Sunday TV drinking games for your viewing pleasure

Looking20152This Sunday is chock full of LGBT-favorite TV entertainment. Trying to figure out which one to watch? Our Mikey Rox has devised this drinking game that makes it all the more fun. Choose the game that looks the best for you … of DVR it all and enter rehab on Monday!

The Golden Globes (NBC, 7 p.m.). Take a sip of beer or wine when: 1. Hosts Tina Fey and Amy Poehler change gowns. 2. Music is cued to hurry a lengthy acceptance speech that by that point is probably spilling over into soapbox territory anyway. 3. A winner recognizes his or her same-sex partner by name. Take a shot when: 1. A presenter and/or winner appears visibly drunk or high on stage; the likelihood of this will increase exponentially as each hour passes. Or if Sean Young is invited.  2. An acceptance speech turns into a political speech about freedom of speech. You’ll probably want to pick up a big bottle of tequila this year. 3. North Korea and Sony are mentioned in the same sentence.

Girls (HBO, 8 p.m.). Take a sip of beer or wine when: 1. Hannah bears her breasts. 2. Adam mentions his dick. 3. Somebody rides a bike (because nobody has a driver’s license on this show). Take a shot when: 1. Marnie laments about her music career, or sheds a tear. She’s prone to do both; sometimes simultaneously. 2. One of the girls physically hits another. These chicks are violent, yo. 3. Elijah flashes his sweet cheeks.

Looking (HBO, 8:30 p.m, pictured). Take a sip of beer or wine when:  1. You hear the words “top,” “bottom” or “vers.” 2. They refer to social media and/or dating sites and apps. 3. You see butt. Take a shot when: 1. Richie takes it off. 2. Patrick and Kevin get it on. 3. Somebody can’t get it up.

Downton Abbey (PBS, 8 p.m.). Take a sip of beer or wine when: 1. The Dowager Countess throws shade. 2. Thomas Barrow talks smack. 3. Mary acts like a bitch. Take a shot when: 1. A sexual tryst takes place that transcends the class system. 2. A new invention of the era is introduced. 3. A correspondence containing bad news arrives in the second post.

—  Arnold Wayne Jones

Russell Tovey: The gay interview

LOOKINGSeason 2Episode 02Day 05

Russell Tovey of ‘Looking’

Despite roles in the BBC supernatural drama Being Human and The History Boys, both on stage and screen, it’s the HBO dramedy Looking that has presented Russell Tovey with considerable exposure. Premiering one year ago, the show centers on a group of gay friends in San Francisco as they navigate relationships, family and sleeping with your boss. When Kevin (Tovey) and Patrick (Jonathan Groff) finally got down to business during a steamy lay at the end of the first season, the hunky Londoner revealed more than his acting chops.

As Looking returns to the network this Sunday,  Jan. 11, the openly gay  33-year-old opened up on a variety of topics: his mom’s reaction to his thigh thump with Groff, the advantages to shooting a sex scene with a fellow gay actor and how, despite his famous butt, fans of the show who meet him aren’t “rape-y.”

Chris Azzopardi for Dallas Voice: The Season 1 finale set the stage for a whole lot of drama. What does that mean for this upcoming season?  Tovey: Season 2’s gonna pick up three months on with the fallout from that experience with Patrick, Kevin and Richie (Patrick’s boyfriend played by Raúl Castillo). They go away on a big adventure and it all unravels. What it means is there’s gonna be tension, and what unfolds is going to be very good television. And I love it. I love seeing hashtag Team Kevin / Team Richie. People are really loyal to Kevin or Richie. They’re like, “Sorry — I really like you, Russell, but I’m Team Richie.” “Kevin’s a cheat!” “Leave Patrick alone!”

What’s your hope for Kevin and this love triangle he’s gotten himself into?  I want Kevin to be happy, but I want him to find his way to happiness with a lot of drama that’s gonna be entertaining for an audience watching an HBO show. [Laughs] But he has to fuck things up, and I think that’s part of his personality. The more Patrick gets to know him, that’s gonna unravel.

Soooo: Team Kevin or Team Richie?  Hmm … would I fuck myself? Or would I fuck Raúl? If I could have a threeway, it’d be quite nice. You know, a bit of both. But in reality, you’d want a boyfriend like Richie because he could cut your hair, and that’s great — you don’t have to worry about that expenditure every month. He’d do that for free! And he can play guitar, so he can entertain you.

Or, of course, there’s Kevin, who appears to be at least from the Season 1 finale experienced in bed.  Oh yeah, he’s very good. A lot of me went into that!

I hear you’re a method actor  Totally. I’ve done all the research.

—  Arnold Wayne Jones

Lisa Kudrow: The gay interview

LisaKudrow3By Chris Azzopardi

Ten years without our favorite cupcake-wearing gonzo, Valerie Cherish, is 10 years too long. But the wait’s over. You were heard.

