Tag Archives: elton john aids foundation

RCD receives Elton John grant

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Money targeted at reaching Latino community is believed to be the first grant from the foundation to a Dallas organization

Ruben-Ramirez

STEPPING UP PREVENTION EFFORTS | Community Health Programs Manager Ruben Ramirez will target the Latino community for HIV prevention funded by the Elton John AIDS Foundation. (David Taffet/Dallas Voice)

DAVID TAFFET  |  Staff Writer
taffet@dallasvoice.com

The Elton John AIDS Foundation has given Resource Center Dallas a $38,000 grant to be used in targeting HIV prevention efforts within the gay Latino community.
Community Health Programs Manager Ruben Ramirez said this week that the money will allow RCD to expand its outreach and testing program to a population that has seen a dramatic rise in infections.

“The grant will be used to expand the activities we do now and give it more visibility, and then to provide a social support group on a monthly basis,” Ramirez said.

When the organization had city funding, the center provided more testing and social support to the Latino community than is currently available, Ramirez said. The increased programming begins next month.

The Elton John AIDS Foundation generally funds innovative programs that are already successful in reducing the spread of HIV. So rather than create something new, Ramirez said the center will use the money to enhance the outreach that’s already working.

In other target groups, RCD has followed up testing with support groups and social networking that has reinforced the safer-sex and prevention message.

Ramirez said that within the Latino community, he has heard quite a bit of misinformation.

“We’re still seeing the old myths from way back when about how people get HIV,” Ramirez said, adding that he had recently spoken to someone who thought he could get HIV from sipping from the same glass as someone who was positive.

“I was astounded,” he said.

Ramirez said that although information is readily available, language and immigration barriers stand in the way of some people learning about HIV.

“And some folks just bypass the sea of information of HIV information that is out there,” he added.

In addition, those with information don’t necessarily access testing. Ramirez said RCD will collaborate with area bars to provide testing as well as with other groups.

“We’ve worked very well with AIDS Interfaith Network in the past, and the gay LULAC group,” he said.

Ramirez said plans for implementing the grant, which appears to be the first the Elton John AIDS Foundation has made to a Dallas organization and is the largest the foundation has given to an agency in Texas, are still under way.

In 2010, EJAF gave OutYouth Austin $25,000 for its HIV prevention program that included testing that targets those ages 14 to 20.
Metropolitan Community Church of Abilene received $25,000 in 2008 for its drug intervention program for people who are HIV-positive.

EJAF was established in 1992 by the singer and is based in London. John’s husband, David Furnish, is chairman of the foundation.

EJAF supports programs that aim to reduce the incidence of HIV as well as end the discrimination and stigma associated with the disease. Other grants fund direct care for people living with HIV.

Ramirez said that RCD was particularly honored to receive this grant because it was competing with other organizations around the world to get the funds.
The EJAF has raised more than $225 million and funded projects in 55 countries since its founding.

This article appeared in the Dallas Voice print edition December 23, 2011.

—  Kevin Thomas

A gay in the LIFE

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Photographer Tim Hailand’s intimate access to gay musician Jake Shears and Rufus Wainwright makes for racy coffee table decor

Out photographer Tim Hailand gets way behind the velvet rope — heck, he crosses through the bedroom door — with his One Day in the Life of… photography books. His first, 2010’s One Day in the Life of Daniel Radcliffe, tracked the extremely gay-friendly actor from morning (waking up in bed!) till nighttime, but he gets even racier with two books that came out this week, both featuring queer musicians: One Day in the Life of Rufus Wainwright and One Day in the Life of Jake Shears (Hailand Books, $35).

These are coffee table books you might not want sitting out when mom’s bridge club comes over. Both tomes feature Hailand’s intimate black-and-white images of his subjects (Shears is especially open to getting naked in front of the camera) as they prepare for evening concerts, which are documented in full color. Each book’s photos are accompanied by text from the subjects, with Elton John providing an intro and Kylie Minogue an afterword to the Shears book.

Hailand has snapped for dozens of international magazines, chronicling a bevy of queer icons, from U.K. pop gods the Pet Shop Boys and cult artists Gilbert & George to transgender actress Candis Cayne and singer/performer Justin Bond. A portion of the books’ proceeds will go to charities determined by Shears (the Elton John AIDS Foundation) and Wainwright (the Kate McGarrigle Fund).

Hailand talked about his unfettered access, the challenges of shooting 2,000 photos over 14 hours and who’s next in his dream-list of subject.

