All the single gays (boys and girls) needed for Indie-Verse and 35 Denton’s Blind Date Contest

Thanks to Brad over at Tactics Productions for pointing this out to me: The Indie-Verse site and 35 Denton festival peeps have teamed-up to give music-loving singles the hook-up in love and tunes. They have just announced the 35 Denton Blind Date contest in which three pairs of tickets will be awarded to contest winners.

The plan is to pair six guys and six gals to set up with three other contestants. They have started taking entries already once their announcement posted. Plus, they are open to same-sex contestants — if enough apply. Once contestants have been selected, they follow up with three virtual dates on Twitter escaping the need for a shave and a shower. Score! Twitter convos are #hashtagged so the date can be followed and the final determination on the best blind date(s) and bam! 35 Denton tickets. It’ll just be up to you to sweep someone of their feet in 140 characters minus the appropriate tags. You can do it. From Indie-Verse.com.

So here’s the plan… we’ll be picking 6 lucky guys and 6 lucky girls and setting them up with 3 of our other contestants. Our last year’s winners, Deb Doing Dallas, will be helping us out in the selection process, since we’re just as blind in this whole dating thing as you all seem to be… maybe she’s got a great POV. We’ll start taking entries as soon as this post is live… We’re TOTALLY open to same-sex contestants, but you have to specify… if we have enough, it’s on.

Click here for the official breakdown of how the contest works. Props to Indie-Verse and 35D for not forgetting the gays love their indie music (and hookups), too.

This year’s 35 Denton fest runs March 8-11 and will feature more than 150 bands including major acts Jesus and the Mary Chain, queer artist Atlas Sound, Best Coast and Built to Spill.

—  Rich Lopez

Applause: Stage pink

Queer highlights from the upcoming theater season

RICH LOPEZ  | Staff Writer

Anticipation should be strong for the upcoming theater season in general. Ambitious shows like Giant, The Tempest, West Side Story and Hairspray all dot the stage horizon.
But we also like to see some of our own up there. As we look over the upcoming offerings from local theater companies, we always ask, “Where’s the gay?”  In addition to Uptown Players’ first  Dallas Pride Performing Arts Festival, here are some of the others.

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Fall

Although the Dallas Opera canceled the opera she was set to star in, lesbian soprano Patricia Racette will still perform at a TDO gala. (Photo Devon Cass)

Singer-songwriter Duncan Sheik gave an indie music flair to the musical adaptation of the 1891 play Spring Awakening. Set in 19th century Germany, Awakening follows a group of youths as they discover more about themselves and their rapidly developing sexuality.

The original Frank Wedekind play was controversial in its day, depicting abortion, homosexuality, rape and suicide. Now the show just has an added rock ‘n’ roll score. Along with Sheik’s musical perspective, Steven Slater wrote the book and lyrics in this updated version which debuted in 2006 on Broadway and won the Tony for Best Musical. Terry Martin directs.

WaterTower Theater, 15650 Addison Road., Addison. Sept. 30–Oct. 23. WaterTowerTheatre.org.

It’s almost un-Texan if you’re gay and not familiar with Del Shores’ tales of Southern discomfort.  Southern Baptist Sissies and Sordid Lives are pretty much part of the queer vernacular in these parts, but Shores got his start way back in 1987.

How will those northern folks take to Shores work (And by north, we mean past Central Expressway past LBJ)? Jeni Helms directs Daddy’s Dyin’: Who’s Got the Will for McKinney Repertory Theatre this fall. As the family patriarch suffers a stroke, the Turnover family gathers as they wait for his death. This family may just put the fun in dysfunctional.

McKinney Performing Arts Center, 111 N. Tennessee St., McKinney. Sept. 30–Oct. 7. McKinneyRep.org.

WingSpan Theatre Co. will produce one of the greater comedies of theater-dom this fall: Oscar Wilde’s The Importance of Being Earnest, with Nancy Sherrard sparring over the gay wit’s price bon mots as Lady Bracknell.

Bath House Cultural Center, 521 E. Lawther Drive. Oct. 6–22. WingSpanTheatre.com.