A decade after The Comeback —the hilariously cringe-y HBO trailblazer that lasted just one season in 2005, starring Lisa Kudrow as Val, a D-lister reaching for (everything underneath) the stars — was axed, it has returned to the network this week … with the Friends actress back as our beloved hot mess.

We chatted with Kudrow — who also has her fourth season on Showtime’s Web Therapy under her belt — about “superhuman” gays, her own comeback and the future of Romy & Michele.

Dallas Voice: Lisa, you don’t know how tempting it is to say “hello” three times to you right now. How often do people quote Valerie in your presence? And how often are they gay men?  Lisa Kudrow: Frequently and frequently. You know who the next group is after gay men? College students.

Are you surprised by that?  I was surprised … until I got used to it! But it’s fantastic. That’s really thrilling, and then it struck me: Well, of course! They grew up with Housewives of everywhere, and people humiliating themselves on reality TV. When The Comeback first came out, I think that gay men were the only ones who were like, “Yes. I understand. I get it. It’s great, and I understand.”

You know, those are the people I care about the most — the people who really loved the show. That was my only fear after it was all done. Doing it, writing it, shooting it, it was, “Yeah, this is right, this is right.” Then afterwards, “Uh oh, what if it’s not?”

When it comes to Valerie Cherish, what is it about her exactly that we gay men are so drawn to?  I’ve been asking myself that too — not ’cause it’s a mystery, but I wonder why. I was watching Will & Grace once and there was this hilarious episode where Karen’s at a theater and she throws her flask and it hits someone in the head, and there’s this joke that gay men wouldn’t care because, “Eh, all in a day.” Getting, like, smacked with something is “all in a day.” So I wonder if that’s what it is — because Valerie gets, you know, humiliated, or humiliates herself, all the time. And it’s like, “Yeah, well, that’s the world.”

The other thing that I love about Valerie is, “All right, someone said something not nice, but you know what? Can’t use that. Got this other thing I gotta do.” She just ignores that that happened and keeps going.

That’s what it is too: She perseveres.  Completely perseveres! You can agree with her goal or not, but she’s got it and nothing is getting in her way. There’s something admirable about that; there just is. Except, you know, she’s willing to put up with a lot.

—  Arnold Wayne Jones

Laurie Metcalf: The gay interview

LaurieMetcalf1Laurie Metcalf talks roles on gay-inclusive sitcoms. By Chris Azzopardi

There’s no question that Roseanne, a show centered on the Conner family, was one of the most influential sitcoms of all time. Just look: Gay marriage is now as trendy as Jackie Harris’ hipster-desired mom couture.

Two decades later, meet The McCarthys, CBS’ primetime comedy about a zany sports-crazed Bostonian family. One of the sons, Ronny, is gay, and the clan’s matriarch is Laurie Metcalf, who played Jackie on Roseanne (and, in case you forgot, was outed during the show’s finale in 1997).

Metcalf recently chatted with our Chris Azzopardi about how The McCarthys — which debuts tonight at 8:30 p.m. on CBS — has made her feel like she’s “missing out” on a real-life gay son, the lesbian kiss on Roseanne that caused a stir, and her own lip-lock with a stage icon, her first time kissing a woman (she thinks).

Dallas Voice: Between HBO’s Getting On and now The McCarthys — and not counting , guest shots on The Big Bang Theory — you’re spoiling us, Laurie. It’s so good to have you back on TV.  Laurie Metcalfe:  Thanks so much. Yeah, it’s been a long time. I’m spoiled myself right now; I’ve got two wonderful projects. But yeah, I’ve been doing mostly just theater for the past six years.

Which do you prefer: TV or theater?  I have to say, I prefer stage, probably because it’s where I came up. I feel like I understand it best, and I like the immediate gratification of a live audience. You know, it’s been so long since I’ve been on a multi-camera show that it just felt like home walking back onto that set, so that was fantastic. I didn’t think one of those would come back around!

What drew you to The McCarthysFirst of all, I love that multi-camera format. It’s a very collaborative way of working, because you’re in there with the writers, and everybody is trying to contribute to making the show the best it can be on Friday nights for the audience. It’s a group effort, and I really like working that way. Then I talked to Brian Gallivan, the showrunner, who I adore. He came up from Second City, so I felt we had a little something in common. And he’s fantastic. So calm, so supportive and so wonderful to work with. [The scripts] went through so many changes that I know were very difficult for all the writers involved. He’s just a really fantastic leader and he sets the tone for the whole project, and he’s super funny.

Especially as “Sassy Gay Friend.”  When we first talked, I said I was a huge fan of that character and he’s like, “Are you kidding me?” Then we agreed that Sassy Gay Friend should do an intervention at some point on Jackie from Roseanne. Wouldn’t that be great?