— Lawrence Ferber
Visit OneDayintheLife.org for more information or to place an order.

Dallas Voice: Can you elaborate on the genesis behind this project and your choice in subjects? Hailand: I’m very much inspired by great performers — those who seem to be able to do what I can’t do. After shooting Jake Shears for V Man five years ago, I decided to expand upon this “one-day-long” portrait concept and use it for my own work. Dan Radcliffe is a friend, and the book arose out of our friendship. As a person, Dan is incredibly charismatic and super smart — wise beyond his years. He’s also very curious, as most smart people tend to be. Rufus and Jake have been friends of mine for quite some time, and I’ve been photographing them over the years both onstage and off. I love their work — Scissor Sisters’ Night Work and Rufus’ All Days are Nights: Songs for Lulu were my favorite records of 2010 — and they just seemed the next natural choices as book subjects.

Did either of the guys dictate rules as far as what you could and couldn’t shoot? Clearly Jake was pretty uninhibited — we see a lot of his butt. The books are portraits of each subject, of their personalities. No real rules were set up, but I’m always sensitive to and respectful of any subject’s sense of self and what I perceive to be their boundaries.

Did you always plan to shoot on the day of a concert or did you consider another occasion? We wanted to choose a day that has a creative crescendo, that captures the height of their creativity. That’s why the book moves into color at that “high creative” point of the day. They’re all performers, so we wanted to capture what they do best.

What was the biggest challenge as far as shooting Rufus’ day? Shooting one person for 14 hours is demanding in itself — staying both focused and flexible at the same time, going with the flow, and capturing what I perceive to be the rhythm of that particular person’s day. It’s both an exhilarating and exhausting process, as it requires much psychic energy, but I’m very pleased with the end results.

ALL  ACCESS PASS | Queer photographer Tim Hailand, center, with subjects Jake Shears, left, and Rufus Wainwright.

How many shots did you take of each subject? Did any photos that you loved not make it into the books? Probably somewhere around 2,000. In editing the book, I chose images that best told the story of that subject, of that day. I think my favorite images made it into each book, although there are a few that probably stand on their own.

Does being queer yourself somehow affect your choices in subjects or what you draw out of them? It’s funny you should ask, as I recently met with a heterosexual wrestling coach who’s a big advocate of LGBT acceptance, and in looking at my photos, I asked him if one could detect the “queer gaze” of the photographer. He didn’t think so. I think I photograph those that I’m attracted to, sometimes sexually, sometimes in terms of inspiration. I’m interested in those who occupy the space in between — those who are a bit of an outsider to mainstream culture, but are ultimately the true creators.

Who else is on your wish list for future One Day subjects? The next confirmed subject is theater director Robert Wilson. I’ll be documenting his new opera, The Life and Death of Marina Abramovic, in July, which will also feature Marina Abramovic, Antony Hegarty [of Antony and The Johnsons] and Willem Dafoe. I’m very excited about that project! Kylie Minogue lent her words to Jake Shears’ book, and I’d like to make a book with her, so I’m working on that possibility now. I’d also like to do a book with Lady Gaga, Marc Jacobs, David Bowie and heavyweight boxing champion Wladimir Klitschko. I already shot a day with Welsh rugby legend Gareth Thomas [who came out in 2009].

This article appeared in the Dallas Voice print edition Feb. 25, 2011.

—  John Wright

Out Youth gets $25K from Sir Elton’s foundation

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Out Youth Austin today announced that the organization for LGBT youth has received a $25,000 grant from the Elton John AIDS Foundation for Out Youth’s K.Y.S.S. (Knowing Your Status is Smart) program for HIV prevention, testing and counseling for young people, ages 12-19, in Central Texas.

The group received a $25,000 grant for the same program in March from the London-based Red Hot Organization. The Elton John AIDS Foundation is based in New York.

Out Youth Austin Executive Director Candice Towe called the latest grant “a tremendous Christmas present” for the organization.

Monrovia Van Hoose, Out Youth’s clinical director who oversees K.Y.S.S., said, “It’s critical that GLBTQ youth have regular access to confidential HIV testing and counseling. Staff, clinical interns and volunteers have received intensive training to provide testing and counseling for HIV and other sexually transmitted infections.”

According to a 2009 report from the Centers for Disease Control, 48 percent of Americans ages 13-24 who are infected with HIV are unaware of their HIV status. In 2008, CDC noted that American youth are at “persistent risk” of HIV infection, and that many are “not concerned” about the risks of infection.

—  admin