Dallas to celebrate Earth Day with Fair Park, Oak Cliff events this weekend

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Oak Cliff Earth Day 2012

Two Earth Day celebrations take place this weekend — a two-day event in Fair Park and a Sunday afternoon bash in Oak Cliff.

Earth Day Dallas is an annual, outdoor festival in Fair Park promoting environmental awareness to influence the way North Texans think, live and work. A number of the exhibitors include companies promoting alternate energy sources for the home and ways to conserve.

The cast of Wicked will be at Earth Day Dallas for photo ops. Anita N. Martinez Ballet Folklorico performs. A&M has a full schedule of master gardeners and naturalists slated to speak.

Earth Day at Fair Park takes place April 20–21 from 10 a.m. to 6 p.m. Admission is free but parking is $10. Earth Day organizers encourage people to be green and take the Green Line to Fair Park.

The seventh annual Oak Cliff Earth Day is April 21 from noon to 5 p.m. in Lake Cliff Park in the Demonstration Rose Garden near Zang and Colorado Boulevards and is free. Free parking is available at Methodist Hospital Lot 10 with a shuttle bus running to the park. (It is Earth Day, though, so you could actually walk the two blocks.)

Live entertainment and lectures begin at 12:30 p.m. Mutt Strutt begins at 2 p.m. with prizes for best dogs in costume.

Learn about protecting against West Nile Virus, composting, protecting the environment, proper tree care and hosting a beehive in your backyard at demonstrations and lectures through the afternoon.

The event is pet friendly. Lots of animals will be on hand with a petting zoo, native reptiles and live raptors. The kissing booth is staffed by dogs.

Fair Park may be hosting the bigger event, but you’ll only find Get Gay Stuff, AIDS Arms LifeWalk, DFW Human Rights Campaign and Hunky’s at Oak Cliff’s celebration.

 

—  David Taffet

STAGE REVIEWS: ‘Re-Designing Women,’ ‘Penix,’ ‘Wicked,’ ‘Rx’

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Re-Designing Women. When Jamie Morris writes a spoof, he doesn’t hold back. Even before the actors come onstage for the first scene of Re-Designing Women, Morris’ send-up of the ’80s-era sitcom Designing Women, we’re treated to an “opening credits” video to remind us of the tone and characters. Of course, once the show begins (which is does at the Rose Room most Fridays and Saturdays for the next month-and-a-half), we simply revert, like muscle memory, to knowing who we’re seeing.

It’s the present day, and Sugarbakers Designs is going strong … well, not so strong. They’ve fallen on hard times. Finances are so bad, Suzanne (Ashton Shawver) has tricked the others into appearing on a Bravo reality show, Sugar Walls. They’re all mortified, until the show becomes a hit and Mary Jo (Chad Peterson) and Charlene (Michael B. Moore, whose vocal impersonation borders on the uncanny) become rivals while Bernice (Mikey Abrams) becomes the break-out star.

Morris, who also plays the stentorian Julia, has a knack for capturing the essence of a show while simultaneously updating it. Thus, there are tacky (but hilarious) jokes about “Sarah Palin’s half-wit baby” and the contemporary exacerbations that rankle Julia, including the cross-eyed Bravo producer Andy Cohen (Kevin Moore). (If you follow the ModernSeinfeld Twitter feed, you get the idea.) And while Morris never hesitates to push the line a bit too far (fart jokes!), this play — following Mommie Queerest, The Facts of Life: The Lost Episode and The Silence of the Clams — is probably his best writing: The characters are sharply drawn and even better performed. And when Morris recites one of Julia’s famous speeches from the TV days (her “Night the Lights Went Out in Georgia” riff), fully half the folks in the Rose Room seemed to recite along. That’s called knowing your audience.

—  Arnold Wayne Jones

Idina Menzel to perform at Fair Park in June

OK, we’ve been here before but I’ll take it this it’s true: Idina Menzel will be appearing in Dallas.

This isn’t the first time she was scheduled. Menzel, who won a Tony Award for Wicked, was supposed to perform her show at Fair Park Music Hall last fall, but the shooting schedule for Glee forced her to postpone. She’s now set to bring it to the Park on June 13 — just in time, we don’t mind noting, for National Pride.

