Heart and beat

David Guetta delivers the same ol’ dance shtick while Chad D surprises

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

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1 out of 5 stars
NOTHING BUT THE BEAT
David Guetta
Capitol Records

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DJ and producer David Guetta is smart at handling hip-hop and rap artists on top of dance beats. He creates a flow that is easy to dance to and the songs aren’t anything more than a party in the space of three to four minutes. But that formula repeats itself in Nothing But The Beat, which shows no real imagination.

Nicki Minaj and Flo Rida bring their talents to the opener, “Where Them Girls At.” The beat is distinctly Guetta but that formula is already showing. Minaj comes up short here, ripping off a TLC flow and playing more as an accessory.

That changes with “Turn Me On.” Minaj goes into Rihanna territory, singing and rapping. There’s no surprise that she can carry a note, but she proves she can hang with any singer out there. This ends up being one of the better tracks.

With “Sweat,” Guetta re-imagines Snoop’s “Wet” single against a sampled beat to amazing effect. Guetta shines here — not with hip-hop generics over a disco beat, but working magic with Minaj and Snoop to create something exciting. His innovation is off the charts.

It’s too much for the last track to save the album, but it’s a glorious attempt. Guetta teams with Sia on “Titanium.” Collaborative lyrics elevate this song to a higher level than any previous track, as Sia brings her clever writing to the table and ends up with as much a voice in this song as Guetta does.

But so much is wrong with Beat that it ends up being a beat down. What Guetta is good at is producing listenable disco. It’s never too obscure or techno, but it’s always the right sound to get a good jog to or sweat it up on the dance floor.

His collabs with Taio Cruz, Chris Brown and Usher are fine but forgettable. He handles Cruz and Ludacris well in “Little Bad Girl,” and Brown and Lil’ Wayne’s skills make “I Can Only Imagine” work as a song and not just a mix. Although Guetta did help Usher lose a lot of R&B cred on “Without You,” it’s embarrassing to hear Usher reduced to this Coldplay/Keane/OneRepublic styled track. This is where Guetta’s mistakes happen. He keeps masturbating to hip-hop and R&B stars, and he’s missing vital aspects that would make his own songs sound better.

He remembers his gay boy listeners with equally unimpressive diva-esque tracks save for Sia. You would think that wouldn’t happen with Jennifer Hudson on “Night of Your Life,” but the song is amateurish and never lives up to her talent. Guetta gives Jessie J the chance to shine in “Repeat;” she doesn’t.

When Guetta isn’t embarrassing himself, he goes way obnoxious on the Will. I. Am track “Nothing Really Matters,” which is more of a yawner than the Black Eyed Peas’ last album. And “I Just Wanna F” with Timbaland and Dev is an exercise in stupidity.

Even with the stronger tracks, this Beat is a dud.

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2.5 out of 5 stars
THE HUMAN LINK
Chad D
Independent

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Chad D is an indie musician based out of New York who’s 2011 release The Human Link garnered him two OutMusic Award nominations. He’s party pop and rap with a message — a whole lot of them. But his ambition makes up for the rough edges.

In the first four tracks, D lays down energetic beats with different stories. “The Story Begins” opens the album in high-energy synth mode with one of the deepest bass beats. The lyrics could graduate a level, but D throws in surprises such as a guitar solo that comes out of nowhere.

“The Human Link” and “Ask and Tell” lean more to his rap stylings, which need some fine-tuning. In “Link,” he’s choppy, but gets more fluid with “Ask.” I don’t even think he’s trying to be Eminem, but he’s clearly the white-guy rapper and a much better singer. “Ask” seems to be the epitome of his intentions with an in-your-face tune about gay issues. But the platitudes are a bit obvious which makes the song miss its mark.

It would be easy to dismiss “T.G.A. (The Gay Anthem)” as drivel. He raps quickly over what sounds like a sampled “Under the Boardwalk” beat. His Michael Jackson “whooos” are misguided and yet he creates a reliable hook and runs with it.