Although A Catered Affair might sound a bit like My Big Fat Greek Wedding, it has the added flair of Harvey Fierstein’s wit. That’s because he wrote the book for the show alongside John Bucchino’s music and lyrics. The play is based on the Gore Vidal-penned 1956 film The Catered Affair starring Bette Davis.

When Jane and Ralph decide to get married, Jane’s mom Agnes wants to put on an elaborate spectacle of a wedding. The truth is, she can’t afford it and Jane isn’t all too thrilled about a huge affair. As in most cases, the wedding planning is more about the mom than the daughter and Agnes soon realizes the fact. Jane’s Uncle Winston — the proverbial gay uncle — is left off the guest list and is rightfully pissed. But as most gay characters, he rallies to be the voice of reason and support.

Theatre Three, 2800 Routh Street, Ste.168. Oct. 13–Nov. 12. Theatre3Dallas.com.

Lesbian soprano Patricia Racette was going to be featured in the production of Katya Kabanová but unfortunately the show was canceled by the Dallas Opera. But fear not. Dallas will still get to bask in the greatness that is her voice as Racette will perform An Evening with Patricia Racette, a cabaret show with classics from the Great American Songbook for a patron recital.

Winspear Opera House, 2403 Flora St. Nov. 9. DallasOpera.org

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Spring

Nancy Sherrard will star as Lady Bracknell in WIngSpan Theater Co.’s fall production of Oscar Wilde’s ‘The Importance of Being Earnest,’ perhaps the greatest comedy ever written by theaterdom’s gayest wit.

Kevin Moriarty directs Next Fall for the Dallas Theater Center next spring. Written by Geoffrey Nauffts, the play centers on Luke and Adam, a couple with some unusual issues. What’s new about that in gay couplehood? Not much, but when Adam’s an absolute atheist and Luke’s a devout Christian, the two have been doing their best to make it work.
The comedy played on Broadway in 2010, garnering Tony and Drama Desk nominations. And now Dallas gets to see how, as DTC puts it, “relationships can be a beautiful mess.”
Kalita Humphreys Theater, 3636 Turtle Creek Blvd. April 13–May 6. DallasTheaterCenter.org.

Perhaps the most surprising queer offering this next season is Theatre Arlington’s production of The Laramie Project. The show usually creates quite a stir — at least it did in Tyler, thanks to Trinity Wheeler — so how will this suburban audience handle it? Doesn’t matter. Props to T.A. for taking Moises Kaufman’s play about the tragic bashing and death of Matthew Shepard to its community.

Theatre Arlington, 305 W. Main St., Arlington. May 18–June 3. TheatreArlington.org.

Usually the question with MBS Productions is “what’s not gay?” Founder Mark-Brian Sonna has consistently delivered tales of gay woe and love that are sometimes silly and sometimes sweet, but always a laugh.

This season is no different. Playwright Alejandro de la Costa brings back drag queen Lovely Uranus in The Importance of Being Lovely. The last time we saw Uranus, Sonna wore the stilettos and pink wig in last season’s Outrageous, Sexy, (nekkid) Romp.  This time around, Uranus graduates to leading lady status as the show is all about her as audiences follow her through the changes she makes in her make-up, wigs and men.

Stone Cottage Theatre, 15650 Addison Road, Addison. July 16–Aug. 11, 2012. MBSProductions.net.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Concert Notice: Joan as Police Woman to play Club Dada in April

The last time I wrote about Joan as Police Woman, she opened for Rufus Wainwright back in November 2009. I can’t say she impressed me much, but whatevs. I will say that I’ve gone to listen to some of her recordings and am quickly getting on board. Just in time too because the indie music lady comes to Dallas on her own playing at the thankfully reborn Club Dada in Deep Ellum. And come to find out, she plays for our team — we think.

Trish Bendix over at AfterEllen wrote up this piece last month where Joan Wasser (yes, the same Joan) apparently told Bendix she’s bi:

It might not surprise you, then, that Joan is queer. “Surprise” only because you might know she famously dated Jeff Buckley before he tragically drowned in 1997, a fact that likely haunts her in every discussion of her musical career. But there is no trace of her discussing her sexuality, which she once told me a few years ago was not-so-straight.