Like all gay men, we love Idina, because she (a) starred in Rent; (b) starred in Wicked, (c) appears on Glee and most of all (d) married Taye Diggs. That’s basically the life and career I’d like to have. Tickets for the show go on say Friday at 10 a.m. at Ticketmaster. Please don’t disappoint us, Idina! And if Taye wants to sit with me, well, I won’t complain. And if you don’t already know why you should love her, check this out:

—  Arnold Wayne Jones

Performance artist John Michael performs solo show tonight at Magnolia Lounge

Last May, John Michael completed his junior year at Oklahoma State University, where he was the recipient of a grant from the LGBT student group to produce a show about coming out while working at McDonald’s. Now, Texas has him: Michael transferred to U.T. Dallas in August, to study with Fred Curchack. And in just three months’ time, he already has a show being produced.

I hate guys like this.

Well, not really; I’m just hugely jealous. Which is a good thing. The show, 069, is being produced by Nouveau 47 Theatre in a one-night-only show. The performance will include an excerpt from his McDonald’s piece, Would You Like Guys with That? A McTolerant One-Man Show.

The show is at the Magnolia Lounge inside Fair Park starting at 7:30 p.m., and runs 70 minutes. Tickets are only $5 and it’s BYOB. Gotta love a play that encourages drinkin’.

—  Arnold Wayne Jones

‘West Side Story’ cast at Mama’s Party tonight

The cast of the Broadway national tour of West Side Story, onstage through this weekend at Fair Park, will take their night off to perform at Amy Stevenson’s cabaret fundraiser  Mama’s Party on tonight.  The event raises money for Broadway Cares/Equity Fights AIDS, which provides funds to our local agencies.  The evening, featuring local musicians as well as cast members singing some of their favorite songs, will be ar Tucker’s Blues, 2617 Commerce St. Doors open at 7 p.m. with an cover charge of $5 (cash only).  There will be prizes for raffle tickets and some auction items as well.

—  Arnold Wayne Jones

Best bets • 09.30.11

Friday 09.30

You had us at ‘howdy,’ Big Tex
When the Food Choice Awards rolled out fried bubblegum as the Most Creative winner, we weren’t immediately on board. Yes, we know it’s a marshmallow that tastes like gum, but do we get to stick it under our ferris wheel seat when we’re done? Sure, we’ll try it, but the Best Taste winner Buffalo chicken in a flapjack rings like heaven in our ears. Welcome back, State Fair.

DEETS: Fair Park, 1121 First Ave. Through Oct. 23. $13.95. BigTex.com.

……………….

Saturday 10.01

Don’t strain your brain
Although the band hit it big in the early ’80s, Blondie’s hits never sound dated. Instead they sound cool and classic, much like singer Debbie Harry herself. But the band’s not too shabby either. See the band in the flesh as they bring back the new wave to Dallas.

DEETS: With Nico Vega. Granada Theater, 3524 Greenville Ave. 8 p.m. $60. GranadaTheater.com

………………

Tuesday 10.04

Yes, you feel pretty, witty and gay
Face it, it’s the one go-to line for queens of all ages, but West Side Story is much more than that cliche. It’s heart and angst rolled into a love story and a rumble. Which means, don’t miss it.

DEETS:  Music Hall, 909 First Ave. Through Oct. 23. $20–$90. DallasSummerMusicals.org.

This article appeared in the Dallas Voice print edition September 30, 2011.

—  Michael Stephens

Bike vs. Bike

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Jed Billings in Fort Worth, left, David Smith on Cedar Springs, right

Which is the best city for cyclists: Big D or Cowtown? Both cities have plans in place now to create safer, more convenient options for riders

DAVID TAFFET  |  Staff Writer
taffet@dallasvoice.com

This weekend, Lone Star Ride Fighting AIDS riders can decide for themselves which city is more bike-friendly — Dallas or Fort Worth — as the fundraising cyclists ride through Cowtown on Saturday, and Big D on Sunday (see separate story, New Routes, LSRFA).

Both cities have bike plans in place to increase bicycling for fun and fitness and to encourage two-wheel transportation as a viable means of commuting. But which city’s plan is the best?

The Dallas advantage in bike commuting is DART. Both cities have buses equipped with bike racks, and the Trinity River Express, the train running between the two, also welcomes bikes on board.

But the new center section on each DART train car eliminates the stairs and has hooks for hanging bikes.

Plus, the bike trails in Dallas are accessible from DART stations.

