sanctioned discrimination and even violent assaults simply for being gay.

There is a pervasive cultural attitude by certain segments of society, especially in the southern United States, that LGBT people deserve to be attacked. There was a time when African Americans experienced this treatment and was completely ignored by the state. Imagine what would happen on a job site had an African American been assaulted and the workers taunted the victim by saying, “The (n-word) deserved what he got for being there!” Yes, less than sixty years ago those words would have been tolerated, embraced and even celebrated as part of the Southern culture. It was wrong then, and it is wrong now, even though they’ve simply chosen the LGBT community as their acceptable state sanctioned scapegoat.

Maybe next Thanksgiving we will be able to celebrate being more full and equal citizens of our own country? This Thanksgiving I’m thankful for the resolve to never give up and keep fighting until we have every single right all other Americans enjoy.




AMERICAblog Gay

—  admin