Gay pilots group offers scholarships to aspiring professional pilots

From Staff Reports

Officials with the National Gay Pilots Association Education Fund have announced plans to award $15,000 in scholarships in 2011 to aviators pursuing careers as professional pilots.

Applications can be submitted between Jan. 1 and March 21, with more information and applications available online at

Scholarship awards, typically ranging from $3,000 to $4,000, will be announced sometime in June.Thomas Little, NGPA Education Fund chairman, said the scholarships are part of the organization’s ongoing commitment to support the community and foster opportunities for aspiring aviators.

“Our mission takes on heightened importance during these challenging economic times, as students struggle with the rising costs of flight training and higher education,” Little said.

The NGPA Education Fund has given out 41 awards totaling $117,000 since the program began in 1998. The organization awarded four scholarships of $3,750 each in 2010.

Factors considered in the award of scholarships include demonstrated academic ability, financial need and active participation in matters of social justice toward the betterment of the LGBT community. Scholarships will be awarded without regard to race, sex, national origin, sexual orientation or other group categories protected by non-discrimination laws.

Applicants must hold a private pilot license and be enrolled in an accredited flight school or in a university course of study with a flight program. Payments are made directly to the school and must be applied toward an advanced rating or tuition.

This article appeared in the Dallas Voice print edition December 3, 2010.

—  Kevin Thomas

Change of plans • Defining Homes

So you want to be a real estate agent. Just be sure you know what you’re in for

By Rich Lopez

Dan FlynnNo one needs to remind you that these are tough economic times. Sometimes that means calling for serious measures like a career change. Real estate is an attractive industry because the rewards can be great for the bank account and you get to be your own boss. But before you dive head first into the waters, there is some information to know and consider. Hey, it’s a new career — what did you think?.

“Those not in the industry have some great idea that you walk into a real estate office and clients walk through the door and you make giant commissions,” Realtor Dan Flynn of Dave Perry-Miller Intown says. “The reality is nothing drops into your lap.”

Flynn has been in the real estate industry for 16 years, switching over from the telecom industry. When getting into real estate, he followed all the right steps, but had to face the realities of going into what he calls a very expensive career option. According to him, that is the one piece of information, people need to know.

“You pay for everything yourself,” he says. “You pay the broker to allow your license to hang in their office and you pay a portion of your commission to the broker as well. There are some very large expenses and you must have income to offset those in addition to earning income as you go.”

Don’t let that scare you. Flynn wants only to guide those interested in joining the industry and provide the information and insight he could have used when he began. That insight actually comes in handy even before getting your agent’s license.

“When thinking about getting a license, you want to consider the ultimate goal.  People can become a broker after becoming an agent. Also, consider transferable college credits when applying for real estate classes. You will want those credits behind you when the time comes to sit for that exam.”

Before any exam, there is study time and coursework is necessary to get to the test.
However, classes are available either online or in classroom form for those who can benefit from peer review. Accelerated plans are an option for those eager, like Flynn, to begin selling homes.

“The required courses came easy to me because everything seemed logical and natural,” he says. “I do understand getting through the coursework and tests through school can be very arduous for many.”

So you got your license — now what? Flynn emphasizes the money issue because there are fees and costs to be easily missed. Plus, if you are planning this as your day job, more financial planning is needed. National, state and local associations will have fees. MLS charges, for electronic key usage to get into homes will rack up, as will self-employment taxes, marketing materials (i.e. business cards). Brokers may require more education so they are up to speed and insurance is a must to cover any mistakes made. And even your clothing.

“You will be expected to dress and present yourself in a certain way,” he says. “Make certain you have one full year’s expenses tucked away in a bank account somewhere to pay the rent, car, whatever. It can be overwhelming. Just be prepared.”

Now you can head out into the field. If people aren’t going to drop in your lap, then you start hitting up the people around you. Flynn says this is the best way to start getting the word out about your new career and how you can help those who know you.

“You must go out and find all of the clients you work with,” he says. “You start with your personal sphere of influence and work outward.”

One thing Flynn brings up is somewhat of a surprise. Hanging your license isn’t like hanging up your diploma. A strong broker can shape a new career into a successful one and where you hang it is a crucial decision. Your new real estate license is indicative to potential clients of your reliability.

“Interview with many agencies,” he says. “Unlike looking for regular employment, you are not trying to get them to take you on so much as they are trying to convince you to come their way. My experience tells me there are extremely few options for new agents so when interviewing, look for those places that encourage you to come to the office to work and for free or low-cost education and have someone assigned to you for help.”