The Katy Trail begins across the parking lot from Victory Station. Fair Park Station is blocks from the new Sante Fe Trail. White Rock Station is adjacent to the White Rock Trail, and Forest Lane Station is right next to the Cottonwood Trail.

But on the other side of the Metroplex, Fort Worth has the extensive and interconnected Trinity Trails in its favor. The trails are named, of course, for the river and its forks, along which much of the 40-mile trail system runs.

Lone Star Ride will use 22 miles of the trail system on Saturday, the first day of the event.

Both cities have developed bike plans to make cycling a transportation alternative. The plans include a variety of ways to make the streets more bike-friendly.

Dallas

In Dallas, the plan includes creating bike lanes, cycletracks, shared lane markings, climbing lanes and paved shoulders that crisscross the city.

Some bike lanes will share a lane with a bus. Cycletracks are dedicated lanes separated from traffic with curbs or other barriers.

Dallas plans 840 miles of on-street bike lanes, with another 255 miles of off-street trails.

“That doesn’t include the trail network,” said Max Kalhammer, project manager of the Dallas plan.

Plans are to connect the Katy Trail and Sante Fe Trail through downtown Dallas with a lane over the Jefferson Street Viaduct to link the Bishop Arts District. That plan should be implemented by 2014.

The next phase involves a network of lanes within a three-mile radius of light rail stations. The full plan should take 10 years to implement, according to Kalhammer.

Fort Worth

The Fort Worth bike plan is simpler, with just two types of bike lanes — shared and dedicated — but no less aggressive.

City of Fort Worth Senior Planner Julia McCleeary said the Fort Worth plan extends more than 1,000 miles, but that includes expected future development and will take 30 to 40 years to fully implement. Currently, the city has 14.1 dedicated bike lanes and 30 miles of shared bike routes.

Over the next six months, another eight miles will be added.

Residents seem to be responding to the new lanes.

“I left work Friday and within five minutes saw three cyclists,” McCleeary said. “Wow. You wouldn’t have seen that before.”

She said that Fort Worth is the first city in Texas to pass a safe passing ordinance: Cars need to leave three feet between themselves and anyone vulnerable, including bike riders, horseback riders or the handicapped. Commercial vehicles must clear by six feet.

“We also passed a bike parking zoning ordinance,” she said. “Developers must install racks according to specs.”

Striping downtown streets was done with a Department of Energy grant. McCleeary said that when a street is repaved and must be restriped anyway, the cost of adding the bike lane is minimal.

Coming soon

“[In Dallas] none of the on-street lanes have been implemented yet,” Kalhammer said, but he added that the first lane should be opened soon. He said that will be on Mary Cliff Road in Oak Cliff, in conjunction with some road reconstruction.

The next project will be Bishop Street, which will have dedicated bike lanes.

The Dallas bike project includes destination signs that point in a direction with a distance to the destination. Those replace the current bike route signs that point down a street but usually go nowhere.

McCleeary said she would like to see standardized bike lane marking between cities to minimize driver confusion and promote safety. Kalhammer said he thought the markings will be similar enough to not confuse riders.

Dallas would like to see many more people using bikes as part of their intermodal commute to work.

Fort Worth’s goal is to triple the number of bike commuters, decrease bicycle-related crashes by 10 percent and earn the Bicycle Friendly Community designation given by the League of American Bicyclists.

Where do we rank?

Currently, the “bike friendly” designation hasonly been awarded to smaller cities — Steamboat Springs, Col., Burlington, Vt., and Santa Fe, N.M. are typical examples.

In Boulder, Colo, more than 95 percent of city streets have bike lanes. One Texas city was recognized by the group this year for the first time — The Woodlands — and another — College Station — received an honorable mention.

According to the census, of the top 50 cities, Portland is the No. 1 biking city in the United States with as much as 9 percent of commuters using bikes in some neighborhoods and 3.5 percent citywide.

San Francisco, which ranks fifth, has one of the densest populations in the United States and counts about 40,000 people commuting regularly by bike.

Even more — possibly 75,000 people — get around in New York City by bike.

With .02 percent of commuters using bikes, Dallas ranked 41st and Fort Worth 42nd. But those census figures were released in 2007, before either city instituted their current bike plans. DART added its bike-friendly trains and buses with bike racks just last year and the census undercounts intermodal bike riders by listing them as public-transit users.

