Over a quarter-century, Erasure has grown from pop wunderkinds to senior statesmen
RICH LOPEZ | Staff Writer
House of Blues, 2301 Flora St. Sept. 25 at 8 p.m. $39–$65.
Sold out. Ticketmaster.com
There is an almost jaw-dropping effect to the idea that it has been 25 years since the world first heard of Erasure. Andy Bell’s distinctly boyish voice was theatrical with the heartbreak and optimism of youth. Vince Clarke joined Bell as a veteran of Yaz and Depeche Mode, but with Erasure came a sense of ebullience those bands never possessed. Bell and Clarke might be pop music’s most perfect marriage.
As music icons, they have actually relinquished control of their upcoming album, Tomorrow’s World, which drops in October. Interestingly, soon after the group marks its 25th year with its 14th studio album, its producer, Frankmusik, will celebrate his 26th birthday.
“It turns out his mum was a huge fan of ours,” Bell laughs.
Being a contemporary of your producer’s parents is the least of Erasure’s concerns. Bringing Frankmusik on board is both a blur and a blessing to Bell. As a producer, he has worked with everyone from Lady Gaga to Erasure contemporaries Pet Shop Boys, and brings a freshness to Tomorrow’s World that hasn’t been heard in the last decade. Still, the sound is distinctly them.
“Nobody knows quite how it happened, but we had this instinctive feeling about him,” Bell says. “He was championed by our more fanatical fans and they made a really good choice. I don’t know how those straight boys can do it but he’s embraced that synth genre and loves that metrosexual culture.”
When Frankmusik was asked if he was intimidated by working on this album, his appreciation of Erasure is fully relayed.
“No, no. It felt like my calling, it really did. I felt like I needed to make that album — for me and for them,” he told QSyndicate earlier this month.
Both acts are on the road touring together, as if Erasure is somehow passing the pop torch. No need to call this a farewell tour, though: Bell doesn’t feel like they are going away anytime soon.
“You don’t take it for granted at all,” he says. “We’re almost halfway through the American tour, but we are looking forward to the end of this tour, but at the same time we’re loving it. It’s been great fun. It’s a lovely thing to have a great job.”
Erasure has released many gems over the years that have also become signature hits. “Oh L’Amour,” “A Little Respect” and “Chains of Love” are just a sampling of their mark on the industry. But among that huge foundation of songs are some Bell wishes had become bigger hits.
“Sure, you get disappointed when certain ones aren’t played on the radio, but you can’t have that all the time,” he says. “I loved ‘You Surround Me’ and ‘Rock Me Gently’ a lot. Unless we feel strongly about something, then the label chooses. At some point, we have to realize its true worth.”
Erasure comes to the House of Blues Sept. 25 to an already-sold-out venue. Clearly they have not lost their drawing power. Bell says Dallas has always been good to the band despite some of the not-so-approving denizens Texas is sometimes known for.
“We love playing there because we’re have this really great fan base in Dallas and it’s continued over the years,” he says. “I do get fed up with these ‘pray away the gay’ folks who wage warfare on young people. Those closet cases always have their hidden agendas and just take it out on other people.”
After 25 years, it would appear Bell still retains his sass, only now it’s more like a guided missile.
This article appeared in the Dallas Voice print edition September 23, 2011.