Best Bets • 02.03.12

AmmunitionFriday 02.03

Fill up on eye candy
Viva Dallas Burlesque delves into the absurd with Gadgets and Gobstoppers: The Twisted World of Wonka. Burlesque beauties go from steamy to steampunk teaming up with local band Marquis of Vaudeville. Expect a cavity as they transform the theater into a candy confection of dance and music and a whole lotta sexy.

DEETS:
Lakewood Theater
1825 Abrams Road.
8 p.m. $20.
VivaDallasBurlesque.com.

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Tuesday 02.07

Lady unplugged
Brandi Carlile must really love this town and rightfully so. She’s been here consistently the last two years and sold out the Granada Theater in 2011. She scales back a bit this time performing with an acoustic trio and likely her signature acapella tune. She’s one of the few who can pull that gimmick off with so much magic.

DEETS:
With Lucy Wainwright Roche
House of Blues
2200 N. Lamar St.
8 p.m. $27.50–$39.50.
HouseOfBlues.com.

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Tuesday 02.07

Sounds like couture
Fashioned Forward is a musical exploration into the designs behind legend Jean Paul Gaultier. Spanning from classical to pop, performers turn fashion into song with works by Gershwin to Madonna using Gaultier as inspiration.

DEETS:
Horchow Auditorium
1717 N. Harwood Road (in the DMA).
7:30 p.m. $37.
DallasMuseumOfArt.org.

This article appeared in the Dallas Voice print edition February 3, 2012.

—  Kevin Thomas

REVIEW: Racette an easy singer in a special TDO concert at the Winspear on Wednesday

Last night afforded opera fans the last chance to see a Dallas Opera presentation until 2012 — well, sort of. Soprano Pat Racette, who was supposed to portray Katya Kabonova this month before the production was canceled, still managed to play the Winspear in a special 70-minute cabaret set. (“In honor of Janacek, I have translated all the lyrics into Czech,” she joked.) Although she said she wouldn’t be singing opera, just classics, she couldn’t resist the chance to turn on the pipes big-time for “La Vie en Rose,” which was met with thunderous applause.

For those who sniff at the overblown style of opera, Racette could probably make a convert of ya. She was jokey and easy-going onstage with a torch singer’s facility. She also was refreshingly open. She someone from the audience yelled out, “Is Beth here?,” Racette didn’t hesitate to give shout-outs to her wife, mezzo Beth Clayton, and her in-laws, who were all in the hall. She even played around a bit with Gershwin, changing the lyric “I got my man” to “I got my gal” for one verse.

The set, consisted of several medleys and three encores, ran the gamut from Piaf to the novelty song “To Keep My Love Alive,” all met with warmth by the audience, populated with season subscribers. The worst thing about the evening? Being reminded that we would not get to see her do Katya. Here’s to hoping the TDO adds her back into the mix in a season real soon.

—  Arnold Wayne Jones