Of course, even the bike-friendliest cities in the United States rank far behind many European cities.

In Amsterdam, the world’s top biking city, 40 percent of traffic moves by bicycle. Centraal Station, the Dutch city’s main train station, has parking for 7,000 bikes.

Trondheim, Norway became one of Europe’s top bike riding cities by tackling its hilly topography with bike lifts along some of the city’s steepest streets. That sounds like a great idea for the hills that climb into Oak Cliff.

This article appeared in the Dallas Voice print edition September 23, 2011.

—  Kevin Thomas

ilume Gallerie gets its Pride on

The ilume Gallerie is settling into the start of its third year in its space (its sign went up last week) just in time for Pride, and as always, there’s plenty of diverse art to appeal to every taste.

The current exhibit, More than Words by artists Kat and J Taylor, features dynamic oils and complex color compositions that speak to gay-positive messages with titles such as Rights and Liberty, below. It runs through Sept. 30 and sales benefit the charity Wednesday’s Child.

Resident photographer Jorge Rivas also launches his new series, capturing the frescoes, sculpture and architecture of Fair Park with The Esplanade Series, right.

This is also the final weekend to participate in Rivas’ Faces of Life project. For a donation of $50 per person ($75 for couples and families), Rivas photographs people with a signature red ribbon raising money and awareness in combatting AIDS. “Pets and creative expression are encouraged,” says Ronald Radwanski, ilume Gallerie’s director and artist-in-residence. No appointment is necessary on Saturday from noon to 7 p.m. — just show up and contribute. The final exhibit will be on display in November.

The Gallerie has enhanced hours over Pride weekend (Friday and Saturday from noon to 10 p.m.), but will be closed Sunday due to the parade and ilume celebration.

— Arnold Wayne Jones

This article appeared in the Dallas Voice print edition September 16, 2011.

—  Michael Stephens

Gay cantor finds welcoming home in straight synagogue

Don Croll left Broadway to find more consistent work as a Jewish cantor, coming out as gay along the way

Croll.Cantor-Don
Don Croll

DAVID TAFFET  |  Staff Writer
taffet@dallasvoice.com

Don Croll has learned that his path to becoming a cantor — with an Actor’s Equity card and a Broadway run — was not that unusual. Today Croll is the cantor at Temple Shalom in North Dallas.

After graduating from Ithaca College with a major in theater, Croll was hired as a dancer for the Summer Music Theater in Charlotte, N.C. There, he earned his Equity card and next was hired by Fran and Barry Weissler for their National Theater Company.

At the time, it was one of the best children’s theater companies in the country, Croll said, adding that the Weisslers have since become what Croll calls “the revival king and queen.” Their production of Chicago has been running on Broadway since 1996.

“They liked me very much and would have used me one day,” Croll said. He said he ran into the couple at Fair Park Music Hall, at the opening of one of their shows, and Barry Weissler told him, “You could have understudied Joel Grey in our revival of Cabaret.”

Croll did make it to Broadway in a 1971 revival of On The Town with Bernadette Peters, Phyllis Newman and a pre-Chorus Line Donna McKechnie. He played the bill poster and the Congacabana master of ceremonies and was part of the singing ensemble.

“The New York Times hated us,” Croll said. Although the show got otherwise decent reviews, it closed after just 71 performances.

Croll also toured with Howard Keel and John Raitt in Man of LaMancha and danced in a production of Fiddler on the Roof. He had begun to establish a solid career — solid but not consistent.

“Then I didn’t work for eight months,” Croll said. “At the time I didn’t realize that wasn’t so terrible.”

But Croll said he hated working temp jobs. He was married at the time and contemplating a family, and he wasn’t sure he wanted to be running around the country in national tours. That’s when he decided to become a cantor, the clergy member who sings or chants the service in a synagogue.

In cantorial school Croll met others who had begun their careers on stage, and while he was studying for his career in sacred music, he came out.

“Once I came out, I never looked back,” he said.

After 10 years in New York, Croll accepted a part-time position at Beth Chayim Chadashim in Los Angeles, the first LGBT synagogue.

“When I told the head of the American Conference of Cantors, he looked at me and said, ‘Why are you ruining your career? You’ll never work in a mainstream synagogue again.’”

But a mainstream synagogue in Santa Monica hired him after members attended a service at BCC to hear him sing.