Absolutely. You gotta make that happen. Speaking of Jackie, do you find it amusing that her mom style is now a fashion trend among hipsters? That sounds about right! I mean, it’s about time. We had our 25th-year anniversary [in October 2013], for God’s sake.

—  Arnold Wayne Jones

REVIEW: ‘The Normal Heart’ on HBO

Matt Bomer and Mark Ruffalo in ‘The Normal Heart,’ which debuts Sunday on HBO.

In the early 1990s, the AIDS crisis and gay rights became a suitable subject for popular entertainment, with movies and TV shows like Longtime Companion, Philadelphia, And the Band Played On, Tales of the City and plays like As Is, Angels in America and Larry Kramer’s The Normal Heart. The last one, coming from the most vocal (and often least well-liked) voice of the gay activist movement, was probably the most polarizing. It never had a Broadway opening, and certainly was not adapted for the screen.

By 2012, the world was ready again to deal with Larry Kramer. The play opened on Broadway (and won a Tony), and now — about two decades after the artistic fever-dream of AIDS dramas — the filmed version hits the airwaves.

HBO’s The Normal Heart has been a long time coming, but in some ways, it feels like it didn’t skip a beat. The opening segment, a trip to Fire Island cribbed from the structure of Longtime Companion, is both familiar and new, what with all the full-frontal nudity and explicit sex you wouldn’t have seen 20 years ago. And even better, many, many openly-gay actors in the major roles (among them: Matt Bomer, Jim Parsons, Jonathan Groff, Stephen Spinella and B.D. Wong). Not gay, but going full-bore as the hero anyway, is Mark Ruffalo as Ned Weeks, Kramer’s stand-in for himself. Ned’s something of a Cassandra, clucking his disapproval at sexual freedom (or is it recklessness?) even before there’s any indication of the coming plague.

Ned meets a doctor (Julia Roberts), who is even more of a downer than he is, insisting that gay sex is killing men and getting them to stop is the only course of action. But “promiscuity is the principal political agenda” of the gay movement in 1981, Ned argues — you can’t just get them to stop. And yet, you have to. To fail is to accede to genocide.

I’m sure The Normal Heart will shock a lot of mainstream sensibilities, and even some disdainful gays who think it both negatively portrays gay stereotypes and glamorizes anonymous sex. But you can’t have it both ways — you can’t complain about its authenticity and chastise it for being too accurate. But HBO made the formula work one year ago, with its equally shocking biopic about Liberace, Behind the Candelabra, and it won every award in the book. There’s no reason to think lightning won’t strike twice.

The weakness of the play (and now the screenplay, also by Kramer) is the character of Ned, who is so impassioned yet unlikeable that you can’t stand how he’s both right and gets in the way of getting the right thing done. In some ways, it takes amazing self-possession for Kramer to portray his alter ego warts and all, while balancing the competing issues sex-as-liberation and sex-as-death. It was equally hard for the gay community in its day.

But what sustains such competing currents is the emotional tremors the story sets off, which start nearly at the start and rarely waver for the next two hours. The first appearance of a character with Kaposi’s sarcoma … the first realization a seemingly healthy, young, blossoming young man is infected and will die … the first closeted person who could make a difference cowering out of fear of the social stigma … well, even if you did not live through those days, you can’t help but feel rattled. And it leaves you feeling that way.

That’s a ravaging effect of a movie, that sincere, wet-eyed shiver of the inevitable horror faced by a generation of gay men. Director Ryan Murphy (Glee) never lets up. He doesn’t want you to relax. You might miss the urgency, a feeling of self-preservation that, since the invention of the AIDS cocktail, hasn’t been as pressing in society, even the gay community. In many ways, this is the perfect symbiosis of Kramer and Murphy: The radical and the populist. Indeed, if it weren’t already widely known as The Normal Heart, I know the perfect title for it: American Horror Story.

—  Arnold Wayne Jones

HBO renews ‘Looking,’ sets premiere date for ‘Normal Heart’

normalheart02HBO knows a good formula when it sees one. Last year, it premiered its gay-themed made-for-cable movie Behind the Candelabra on the last Sunday in May, and it’s doing so again with its latest tentpole telefilm, The Normal Heart. The screen adaptation of Larry Kramer’s Tony Award-winning play about the fight against AIDS (and the ignorance of the Reagan Era) is set to air at 8 p.m. on May 25. The production, directed by Glee creator Ryan Murphy, features out actors Matt Bower, Jim Parsons, Joe Mantello, Denis O’Hare, Stephen Spinella, B.D. Wong and Jonathan Groff, as well as Julia Roberts, and Mark Ruffalo and Taylor Kitsch, pictured.

Groff had some more good news this week as well: His HBO series Looking got a second-season pickup. The drama about 20something gay men navigating the dating life in present-day San Francisco will return next season.

