FILM REVIEW: Carine Roitfeld, the fashionable ‘Mademoiselle C.’

MADC_Select_03

Anyone who’s seen The Devil Wears Prada has at least some idea what it’s like to work at Vogue (or at least, its fictional equivalent). If you’ve seen the documentaries The September Issue or Diana Vreeland: The Eye Has to Travel, you have a more accurate idea of putting out fashion magazine in the U.S.

The natural companion piece to those is Mademoiselle C, about Carine Roitfeld, the woman who, for 10 years, edited Vogue Paris until her suddenly announced retirement in 2011 to start her own U.S.-based fashion magazine.

Roitfeld isn’t a quarter the personality that Anna Wintour (or Miranda Priestly) is; she actually seems to like people. That makes for a less dramatic (or at least melodramatic) story arc. Where are the tantrums, the long-suffering assistants, the hateful aside from her critics?

—  Arnold Wayne Jones

Lupe Valdez makes HBO’s ‘Out List’

outlist01Just in time for National Pride Month, HBO will soon be airing a new documentary called The Out List, and among the gay movers and shakers profiled is Dallas’ own lesbian sheriff, Lupe Valdez. (Others profiled include Suze Orman, Neil Patrick Harris and The Lady Bunny.)

The documentary will received a world premiere screening on Thursday (prior to its debut on HBO on June 27) with a Black Tie Dinner Captains event at the Angelika Film Center at Mockingbird Station. Valdez will be in attendance, along with the film’s director and producers, who will participate in a post-screening discussion.

The event begins with a reception at 6 p.m., followed by the screening at 7.

—  Arnold Wayne Jones

USA Film Fest opens with history of AIDS, Q&A

This week, I reviewed How to Survive a Plague, a fascinating and emotional documentary from journo-turned-filmmaker David France about the early days of the AIDS crisis, especially as it relates to the founding of ACT-UP. The screening kicks off this year’s 42nd annual USA Film Festival.

David France, pictured, will be in attendance, and yours truly will be moderating the question and answer session immediately following it, and bring your questions for David!

—  Arnold Wayne Jones

Movie Monday: Oscar nominated doc shorts at Texas Theatre

Oscar countdown

Be proud if you’ve seen all the major nominees for this year’s Oscars, but impress your watching party by throwing down some knowledge when this category comes up. The Texas Theatre helps round out those slightly obscure awards by featuring this year’s crops of documentary shorts. And the nominees are The Barber of Birmingham: Foot Soldier of the Civil Rights Movement, God Is the Bigger Elvis, Incident in New Baghdad,  Saving Face and The Tsunami and the Cherry Blossom. The theater screens ‘em all save for God, but that’ll be enough to make an informed decision and give you the edge on that Oscar pool.

DEETS: The Texas Theatre, 231 W. Jefferson Blvd. 7 p.m. $9. TheTexasTheatre.com.

—  Rich Lopez

Five queer alternatives to the Super Bowl

Yes, Yes… I know… plenty of gay men enjoy football, are fans even, and there are lots of LBT fans as well, but if you’re like me you greet all the hoopla over the Super Bowl with a resounding “meh.”

So if you’re looking for a way to avoid a (morning) afternoon (and evening (seriously, how long are football games supposed to be?)) of indecipherable sports jargon, over-hyped commercials and disproportionate passion for the accomplishment of moving dead pig parts 300 feet here are some alternatives with a decidedly queer bent you might enjoy (don’t worry, you can Tivo Madonna’s half time show):

1. ¡Women Art Revolution at The Museum of Fine Arts

Starting from its roots in 1960s in antiwar and civil rights protests, the film ¡Women Art Revolution details major developments in women’s art through the 1970s. The Contemporary Arts Museum of Houston presents this documentary at 5 pm on Sunday at the The Museum of Fine Arts’ Brown Auditorium Theater (1001 Bissonnet). Artist Lynn Randolph and U of H art history professor Jenni Sorkin will be on hand to provide insight into the film

!W.A.R. features Miranda July, The Guerilla Girls, Yvonne Rainer, Judy Chicago, Yoko Ono, Cindy Sherman, and countless other groundbreaking figures. Tickets are $7 and are available at mfah.org.

2. The Rape of Lucrecia at Houston Grand Opera

Written by gay composer Benjamin Britten and scored by Ronald Duncan, The Rape of Lucrecia is set during the decline of the Roman Empire. When a group of soldiers unexpectedly returns home to Rome they find that their wives have all been unfaithful, with the excpection of Collatinus’ wife Lucretia. Later that night the king’s son, Prince Tarquinius, accepts a drunken dare to seduce Lucretia. After she rebuffs his advances Tarquinius forces himself on her spurring Collatinus to rebellion against the king.