While in L.A., Croll resumed his acting career. Ironically, he was cast as a cantor in Reasonable Doubts, an early 1990s TV series that starred Mark Harmon and this year’s Black Tie Dinner speaker Marlee Matlin.

Then in Melissa Gilbert’s thriller Donor, he played a rabbi.

Croll’s partner, Jan Gartenberg, whom he met in Los Angeles, encouraged him to take a full-time job and Croll was hired by a synagogue in Albuquerque. And in 1996, Temple Shalom brought him to Dallas.

After he was hired, Rabbi Kenneth Roseman asked Croll if he’d be moving to Dallas alone. Croll said his partner would be coming and is attending nursing school. Roseman said, “Then we’ll find her an appropriate nursing school.”

Croll said, “she is a he.” Without missing a beat, Roseman replied, “Then we’ll find him an appropriate nursing school.”

Croll said the big question he was asked by Temple Shalom members about Gartenberg was, “Is he Jewish?”

He is — and his brother is the rabbi of a synagogue in Juneau, Alaska.

“I told them, ‘Jan’s more Jewish than I am,’” he said.

At Temple Shalom, Croll said he and Gartenberg are always invited to events as a couple, although, “In the beginning, some people were uncomfortable.”

In fact, a few families left the synagogue, which now has about 800 member households.

But Roseman stood behind Croll and said, “These are the values by which we stand and they shouldn’t be here if those are not their values.”

Early in his Dallas career, Croll was invited to sing at the installation of a new rabbi at Shearith Israel, the largest Conservative synagogue in Dallas. He received one hate letter.

“Every time you get up to sing, I’ll walk out,” he said the congregant wrote.

Croll showed it to the Shearith rabbi who, he said, was mortified and assured Croll he would always be welcome at their synagogue.

Croll said that his tenure at Temple Shalom has been rather noncontroversial.

“In 2003, we [he and Gartenberg] were married at Temple by five rabbis,” he said. Family, friends and lots of Temple members were there to celebrate with them.
Then in 2008, the couple were legally married in Vancouver by a gay rabbi who was new to that Canadian congregation. They were the first gay couple married at that synagogue.

And this year, Croll said, he and Gartenberg will stand together when the temple honors couples celebrating long-term anniversaries: Croll and Gartenberg will observe their 25th anniversary in November.

Croll said he’s spoken to groups a few times about his relationship, and he said parents sometimes have to explain to their children who Gartenberg is.

But after 16 years in Dallas, Croll said he is simply accepted as one of the faces of Judaism in the Metroplex.

He has also been there as a role model for the temple’s youth. One boy that he bar mitzvahed a number of years ago recently stopped by to casually tell Croll that his boyfriend was moving in with him. And Croll thinks that’s healthy and the way it should be.

Through his years in Dallas, Croll has participated in a number of events in the LGBT community. He’s performed a number of times with the Turtle Creek Chorale and has participated with Congregation Beth El Binah.

When the LGBT synagogue hosted a conference, Croll emceed the evening’s entertainment that included Estelle Getty, Roslyn Kind and local favorite Paul Williams. Last year, he represented the Jewish community at the dedication of the Interfaith Peace Chapel at Cathedral of Hope.

Croll said he isn’t at Temple Shalom to make sure things get better. He’s there making sure that everything’s OK from the beginning.

………………………………….

Beth El Binah plans High Holiday services

Congregation Beth El Binah celebrates the High Holy Days beginning Wednesday, Sept. 28 with an evening service conducted by the congregation’s new rabbi, Steve Fisch, who was hired in June.

Fisch.Rabbi-Steve
Rabbi Steve Fisch

Alan Josephson will perform as the cantorial soloist.

 

“We’re expecting record crowds with our new rabbi,” congregation President Diane Litke said.

“The High Holidays encourage us to reflect on where we have been, where we are and where we can be,” Fisch said. “Services are going to be fun. I’m going to try to bring a spirit of enjoyment to these beautiful days.”

The High Holy Days begin with Rosh Hashanah, which celebrates the new year. The holiday is two days long and all Jewish holidays begin at sunset. So Rosh Hashanah runs from sunset on Wednesday, Sept. 28 until sunset on Friday, Sept. 30.

Evening services begin at 8 p.m. at the Gay and Lesbian Community Center and continue with morning services at 10:30 a.m.

