WATCH: Occupy Dallas in 90 seconds

So Rich Lopez and I literally took a swing past the Occupy Dallas demonstration in front of the Federal Reserve Bank on Pearl Street during the lunch hour, and below is what we saw.

It starts off kinda slow, with us sitting at a red light on the Woodall Rodgers service road, and a lone Ron Paul supporter shouting through a megaphone in our direction. (Talk about getting co-opted!!!)

But hang in there because things get pretty intense as we make the turn onto Pearl and a Dallas police officer, noticing Rich with the Flip camera in the passenger seat, yells, “Let’s go! Let’s go!”

As you can see, there was a fairly solid line of demonstrators behind the barricades facing Pearl for an entire block, and when we complied with their demands to blow the horn, there was quite a response.

Consider Dallas occupied.

—  John Wright

K-Y reaches out to lesbian market with new ad

K-Y: Not just for straight people anymore

OK, so I have been seeing ads on TV for K-Y Brand‘s “specialty” lubricant gels for a while now. And they have all featured straight couples talking about howthis or that K-Y gel enhances that special moment.

Until now.

K-Y has a new commercial promoting its K-Y Intense, “the first patent-pending arousal gel for her,” and this time the happy couple are lesbians!

According to the press release I got in email, the ad featuring lesbian couple “Alex and Emma” will start airing nationally on Sept. 5, and a digital version should start appearing online about the same time. But you don’t have to wait: K-Y sent me the link to the ad on YouTube, and you can watch it below.

—  admin

Master of HIS domain

Ben Starr, the recently out Dallas cheftestant on Fox’s ‘MasterChef,’ camps it up on Gordon Ramsay’s cooking competition series

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

…………………….

MASTERCHEF
Airs Tuesdays on Fox (Ch. 4) at 8 p.m.

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When Lewisville-based travel writer Ben Starr auditioned for Fox’s MasterChef, he doubted they’d be interested in his style of home cooking. But not only did he make the cut, he’s been one of the more memorable cheftestants — just this week, he had the judge’s favorite dish.

The series is only halfway through, but for Starr, it’s already made a huge difference in his life: It forced him to come out to his parents just last month. We talked to him about the experience and his favorite meals.

…………………….

You’ve been struggling since you wowed the judges at your audition. The audition kinda set me up to expect that I would do well in the competition, but we spun pretty quickly into an emphasis on gourmet cuisine, which is not my thing at all. My street tacos were a little bit spiffy, and I am extremely well traveled, but I tend to eat peasant food even when I travel. I was seeing all these people around me making restaurant quality cuisine and trying to compete on their level. Nice to make a good ol’ catfish in a skillet.

What was the hardest challenge for you? The biggest challenge has definitely been psychological. I’m competitive by nature and I want to feel like I’m competition, but I was surrounded by chefs that were a little more connected to the Food Network that I am. They’d use words like umami [a Japanese word for a savory flavor] and I had to go look it up. There was a common lexicon among the contestants about what these famous chefs I’ve never heard of are doing in their restaurants. I felt like an idiot stumbling around in the dark. That started to leak into my cooking and I began to question, “Is this sophisticated enough? Is this even sophisticated?” The episode this week was a turning point. I felt like for the first time I’m back in my own element.

You certainly have made an impression with your outfits. I don’t wear those hats at home, though I do wear an apron, just for practicality. But [the show] has started this storytelling legacy — people expect me to wear them when they come over. My mom made me the pumpkin hat and apron. Actually, she made me five or six pairs to wear. That’s why you always see a different one on me each episode. I was going through them.

Was wearing them part of a conscious effort to stand during the auditions? I am fairly myself, though I had to set myself apart that wasn’t just about food. I needed to be someone [the judges] remember when they go home at night. That’s why I talked about my rural upbringing, because I thought it would generate a memory.

Had you watched the show before? Did you know what to expect? I don’t watch much TV, but this is not my first time being on TV, which is ironic because I abhor reality television —it brings out the worst in our culture. But I did Rachael Ray’s So You Think You Can Cook in 2007. The audience there was much more caring and nurturing than the machine on MasterChef, but I was a little bit prepared for the frank judgment.

