Several companies have announced their upcoming seasons this week, in whole or part.
The Dallas Opera’s 61st season will feature five productions, including a U.S. premiere and three popular operas in the mainstream canon.
It starts with Samson and Dalila by Camille Saint-Saens (Oct. 20, 22, 25, 28 and Nov. 5). That’s performed in repertory with Verdi’s enduring tragedy La Traviata (Oct. 27, 29, Nov. 1, 4 and 10). 2018 kicks off with a rarely-seen one-act opera composed by Erich Wolfgang Korngold when he was just 16: The Ring of Polykrates (Feb. 9, 11, 14 and 17, 2018). That will be accompanied by a recital of his acclaimed Violin Concerto in D Major (op. 35), written to commemorate the fall of Nazism.
That’s followed by the U.S. premiere of modern composer Michel van der Aa’s Sunken Garden (March. 9, 11, 14 and 17), a technological wonder that employs 3D projections (yes, opera audiences will wear 3D glasses). The season concludes with Mozart’s Don Giovanni (April 13, 15, 18, 21, 27 and 29), one of the darkest and most musically complex operas every created.
In addition, the season will feature the opening gala, a fashion show, simulcasts, family performances and other community outreach. Performances will be at the Winspear Opera House. Tickets are available at DallasOpera.org.
You may have heard already that Hamilton will be part of the Dallas Summer Musicals’ 2018-19 season, but before we get there, the 2017-18 season stands in the way… or facilitates it. If you subscribe to the upcoming season, you get first crack at Hamilton the following year (as well as Disney’s Aladdin, which has also been announced).
Dec. 5–10: White Christmas. This add-on show returns.
Jan. 23–Feb. 4, 2018: The Color Purple. The recent Broadway revival took best actress in a musical away from Hamilton. The original production also won for best actress. Based on Alice Walker’s novel, it features a lesbian relationship in the early 20th century South.
Feb. 27–March 11: On Your Feet. The popular jukebox musical featuring the songs of Gloria Estefan.
March 28–April 8: Waitress. Sara Bareilles’ acclaimed Broadway debut as a composer, based upon the charming indie film.
April 24–May 6: Les Miserables. The sensation is back again.
June 13–July 8: The Lion King. Disney’s long-running hit, featuring the puppetry and brilliant staging of Julie Taymor.
July 24–Aug. 5: Love Never Dies. Andrew Lloyd Webber’s sequel to The Phantom of the Opera, set in Coney Island.
Aug. 15–26: School of Rock. Webber’s latest musical, about a teacher who instructs kids on how to be headbangers.
All shows at Fair Park Music Hall; tickets available at DallasSummerMusicals.org.
As has been the case in recent years, many of the DSM shows are part of Performing Arts Fort Worth’s season at Bass Hall as well:
Jan. 17-21, 2018: Something Rotten. The comic telling of merriment in Olde Europe.
Feb. 16–18: Chicago. A season add-on of the long-running smash.
March 20–25: Finding Neverland. The behind-the-scenes telling of the inspiration for J.M. Barrie’s Peter Pan.
June 19–24: Waitress (see above).
Aug. 7–12: Love Never Dies (see above).
Aug. 28–Sept. 2: School of Rock (see above).
All performances at Bass Performance Hall in Fort Worth. Tickets available at BassHall.com.
In addition, the Dallas Theater Center will not release its full 2017-18 season until next month, but it has revealed the titled of four shows that will be included in it, among them The Trials of Sam Houston, Nick Dear’s Frankenstein, The Great Society — Robert Schenkkan’s follow-up to his award-winning LBJ drama All the Way, which DTC staged last year — and the counter-culture musical Hair. We’ll have the scoop on the full season later this month. DallasTheaterCenter.org.