—  Arnold Wayne Jones

WATCH: Preview of episode 2 of HBO’s new gay series ‘Looking’

Groff1The excellent new gay series Looking, which began airing last Sunday on HBO, is a mature and sexy look at the modern urban gay male. We spoke with the series’ star, Jonathan Groff, here, but you can also check out a preview of episode 2, which airs on Sunday, after the jump. (Take, note, though! Episode 3 will air next Saturday, not Sunday, so as not to compete with the Super Bowl.)

—  Arnold Wayne Jones

‘Looking’ star Jonathan Groff: The gay interview

Jonathan Groff

Jonathan Groff has had a pretty good week. The animated film he stars in, Frozen, was just nominated for two Oscars and his new HBO series, Looking, debuts on Sunday. So it was a good time for our Chris Azzopardi to sit down with Groff to discuss all his gay projects, idolizing Mark Ruffalo and how Looking freaked out his family.  

Jonathan Groff is remembering a scene he shot for the upcoming HBO adaptation of The Normal Heart. It’s his only part with Julia Roberts, and he doesn’t have a single line with her.

“She plays a doctor and I collapse on the street, and then they take me into her office and she’s like, ‘He’s dying,’” the actor recalls. “So I didn’t get to act with her because I’m, like, hyperventilating on a stretcher. I was foaming at the mouth. She was probably all, ‘This kid is really going for it.’ But she was really nice, very chill, very undramatic and easy.”

The same could be said for Groff. The affable Pennsylvania native got his start on stage, nabbing a Tony nomination for his role in the 2006 Broadway musical Spring Awakening before battling it out with New Directions on Glee, portraying a young David Sedaris in the recent feature film C.O.G. and voicing Kristoff in Disney’s hot winter hit Frozen. Now the actor plays Patrick, the charmingly clueless lead in the new gay-friends-living-in-San-Fran series Looking, which debuts Sunday on HBO. Will there be foam? Probably, but only if it’s at a party.

Dallas Voice:  With Looking and The Normal Heart, it must be nice knowing that HBO is gonna pay your bills for at least the next year.  Jonathan Groff: Right? It’s great. But I’ve already been paid for those jobs in 2013!

In the Looking pilot’s opening scene, after a phone call interrupts a hand-job hookup, you tell your friends you worried it was your mom calling. Has your own mother seen the show?  My mom has always been really supportive of my work. When I was doing Spring Awakening she took bus trips of people to come and see the show — like, seriously, 40 people on a touring bus up from Pennsylvania. That was before she had even seen it, so she was shocked when she saw the sex and the nudity and me hitting Lea Michele with a stick, but she obviously enjoyed it … because there were three more bus trips after that! So she overcame the awkwardness of seeing my butt on stage, but ever since they cast me in Looking, the big question in my family has been: “Are they gonna watch it or not when it comes on TV?”

When I came home for the summer to Pennsylvania, I brought the pilot home on DVD and I just said, “I don’t know if you wanna watch this or not, but I feel like if you do watch it, you probably won’t wanna watch it with me in the room.” I think that really freaked them out.

—  Arnold Wayne Jones

WATCH: Debut trailer for upcoming HBO series about gay guys, ‘Looking’

looking01

January is fast becoming the season of gay TV premieres. Yesterday, I shared a video for Chozen, a gay animated comedy for FX; today, HBO one-ups FX with a live-action show that’s just as gay.

Looking is the highly anticipated new series from out actor-producer Jonathan Groff (guest actor on Glee and co-executive producer on Happy Endings). Groff stars as a gay man looking for love in San Francisco. Not surprisingly, it’s set to debut immediately after the third season premiere of Girls on Jan. 19 — so, we have the girls and the boys right after.

Based on the trailer — which you can see after the jump — it’s apparently along the lines of Queer as Folk with honest portrayals of love and sex … and some nudity (don’t worry, the trailer, at least, is safe for work).

Looks like the winter is heating up!

—  Arnold Wayne Jones

REVIEW: ‘Redemption’ on HBO

RedemptionWhen I saw Redemption earlier this year, when it was in the running for an Oscar for best documentary short, I thought it had a serious shot at winning (though the ultimate winner, Inocente, was very, very deserving). It’s not easy to see short films, especially docs, so it’s great that HBO does such a good job airing them, which it does with Redemption tonight at 7:40 p.m. (with rebroadcast through tomorrow).

The documentary on first glance seems to be about “canners,” mostly homeless folks who collect recyclable cans and plastic bottle for the deposit along New York’s Upper West Side. But it’s not so much about homeless people as it is a symbol for the toll the economic downturn has taken on all walks of life. Yes, there are alcoholic veterans and illegal aliens, but also a retired computer expert who can’t like off of Social Security, and families who do what the can to get by. It’s worth the half-hour it takes to watch.

—  Arnold Wayne Jones