TONIGHT: Lexus B’way Series, the gay perspective: “Les Miz”

As I did last fall for Hair, the Lexus Broadway Series has invited me back — and has for the entire season — to offer some insights from a gay perspective on their current production.

And that production is Les Miserables.

I have to say, this is the show I have least looked forward to profiling — not because I don’t like it, but because it is a challenge with a show that predates the word “gay.” But I’ll give it my best shot.

Here’s how it works: If you signed up for the “gay series” already, you probably got an email blast reminding you about the chat. If you didn’t, you can still come — just buy a ticket to tonight’s performance. (I liked this production, too — you can read my review here.) The talk will be in Hamon Hall, to the right when you enter the Winspear, starting about 7 p.m. I’ll even take questions if you have any.

And I’ll see you in March at In the Heights!

 

—  Arnold Wayne Jones

Dallas without the Ewings

After months of sniping, ‘A-List: Dallas’ debuts and, surprisingly, entertains

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SPOT THE HOT SPOT | Real-life gay cowboy Levi Crocker, center, is the breakout star of ‘The A-List: Dallas,’ which finally debuts on Logo after a summer of controversy. (Photo Mike Ruiz/Logo)

STEVEN LINDSEY  | Contributing Writer
stevencraiglindsey@me.com

Lies, deception, cowboys, swimming pool fights and plenty of rich bitches (male and female): Sounds like a certain TV show we all know and love, right? Well, these are also the same ingredients for Dallas’ newest moment in the reality television spotlight. Taking the successful formula for The A-List: New York and creating a Dallas franchise may have been a head-scratcher for anyone who doesn’t live here, but for those of us that do, we know we have our fair share of camera-ready gays eager to bring on the drama.

I used to think that reality TV should be critiqued under different criteria than scripted shows, but then I realized that if a show wants to take up an hour of my time and valuable space on my DVR, it all comes down to one simple question I pose, whether million-dollar-per-episode comedy or a low-budget reality franchise: Am I entertained?

For The A-List: Dallas, the surprising answer is “yes.” Admittedly, I can barely squint my way through an episode of the New York version, so I had minimal expectations for Dallas. But by the time the first episode’s credits rolled and scenes from the entire season played out, I found myself hooked.

That’s in large part because of the casting. They’ve found a group of friends and frenemies with enough ready-made conflict to easily fill an entire season. Sure, much of it is exaggerated for effect, but give gays enough alcohol and stick them in front of a camera crew and how could sparks not fly?

At the center of most of the drama is Levi Crocker, the handsome cowboy that every guy wants to rope in. In the past, he’s dated Taylor Garret, a gay Christian Republican and now denies dating James Doyle, a trust-fund baby who remembers things a little differently. There’s also Chase Hutchison, a real estate investor whose hair becomes its very own character; Phillip Willis, a high-end stylist with a love for gossip; and Ashley Kelly, a female photographer who just loves her gays.

The good thing about this cast is their wicked sense of humor — and it appears that they’re in on the joke. I mean, who couldn’t be camping up a little saying catty things like,

“This is a genetic gift. Does it mean I’m superior? Maybe.” Or, “I’m one of Dallas’ hottest stylists.” Or maybe they’re just shallow jerks like most every other cast member of every single reality show ever created anywhere. Only time will tell, but for now, I’m willing to give them the benefit of the doubt.

Most of all, The A-List: Dallas is a fun watch just to see how many people you recognize and how many favorite restaurants and nightspots you can spot. If you’ve been to the same sushi bar and know a few of the same people, that makes you A-List by association. And that’s pretty much all it takes.

Premieres Monday on Logo at 10 p.m.

This article appeared in the Dallas Voice print edition October 7, 2011.

—  Kevin Thomas