After she’d written me (via MySpace, remember that?) to let me know she was bisexual (after I’d inquired, mind you — gaydar in action), she gave me her publicist’s contact information so that I could set up an interview. I was denied, unfortunately, which is (also unfortunately) part of the job when it comes to being from the gay press. But upon hearing some music from Joan’s new album, I knew I had to try again. And this time, she had a new publicist, who, like Joan, wasn’t going to position her as something she’s not.

We’re used to that game of nebulous orientation. It’s just something we like to point out. Really, I’m just hoping she brings along her entourage from “The Magic” video to the show. Right??

Spune presents Joan as Police Woman at Club Dada, 2720 Elm St. April 29 at 10 p.m. $10. Click here for tickets.

—  Rich Lopez

Love her way

Despite her Scottish accent, Oona Love is an all-American girl

RICH LOPEZ  | lopez@dallasvoice.com

Oona2-copy
FOLKING AROUND | Oona Love may dress like Stevie Nicks, but she finds inspiration in lesbian icon Mary Gauthier.

OONA LOVE
Sue Ellen’s
3014 Throckmorton St. Dec. 17. 9:30 p.m.
No cover. Caven.com.

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Oona Love thinks she’s boring. The most interesting thing about her, if she says so herself (and she does), is her Chihuahua mix, which joins Love and her girlfriend on the road while she’s performing and booking gigs across the country.

But Love herself has a Chihuahua’s tenacity. Prior to her Saturday gig at Sue Ellen’s, the Scottish singer by way of Nashville has booked shows at Lakewood Bar & Grill and after arriving in town, she lined up two more appearances.

So how does a “boring” Scot thrive in an indie music career filled with lesbians and guitars?

“My message is trying to promote peace, love, understanding and action,” she says. “My generation gets lost in talking about stuff but not doing anything. So all

I’m doing is just really trying to get my music out there. I logged 38,000 miles for the last year, trying to get people to hear that message.”

Love arrived in America 20 years ago to attend college, but she also knew that if anything in music was going to happen for her, it would be here. This is where her heroes are from.

“I’d always been into American singer-songwriters,” she says. “I’m kind of embarrassed to say it, but I really like John Denver!”

For Love, old-school folk inspired her music, offering the optimistic messages she shoots for. With a folk revival in recent years, she doesn’t find much in common with newer bands, though.

“I sometimes write about love and shit, but I always try to write more with a message like those singers,” she says.

Lesbian icons aren’t lost on her, either. She’s a big fan of Sinead O’Connor, but also gushes over folk icon Mary Gauthier and highly recommends her new album. Just don’t get her started on one self-proclaimed bisexual artist.

“I don’t get Ani DiFranco anymore,” she says. “She’s married with a kid now but, oh, I dunno.”

Love melds traditional undertones with a strong Americana perspective tying both cultures. In her album, Out of the Ashes, producer Doug Driesel and Love provide a fairly cohesive set of songs with heart and nice texture. Despite being more American than Scottish, the Celtic instrumentation isn’t lost. And she says the gays like it — and she means the boys.

“I do have a good gay male following,” she says. “Maybe it’s because I look like a drag queen. I’m a redhead with giant boobs, so that kinda helps. But it’s fantastic to play lesbian bars because it feels like you’re coming home. I’m a bit freer before a gay audience.”

Love doesn’t play the boxed-in-because-I’m-lesbian card. She refreshingly embraces the fact that she is going to appeal more to LGBT audiences, but also won’t hold back if performing in non-gay bars. She’s learning to play the game of booking various clubs, what to perform and how to reach out to her audience. But she’s still going to sing love songs to her girlfriend.

“I have no restriction. I don’t feel I need to walk into some hick bar and be overtly out, but I still sing to a woman,” she says. “I don’t raise issues about straight or gay, but if they like my music. But I try to set a good example by living an out lifestyle.”

Which doesn’t sound boring at all.

This article appeared in the Dallas Voice print edition December 17, 2010.

—  Kevin Thomas