I did not watch the first season of MasterChef, but my friend Karen Rutherford said, “I’ll never speak to you again if you don’t audition [for season 2].” So I watched them all on Hulu. I just sweated my way through them. I knew how intense and stressful it is to cook on TV, and saw how brutal Joe Bastianich and Gordon Ramsay were with the contestants. I thought: Screw this. Then a few weeks passed and the terror faded [and I went through the lengthy audition process]. It was a lot of work — the most difficult full-time job I’ve ever had that doesn’t pay.

What’s your favorite kind of cuisine? While my DNA wants to say Mexican food — I had it in the womb six times a week — I am most intrigued by Thai food. It is so complex, yet so much of it is cooked on the street in a tiny little cart. From the richest to the poorest, everybody eats on the street.

How about a favorite meal? One of the most memorable meals I’ve ever had was in Egypt on New Year’s Eve in 2001. I spent it on Mount Sinai and hiked eight miles back down to the car for the drive back to our resort. [The driver] fell asleep at the wheel and we plummeted into a canyon. Eventually a camel train of Bedouins came by the bottom of this canyon. They took us onto the camels and rode four or five miles to their camp. All the women came out, killed a goat and started cooking while the men tried to pull our car out of the canyon.

It was a humble meal — just a goat stew and some flat bread — but the flavors were really intense and felt they came right out of the desert. I could not even communicate with these people who live in abject poverty, but still they were willing to kill one of their last goats and throw a big feast for us because it’s in their nature to be hospitable. I realized it was important to me to use food to nurture people in my life — I could never be a chef and be in the back. I need to be with the people. My partner is one of the main reasons I cook — we’ve been together eight years and I want to marry him one day.

Did you plan to be “the gay guy” on the show? When I was on [Rachael Ray] it was not addressed and I didn’t talk about it openly. At that point my family didn’t know I was gay — in fact, I didn’t come out to my parents until about five weeks ago. They were totally shell-shocked — they didn’t have a clue.

Maybe mom should have guessed since she made you all those hats. Ha! Maybe.

This article appeared in the Dallas Voice print edition July 8, 2011.

—  Michael Stephens

Watch: Intense Videos from the Brooklyn ‘Tornado”

Brooklymn

Those of you in NYC know what an incredible storm passed through here this evening.

Check out this video from a surveillance camera in Brooklyn, which was hit the hardest.

Watch, AFTER THE JUMP

Gothamist and the NYT both have good reports on the storm, with photos. Blabbeando has some shots of tree destruction.


Here's another of the storm, as it approached Brooklyn.



Towleroad News #gay

—  John Wright

Show vs. Show • 03.26.10

By RICH LOPEZ | Staff Writer lopez@dallasvoice.com

Dallas doesn’t find itself too often in the middle of a gay live music dilemma. This weekend, two musicians might get to bring their sounds to the masses. That is, if LGBT Dallas heads out to support their own.

Tommy Hernandez was mostly on the local music scene as a solo artist but his latest venture takes him away from pop music into a trancey realm. As one half of Museum Creatures, he and Stephen Holmes go the electronica route.

Museum Creatures is part of the Mercy for Animals Benefit at the Cavern on Lower Greenville. They share a heavy bill with Soft Environmental Collapse, Division of Power and more for the Rockout for Animals show.

Patrick Boothe approaches music with a raw attitude. In his latest release, Jump In, a five song EP, he explores his darker side.

Boothe relocated from Dallas to Austin partly to be near the music industry there. A lonely spell set in and provided inspiration for his newest set of songs. But he’s confident his gay audience will relate.

“I do have a mostly gay audience and they don’t listen to just the poppy music at gay clubs and bars you always hear.”

He’s alt-rock with a piano but more in the vein of Tori Amos. Yet, maybe a bit louder.

“It’s just me and a piano but it’s gonna be loud. I sing pretty loud and I’m not a classically trained pianist so it can get intense at times.”

He’s alt-rock with a piano but more in the vein of Tori Amos. Yet, maybe a bit louder.

“It’s just me and a piano but it’s gonna be loud. I sing pretty loud and I’m not a classically trained pianist so it can get intense at times.


— Rich Lopez

 


This article appeared in the Dallas Voice print edition March 26, 2010.


—  admin