First, know this

Before heading into the real estate world, the least you need to know are the requirements set by the Texas Real Estate Commission. Meet all these and you are on your way.

• You must be a U.S. citizen who resides in-state and be 18 years old.

• Texas law requires 210 hours of coursework to be  completed.

• Before applying for the state exam, proof of course completion is required.

• Apply for the state examination for your inactive salesperson license. This is done online at the TREC website.

• Pass the state examination.

• Filing an application authorizes a background check.

• Obtain sponsorship from your broker to activate your license. You are unable to practice prior to active licensure.

This information is from under How to Become a Real Estate Agent in Texas and at the

This article appeared in the Dallas Voice print edition of Defining Homes Magazine October 8, 2010.

—  Michael Stephens

Applause • Black. Power. Movement.

Dallas Black Dance Theatre ramps its 2010-11 season way up before celebrating 35 years

RICH LOPEZ  | Staff Writer

Dancers Chris and Bravita
Dancers Chris and Bravita bring a fine line to the new season of the Dallas Black Dance Theatre. Photography by Richard W. Rodriguez

As far as birthdays or anniversaries go, 34 isn’t usually considered a standout milestone. But for Ann Williams, it means a lot.

As the founding artistic director of the Dallas Black Dance Theatre, Williams sees the company’s upcoming 34th season as one of renewal and renovation — and one about preparing Dallas for its inevitable 35th year in the city.

“I did not think 35 years ago that it would ever be like this,” says Williams. “Back then, I just wanted a place to educate little girls; I just had my academy. Now, we get to service the city with professional dance theater.”

The DBDT calls its 2010–11 lineup A Season of Strength, Intensity and Seduction — virtues that have kept the theater going seemingly nonstop. Without missing a season since its beginning, DBDT renews itself by bringing in four new dancers to the troupe — not to mention last year’s move from the Majestic Theater into the Wyly Theatre, and its new home at the old Moreland YMCA in the Arts District.

Williams, with executive director Zenetta S. Drew, has steered the organization into its rightful place among Dallas arts.

“There’s been such a boon of the arts in Dallas,” Williams says. “I hope it continues with the economic times, but we’ve also been privileged to have these arts in this town. Plus, it’s exciting that we have the theater. We can actually plan a series.”

On both sides of the stage, the theater has had its own connection with the LGBT community. In past seasons, and even in the upcoming one, the theater has performed works by noted gay choreographers.  In February, the theater performs its Cultural Awareness Series including Smoke by Fort Worth’s Bruce Wood.

“For our dancers, the stigma of being gay has not hindered them or anyone not one bit,” Williams says of the welcoming approach the DBDT has taken toward the gay community— whether in the seats or onstage. “When I audition a dancer or talk to a potential employee, dance must be their passion. But I want everyone to remain individuals. I don’t want to see anyone hold something in. The only time I want to see people fitting in is during rehearsals. That’s the only time I have for cohesiveness.”

This season starts with the fifth annual DanceAfrica Festival at the Majestic. Despite its new home, DBDT keeps some ties to its former stage. The October event features dance, music art and cuisine of Africa.

This also marks a season of collaborations. DBDT teams up with the Dallas Museum of Art for African Masks: The Art of Disguise in October, the Irving Symphony for Hope Boykin’s in-ter-pret and perhaps the most anticipated, the Dallas Theater Center’s July production of The Wiz. All of this has Williams pretty excited.

“This is going to be so cool! There will be over 55 performers in this show,” she says.

The collaboration combines the Wyly’s two resident companies, and should also introduce Dallas Black Dance Theatre to new audiences it might not have gotten on its own. Williams finds that even today, the theater can break barriers.

“We have had very supportive audiences,” she says, “but we always want to reach out to others and embrace new fans.”

Growing from a basement space academy over three decades ago, Williams is aware that she has created an arts legacy for this city — even if she can’t believe it.

“I’m very humbled by who we are. It is still surprising,” she says. “When I see those beautiful dancers onstage working together, it brings tears of joy.  It really does.

And she wants to remind the audiences that they can expect a great season, but be prepared for the next.
“Thirty-five is right around the corner,” she says with a smirk. “That is the year we will really show out.”

Dallas Black Dance Theatre
2700 Flora St. The 2010-11 season begins with the
5th Annual DanceAfrica Festival
The Majestic Theater, 1925 Elm St.
Oct. 8–9. $10. Season tickets $96–$208. 214-871-2376.

This article appeared in the Dallas Voice print edition August 27, 2010.

—  Kevin Thomas