He hits his stride in “Ocean Blue Love.” The song is crazy catchy and his vocals overlap with note maturity. While I don’t mind his rapping so much, “Ocean” is proof that vocalizing is a better forte for him. He could still refine his voice, but he’s more emotive when singing.

D lost me at the title of “Life is a Ride,” which reminded me too much of “Life is a Highway,” a song I loathe. I muddled through rap stanzas like dance with me/ touch my body/ getting’ naughty but OK, my head bopped along. The chorus burst in and Chad D pulled me in. I don’t get into intentionally cheerful songs but the chorus earwormed its way into my head and I was fine with that.

Chad D isn’t afraid to give his strong queer perspective. As he matures, his songwriting should become more refined, but it’s his heart that drives The Human Link and he’s put all of it here.

This article appeared in the Dallas Voice print edition September 23, 2011.

—  Michael Stephens

Pedaling Olives: An Evening with Michael Godard

Rock star meets high art

Dallas Voice, Wisby – Smith Fine Art Gallery and Hudson Ferus Vodka present an extraordinary collection of works by Artist Michael Godard. Michael Godard, is known as the explosive “Rockstar of the Art World”, and global top selling artist!

His world of art invites us into his lighthearted perspective of life surrounding us, with animated olives, grapes and, dancing strawberries. His unique portrayal of fun is an exciting combination of imagination and subtle humor, which evoke the creative side in “Olive” us right down through our souls. He has redefined art as we know it with a new definition and of course a punch line. Come meet Michael Godard at this very special event and enjoy complimentary beverages.

The night is also a fundraiser. Ten percent of proceeds from art sales will benefit Lone Star Ride Fighting AIDS!

DEETS: Wisby-Smith Fine Art Gallery, 500 Crescent Court. 6 p.m. For more information, click here.

—  Rich Lopez

Letters • 07.09.10

Label Schlein ‘Guest humorist’

The next time you publish a column by Dallas’ own Log Cabin Republican it should read Rob Schlein/Guest Humorist.

I laughed out loud when he said he found the term “Tea Bagger” as offensive as the term “Faggot.” Surely this man cannot be serious, and if he is, all the more reason to pull the Democratic lever this November!

Michael Hallock
Dallas


Even a dog knows abuse

I usually let things I read in the paper go by without a comment, but this is one I just couldn’t let go.

I think denial is a river in Egypt. How many times does the person you feel you have the most in common with, and love dearly have to hit you up side the head and say that you are disgusting before you realize that you are in a bad relationship?

Do you continue in the relationship with the idea that if I stay in this relationship, I’m going to change this individual, because I love them, only to get hit again? Even a dog will eventually come to see when it has been abused: And dogs are loyal to a fault.

It seems to my weak imagination that the Log Cabin Republicans are in this type relationship with the Texas Republican party, especially. How many ways and how many times does this party have to show them you are not welcome before they realize that changing it from the inside is impossible?

It is like going as a guest of someone invited to a party and the host, emphatically telling saying, “You are not welcome here.” Would you stick around because you thought it would hurt the feelings of the person who invited you if you left?

How many ways does the Texas Republican party have to say that gay people are not wanted? Because I believe in the principles of smaller government, low taxes etc. etc. should not make me the target of abuse.

I am not fool enough to associate with people who don’t want me. At every step of the way, the Texas Republican Party has shown great contempt for gays, for blacks, for Latinos, and anybody that is not rich.

Joe Bennett
Dallas


Thanks from YFT Collin County

Thank you to [the Voice] and our wonderful community. We now have a VERY discounted storage space and the donated use of a truck to move our stuff.

Now we just need a permanent home. Wouldn’t it be great if we could purchase something in Collin County?

We have lots of handywomen (& men) who could turn it into something the whole community could use in addition to the Youth, i.e., coffee nights, movies, fundraisers, meetings, etc.

Jeanne Rubin
Frisco
Youth First Texas Collin County

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This article appeared in the Dallas Voice print edition July 9, 2010.

—  Michael Stephens