On Friday, the congregation will gather at Litke’s house in Richardson for Tashlich service.

The holiday season is a period of asking for forgiveness. Tashlich is performed sometime during the week between Rosh Hashanah and Yom Kippur as an act of tossing away sins. Usually bread is torn into small pieces and tossed into a running body of water as prayers are recited.

Beth El Binah traditionally gathers on the second day of Rosh Hashanah for the ritual.

Yom Kippur, the day of atonement, takes place 10 days after Rosh Hashanah. The day begins on Friday, Oct. 7 at 8 p.m. with Kol Nidre service, a somber chant that will be played on viola by congregation member Dan Sigale, who performs with the Fort Worth Symphony.

Services on Oct. 8 begin at 10:30 a.m. and continue until sunset.

A week later is the eight-day festival of Sukkot, which marks the harvest with a celebration of thanksgiving. That holiday is observed with a meal eaten in a sukkah or booth.

The sukkah represents the small temporary shelters that were built in the fields for eating and sleeping during the harvest and are decorated with fruit and vegetables.

Beth El Binah’s sukkah is built in member Wayne Wilson’s yard in Lake Highlands and seats 50 for a large potluck dinner that will be held Friday, Oct. 14.

Fisch said that after the holidays he is planning to begin a class in basic Judaism.

“The class is for people who want to convert or just learn more about Judaism,” he said.

For more information about attending any service or class, email rabbi@bethelbinah.org.

— David Taffet

This article appeared in the Dallas Voice print edition September 16, 2011.

—  Kevin Thomas

Friends of Dorothy

stage-1
EASE ON DOWN | The Tin Man (Sydney James Harcourt, above left) steals the show in ‘The Wiz’ at DTC, while over at Fair Park, Megan Sikora, right, gives ‘Guys & Dolls’ its jolt.

If only DTC’s ‘Wiz’ had a heart. And I got yer horse right here, ‘Guys & Dolls’

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

If there’s one thing a gay guy can be counted on to know something about, it’s The Wizard of Oz. After all, the death of Judy Garland sparked the Stonewall Riots, and even before that, being a “friend of Dorothy” was code for practicing The Love That Dare Not Speak Its Name. You wanna change it? Be prepared for theater queens to take note.

And so it is with The Wiz, the 1975 funked-up, all-black musical that serves as the Dallas Theater Center’s season ender.

The appeal of Dorothy’s adventure has always been the exploration of self-understanding with heavy doses of psychology. (The folks she meets in her reveries about Oz mirror real-life people she knows in Kansas.) This rushed 90-minute kiddie show so trims the classic structure of the film (it’s closer in plot to the book, but that’s not a good thing), it feels more like a series of unrelated vignettes than a mythological journey of personal discovery. Dorothy gets to Oz, meets a good witch (not Glinda), hooks up with three buddies (sans Toto, who is only heard barking offstage in the opening), dispatches an evil witch in about six minutes then presumably makes it back home (we never see Kansas again).

DTC is marketing it as a “family musical,” and I suppose it is in the sense that we might start referring to Michele Bachmann’s husband as “family.” The show — even in this abridged version — is gayer than Liberace on Halloween. The Lion, always the nelliest of the bunch, basically admits he’s gay due to an absent father and strong-willed mother; so many men are obsessed with Dorothy’s shiny shoes (here silver as in the book, not ruby like the movie), I expected one of the Munchkins to be Stanford Blatch; and director Kevin Moriarty employs lithe, half-naked dancers from Dallas Black Dance Theater to gyrate their moneymakers — is this Oz from the book or the gay club on Bourbon Street?

Still, this version of The Wiz is just children’s theater without much heart, brain or courage (it’s difficult to tell if that’s the fault of the book by William F. Brown or the direction, which feels stage-2rushed). The style is presentational and flat, with the actors projecting broadly to the balcony with exaggerated emotions.

Although the set famously includes moving “pods” of seats that move the audience around the space, the main actors rarely perform as in true theater-in-the-round, except when the dancers jump into them. I counted a dozen repositionings, but the sense of movement only genuinely grabs you once; during the cyclone, which should make you feel dizzy and excited, the pods move lumberingly around dancers portraying winds. It’s all oddly unsatisfying: It’s there, it ends.