The dialogue of the Opera (which is in English by the way) is punctuated by two choruses, one male and one female, who engage the audience in the emotional responses of the male and female characters respectively.

The Rape of Lucretia plays at the Houston Grand Opera (510 Preston) at 2 pm on Sunday. Tickets start at $38 and may be purchased at HoustonGrandOpera.org.

4. The Drunken City at the Rice University, Department of Visual and Dramatic Arts

“The city’s like a monster, like a sleeping dragon or some dark creature in the night that cracks open an eye, and whispers dark dangerous dark ideas into your ear.”

The Drunken City is populated by thoroughly unpleasant people, the kind of loud sequin-wearing party girls who can immediately turn a hip bar passe and the men who hunt them. Marnie, the alpha-female and soon-to-be bride, has taken her co-worker bridesmaids out on the town for a ladies night. Seriously inebriated, they soon run into Frank and Eddie. Frank quickly takes a shine to Marnie, despite her girlfriends objections. Eddie, on the other hand, isn’t interested in any of the girls but seems to know their shared boss quite well (if you catch my drift). The play is sprinkled through with warnings about human desire and the dangers of consumption.

The Drunken City is presented by the Rice University College of Visual and Dramatic Arts at Hamman Hall on the Rice Campus (6100 Main) at 3 pm. Tickets are $10 and are available at the door or by calling 713-348-PLAY .

Steve Bullitt as Hay and Mitchell Greco as Gernreich

4. The Temperamentals at Barnvelder Movement/Arts Complex

The off-Broadway hit The Temperamentals, by Jon Marans, explores the events surrounding the founding of the Mattachine Society, one of the first “gay rights” groups in America (although the Society for Human Rights has it beat by a quarter of a century). The story centers on Harry Hay (Steve Bullitt), a communist and Progressive Party activist and his lover Rudi Gerneich (Mitchell Greco), a Viennese refuge and costume designer. Set in the early 1950′s in Los Angeles, the play is an intimate portrayal of two men who created history and the epic struggle they overcame.

Sunday’s curtain for the Celebration Theater produced play is at 3 pm at the Barnvelder Movement/Arts Complex. Tickets are $30 and may be purchased at buy.ticketstothecity.com.

5. Closing Night of Bring It On: The Musical at Theater Under the Stars

Bring It On: The Musical finishes up its run at the Hobby Center for the Performing Arts (800 Bagby Suite 300) on Sunday. Theater Under the Stars (TUTS) presents this musical re-imagining of the 2000 film with a matinee at 2 pm and an evening showing at 7 pm.

Two rival cheer-leading squads are out for the national championship, and neither is going to give up without a fight. The ensemble for the show features some of the nation’s most skilled competitive cheerleaders led by Taylor Louderman and Adrienne Warren as the leaders of the rival squads.

Tickets start at $24 and are available on-line at TUTS.com, by phone at (713) 558-TUTS (8887), or in person at the Theatre Under The Stars Box Office (800 Bagby).

—  admin

“Gen Silent” explores challenges facing the elderly LGBT community

Gen Silent PosterThere are almost 38 million LGBT Americans over the age of 65. This number is expected to double by 2030. Yet in a Fenway Institute study fifty percent of nursing home workers said that their co-workers are intolerant of LGBT people. That collision of a rapidly aging queer population and a nursing home system ill-prepared to serve them is explored in Gen Silent, a documentary showing at the GLBT Cultural Center (401 Branard) on Thursday, January 26, at 6:30 pm.

Gen Silent, from award-winning director and documentary filmmaker Stu Maddux, follows six LGBT seniors as they struggle to make decisions about their twilight years. These seniors put a face on what experts in the film call an epidemic: gay, lesbian, bisexual and transgender seniors so afraid of discrimination in long-term health care that many go back into the closet.

Gen Silent startlingly discovers how oppression in the years before Stonewall now leaves many elders not just afraid but dangerously isolated and at risk on not receiving medical care. The film shows the wide range in quality of paid caregivers –from those who are specifically trained to make LGBT seniors feel safe, to the other end of the spectrum, where LGBT elders face discrimination, neglect or abuse, including shocking bed-side attempts by staff to persuade seniors to give up their “sinful” lifestyles.

This free screening will be followed by a call-to-action and panel discussion with some of Houston’s GLBT senior leaders.

View the trailer for Gen Silent after the break.

—  admin

Camina raising funds to complete Rainbow Lounge documentary before March premiere

Filmmaker Robert Camina

Filmmaker Robert Camina said his new film Raid of the Rainbow Lounge is currently being mixed at a sound studio, and he is raising money to pay off costs incurred and post-production expenses as well as pay for distribution fees.

