It’s the old and the new in music this week.
First the old: Sir Elton John wasn’t officially out (neither was he a “sir” yet) when he released his two-LP milestone recording Goodbye Yellow Brick Road in 1973. Newly reissued by Mercury/UMe/Rocket in an expanded 40th anniversary deluxe edition, GYBR was the most glam album of his career to that point, a style he would continue to explore on a few more albums. “Glam” didn’t necessarily mean “gay,” but Goodbye Yellow Brick Road was also his gayest album until then. The titular reference aside (we know Elton was a Friend of Dorothy now), EJ heaped on the hints in songs such as the Marilyn Monroe memorial “Candle In The Wind,” as well as “All The Young Girls Love Alice” and the sexual ambiguity of “Bennie and the Jets.”
A source for several hit singles in addition to songs that would become instant classics, GYBR kicked off Elton’s musical reign, which would last throughout the 1970s and ’80s. The deluxe edition includes one remastered disc with all 17 songs from the original. The second disc features nine songs, “highlights” from the December 1973 Hammersmith Odeon concert. The remaining nine songs on the second disc fall under the Goodbye Yellow Brick Road Revisited heading. An odd assortment of artists including Fall Out Boy, Emeli Sande, Miguel and The Band Perry, all try their hands at interpreting Sir Elton. Thankfully, someone thought to include John Grant, an openly gay artist, among the performers. As it turns out, his rendition of “Sweet Painted Lady” is the best of the cover versions.