What’s surprising is that there’s not more magic considering how balls-to-the-wall strong most of the singers are. The Tin Man has never been my favorite character — face it: He’s never been anyone’s favorite … until now. Sydney James Harcourt delivers the only truly wrenching musical performance on his solo “To Be Able to Feel,” just moments after the juiced-up eroticism of “Slide Some Oil to Me.” It’s a sexy, charismatic turn in sharp relief to David Ryan Smith’s hilariously flamboyant Lion and James Tyrone Lane’s limber goofing as Scarecrow.

Liz Mikel hams it up, both as good witch Addaperle and her wicked sister Evillene, which gives her the chance to seethe and gnash her teeth at the youngsters in between belt-‘em-out anthems. But Trisha Jeffrey as Dorothy makes little impression. In this construct, without Toto to talk to, the character is a cipher with little to do but watch the rest of Oz upstage her, wondering “Why, oh why can’t I?”

 

Over at Fair Park, the national tour of Guys & Dolls does a good job of reminding us how gosh-durn terrific a songwriter Frank Loesser was. The score plays like a master class in Broadway hits, with standards (the most famous, “Luck Be a Lady,” isn’t even the best) that convey character through complex harmonies with toe-tapping brio. It’s ironic that “Sit Down You’re Rockin’ the Boat” makes the audience want to jump to its feet.

If only the production were quite at the level it needs to be to showcase those numbers at their best. Four of the five leads — Ben Crawford (Sky Masterson), Steve Rosen (Nathan Detroit), Megan Sikora (Adelaide) and Glenn Rainey (Nicely Nicely) — have great voices, with Sikora stealing the show as the squeaky-voiced stripper. (Erin Davie never rises above the confines of the show’s least interesting role, missionary Sarah Brown.) The book, based on Damon Runyon’s caricatures of New York low-lifes, still has some zingers (and Crawford is especially good at making the dialogue feel contemporary), but it hasn’t aged well.

It doesn’t help that director Gordon Greenberg cleaves closely to outmoded conventions, like a long
introductory ballet (danced only serviceably by a disappointing chorus) and extended, stylized sequences throughout that do little to advance the plot. And with the show clocking in just shy of three hours, there is plenty of room to trim.

Sikora, though, makes it worth a look-see alone, and the songs have more energy and have endured better than those of The Wiz. Given a choice, it’s a crapshoot between the Loesser of two Evillenes.

………………………..

travel Travel Diary

Anyone who has ever been trapped in an airport during flight delays knows the madness can become infectious, but being balanced and serene is worth the effort. Here are some tips to get your Zen on.

Exercise. You might be on vacation, but your body is not. Exercise in your room, in your hotel’s gym, outside (run on the beach!) or find a nearby gym. Investing an hour in working out can reduce stress, improve sleep and increase energy.

Choose the right attitude. If you approach traveling with the attitude of, “Ugh! I hate to fly/drive/sit,” you’ve already decided it’s going to be a terrible experience. Instead, make the decision to enjoy the journey. Find a good book or download some interesting movies on your iPad. A long flight can be hell… or six hours of scheduled “me” time. The choice is yours.

Eat right. There’s no such thing as “vacation” calories. A calorie is a calorie and unhealthy options are as unhealthy at the beach as they are at home. Make food choices that nourish your body and you’ll feel strong and you’ll enjoy your vacation even more.

Do less, accomplish more. Many treat vacations as narrow windows into which they cram in as much “fun” as possible. While tempting, it can result in seeing a lot but experiencing nothing. Instead, do a few things you’ll actually enjoy rather than constantly looking at your watch.

Stay hydrated. Planes have notoriously dry air; make it a point to get some water whenever the stewards or stewardesses offer it. After going through security, buy a large bottle of water. It makes your body infinitely more comfortable, especially on longer flights.

Meditate. Even if you don’t normally meditate, taking 10 minutes a day to sit quietly is refreshing. Ideally, meditation is best in a quiet room, but even on a packed plane you can make it work. If there is chaos around you, make it part of your practice! Tune it out and find your center. Among other things, it will help reduce tension, relieve stress and improve your mood.

Wash your hands. Restaurants and public transportation facilities are rife with germs. Vacations are more enjoyable when you’re healthy, so minimize your risk of getting sick by washing your hands often.

— Davey Wavey

This article appeared in the Dallas Voice print edition July 22, 2011.

—  Kevin Thomas