REVIEW: Racette an easy singer in a special TDO concert at the Winspear on Wednesday

Last night afforded opera fans the last chance to see a Dallas Opera presentation until 2012 — well, sort of. Soprano Pat Racette, who was supposed to portray Katya Kabonova this month before the production was canceled, still managed to play the Winspear in a special 70-minute cabaret set. (“In honor of Janacek, I have translated all the lyrics into Czech,” she joked.) Although she said she wouldn’t be singing opera, just classics, she couldn’t resist the chance to turn on the pipes big-time for “La Vie en Rose,” which was met with thunderous applause.

For those who sniff at the overblown style of opera, Racette could probably make a convert of ya. She was jokey and easy-going onstage with a torch singer’s facility. She also was refreshingly open. She someone from the audience yelled out, “Is Beth here?,” Racette didn’t hesitate to give shout-outs to her wife, mezzo Beth Clayton, and her in-laws, who were all in the hall. She even played around a bit with Gershwin, changing the lyric “I got my man” to “I got my gal” for one verse.

The set, consisted of several medleys and three encores, ran the gamut from Piaf to the novelty song “To Keep My Love Alive,” all met with warmth by the audience, populated with season subscribers. The worst thing about the evening? Being reminded that we would not get to see her do Katya. Here’s to hoping the TDO adds her back into the mix in a season real soon.

—  Arnold Wayne Jones

Dallas Opera announces 2011-12 season, with some gay

The Dallas Opera has announced its lineup for next season, and it offers some particular interest for the gay community.

The season kicks off at the Winspear on Oct. 21 with Donizetti’s Lucia di Lammermoor, followed the following week with the Janacek opera Katya Kabanova. The latter will star out soprano Patricia Racette, last seen in Dallas in Janacek’s Jenufa (pictured). Racette, the partner of fellow soprano Beth Clayton, will then perform at the exclusive patron recital on Nov. 9 as the featured cabaret entertainer.

The season continues in February with a staged concert of Tristan und Isolde, directed by out director Christian Rath, who last helmed Beethoven’s Fidelio here in 2002. The season concludes next April with La Traviata and Mozart’s Die Zauberflote (The Magic Flute).

—  Arnold Wayne Jones