The 100-minute documentary details the bar raid that took place in Fort Worth on the 40th anniversary of the Stonewall Rebellion. The Rainbow Lounge raid left two patrons of the bar injured, including one with severe head injuries.

“But I hope it has an inspiring message,” Camina said.

He said the film goes beyond documenting the raid to tell the story of the progress Fort Worth’s LGBT community made as a result of the incident. The raid, conducted by two Texas Alcoholic Beverage Commission agents and seven Fort Worth police officers, led to new transgender protections in the city’s nondiscrimination ordinance, a police liaison to the LGBT community, sensitivity training for all city employees and a variety of other advances.

Before making this film, Camina’s experience was with comedies.

“I learned more about politics making this film,” he said.

The film is narrated by Meredith Baxter, and Camina hopes to premiere it in March in Fort Worth.

Contributions to expenses for the film can be made here. As a thank you, Camina Entertainment is offering mugs, T-shirts and autographed copies of Baxter’s book, Untied.

—  David Taffet

SMU marks World AIDS Day with film screening

Dec. 1 isn’t just World AIDS Day — it’s also the 22nd annual Day With(out) Art, a movement launched in 1989 by the group Visual AIDS to mark the effect of the AIDS crisis on the arts community. In observance of the day, SMU’s Meadows School of the Arts will be among more than 50 colleges, museums and arts groups holding a free screening of the film Untitled.

Untitled, from Jim Hodges, Encke King and Carlos Marques da Cruz,  is an hour-long,  non-linear documentary featuring montages of archival footage recalling the period of activism in the early days of the AIDS crisis. The screening will take place in the Greer Carson Screening Room (room 3527) of the Owen Arts Building on SMU’s campus, 6101 Bishop Ave. at 5:30 p.m.

—  Arnold Wayne Jones

We Were Here, AIDS documentary at 14 Pews

We Were HereWe Were Here, the award winning documentary of the early days of the AIDS crisis, premiers at 14 Pews theater (800 Aurora) Saturday, November 20, at 4:30 pm. The film, from director David Weissman, will be proceeded by a panel discussion on the state of the AIDS crisis today.

I came out in 1998, right at the tail end of the worst days of the AIDS crisis. I remember, with vivid clarity, the days of the walking wounded: when every other gay man I met would tell how their doctor said they should have died five years ago, when the community told time by recalling if an event took place before or after a certain person’s funeral.

Fortunately those days are largely behind us, but as new HIV infections continue to rise and we struggle to maintain funding for medications that are keeping people alive (at a cost of thousands of dollars a month), it’s important that we never forget the early days of the pandemic. For people of my generation and younger the mysterious “Gay Plague” that threatened our community in the early eighties can seem more like a fairy tale monster than the horrifying crisis it was, and is.

We Were Here tells the real life stories of five people who survived. Their mundane and profound recollections highlight, not only their personal experiences, but the broad political and social upheavals unleashed by the crisis. From their different vantage points as caregivers, activists, researchers, as friends and lovers of the afflicted, and as people with AIDS themselves, the interviewees share stories which are not only intensely personal, but which also illuminate the much larger themes of that era: the political and sexual complexities, and the terrible emotional toll. The film highlights the role of women – particularly lesbians – in caring for and fighting for their gay brothers.

Tickets for We Were Here are $10 and can be purchased at 14pews.org.

After the jump watch the trailer for We Were Here.

—  admin

More gay stuff at the Asian Film Festival

The Asian Film Festival continues throughout the week, and there’s even more gay content now that I’ve had a chance to review more of the films.

Each of the shorts blocks — 1, which plays Monday at 4:05 p.m.; 2, which plays Tuesday at 6:10 p.m.; and 3, which runs Wednesday at 4:30 p.m. — have films with gay storylines. In 1, it’s between one of the couples in the short Tu & Eu, about how couples relate to one another. In 2, a young woman flirts with a female yoga instructor in Savasana, though not all is what it seems. But the big gay short is A Woman Called Canyon Sam, a documentary about one of the first lesbian Asian activists in America. (I’m glad about the last one, because the director, Quentin Lee, was still looking for funding a few months ago, which we wrote about.)

The centerpiece of the gay content — aside from the experiemental film The Image Threads, which I wrote about last week — is I Am, a documentary about being gay in Indian culture. “Gay marriages are completely legal in India,” remarks the narrator, who interviews several families and how they deal with having gay and lesbian sons and daughters. It’s an unusual insight into how different cultures deal with issues of homosexuality.

I Am plays tonight at 7:30 at the Magnolia Theatre, where all films in fest screen.

—  Arnold Wayne Jones