GLAAD, Elizabeth Taylor AIDS Foundation release new PSA on AIDS; CDC releases new statistics

Liz Taylor at Freddie Mercury benefit

Elizabeth Taylor speaking at the 1992 Freddie Mercury Tribute Concert

The Gay and Lesbian Alliance Against Defamation — GLAAD — and the Elizabeth Taylor AIDS Foundation today (Tuesday, Oct. 20) announced the release of a public service announcement intended to “inspire, inform and re-ignite the passion and action needed to beat the HIV and AIDS epidemic once and for all.”

Created as part of an ongoing partnership between GLAAD and Elizabeth Taylor Foundation and produced by Martian Entertainment, the PSA begins with Taylor’s speech at the 1992 Freddie Mercury Tribute Concert as a way to introduce a new generation to the realities of HIV/AIDS and the tools available to overcome the epidemic. Meredith Viera, Whoopi Goldberg, Jonathan Groff, Michael Emerson, Tituss Burgess and Bebe Neuwirth are also participating.

A 30-second version of the PSA will air nationally, with support from Comcast-NBCUniversal, and an extended version will run online.

Joel Goldman, managing director of the Elizabeth Taylor AIDS Foundation, said his organization is “thrilled” to be partnering with GLAAD for this effort, noting that GLAAD was created “to respond to misinformation in the media about HIV and AIDS at a time when conversation in the zeitgeist about the epidemic was very high, but understanding of the virus was very low.”

Today, he continued, “it’s the opposite. Conversation about HIV and AIDS is barely discussed in individual circles and has comparatively fallen out of the news cycle. This is despite the fact that the U.S. has not seen a decrease in new infection rates in nearly two decades.”

GLAAD and the Elizabeth Taylor AIDS Foundation announced the release of the PSA on the same day that the Centers for Disease Control and Prevention released new statistical information regarding HIV among people aged 50 and over and regarding HIV among Hispanics/Latinos.

Here are some of the CDC numbers on HIV/AIDS and people over 50:

• In 2012, people aged 55 and older accounted for 24 percent — almost one quarter — of the estimated 1.2 million people living with HIV infection in the U.S.

• In 2013, people aged 50 and over accounted for about 21 percent of the estimated 47,352 HIV diagnoses in the U.S. Of these, largest number — 44 percent — were among those ages 50-54. The majority of the HIV diagnoses in those ages 50-54 were in African-Americans (59 percent), followed by Hispanics/Latinos (23 percent).

• In 2013, people aged 50 and older accounted for 27 percent of the estimated 26,688 AIDS diagnoses in the U.S.

• Of the 6,955 deaths related to AIDS in 2013, 37 percent were among people aged 55 and older.

Now here are some of the CDC numbers on HIV and AIDS among Hispanics/Latinos:

• In 2013, Hispanics/Latinos accounted for 23 percent of the estimated 48,145 new diagnoses of HIV infection in the U.S. and six dependent areas. Of those, 85 percent were in men.

• In 2013, gay, bi and other men who have sex with men accounted for 81 percent of the estimated HIV diagnoses among Hispanic/Latino men, and the annual number of diagnoses among Hispanic/Latino gay and bisexual men has increased 16 percent since 2008.

• Of the HIV diagnoses among Hispanic/Latina women in 2013, 86 percent were attributed heterosexual contact.

• In 2012, Hispanics/Latinos accounted for 21 percent of the estimated 1.2 million people with HIV infection in the United States, and by the end of 2012, an estimated 125,051 Hispanics/Latinos with AIDS had died in the U.S. and the six dependent areas.

• In 2013, 13 percent of the 6,955 deaths related to AIDS in the U.S. were among Hispanics/Latinos.

—  Tammye Nash

BREAKING: HBO cancels ‘Looking’

looking15_10[1]UPDATE: In an official statement, HBO confirmed the cancellation, adding, “HBO will present the final chapter of their journey as a special, We look forward to sharing this adventure with the show[‘s] loyal fans.

Looking, the controversial but low-rated series about gay men in San Francisco, has not been renewed for a third season, writer Kevin Sessums and star Jonathan Groff have confirmed. Groff, however, is promising a follow-up movie, according to NewNowNext. This doesn’t come as a huge surprise; HBO, which airs the series, typically announces next-season renewals early on, to convince viewers of their commitment to a show. The second-season finale of Looking aired Sunday.

—  Arnold Wayne Jones

Russell Tovey: The gay interview

LOOKINGSeason 2Episode 02Day 05

Russell Tovey of ‘Looking’

Despite roles in the BBC supernatural drama Being Human and The History Boys, both on stage and screen, it’s the HBO dramedy Looking that has presented Russell Tovey with considerable exposure. Premiering one year ago, the show centers on a group of gay friends in San Francisco as they navigate relationships, family and sleeping with your boss. When Kevin (Tovey) and Patrick (Jonathan Groff) finally got down to business during a steamy lay at the end of the first season, the hunky Londoner revealed more than his acting chops.

As Looking returns to the network this Sunday,  Jan. 11, the openly gay  33-year-old opened up on a variety of topics: his mom’s reaction to his thigh thump with Groff, the advantages to shooting a sex scene with a fellow gay actor and how, despite his famous butt, fans of the show who meet him aren’t “rape-y.”

Chris Azzopardi for Dallas Voice: The Season 1 finale set the stage for a whole lot of drama. What does that mean for this upcoming season?  Tovey: Season 2’s gonna pick up three months on with the fallout from that experience with Patrick, Kevin and Richie (Patrick’s boyfriend played by Raúl Castillo). They go away on a big adventure and it all unravels. What it means is there’s gonna be tension, and what unfolds is going to be very good television. And I love it. I love seeing hashtag Team Kevin / Team Richie. People are really loyal to Kevin or Richie. They’re like, “Sorry — I really like you, Russell, but I’m Team Richie.” “Kevin’s a cheat!” “Leave Patrick alone!”

What’s your hope for Kevin and this love triangle he’s gotten himself into?  I want Kevin to be happy, but I want him to find his way to happiness with a lot of drama that’s gonna be entertaining for an audience watching an HBO show. [Laughs] But he has to fuck things up, and I think that’s part of his personality. The more Patrick gets to know him, that’s gonna unravel.

Soooo: Team Kevin or Team Richie?  Hmm … would I fuck myself? Or would I fuck Raúl? If I could have a threeway, it’d be quite nice. You know, a bit of both. But in reality, you’d want a boyfriend like Richie because he could cut your hair, and that’s great — you don’t have to worry about that expenditure every month. He’d do that for free! And he can play guitar, so he can entertain you.

Or, of course, there’s Kevin, who appears to be at least from the Season 1 finale experienced in bed.  Oh yeah, he’s very good. A lot of me went into that!

I hear you’re a method actor  Totally. I’ve done all the research.

—  Arnold Wayne Jones

HBO renews ‘Looking,’ sets premiere date for ‘Normal Heart’

normalheart02HBO knows a good formula when it sees one. Last year, it premiered its gay-themed made-for-cable movie Behind the Candelabra on the last Sunday in May, and it’s doing so again with its latest tentpole telefilm, The Normal Heart. The screen adaptation of Larry Kramer’s Tony Award-winning play about the fight against AIDS (and the ignorance of the Reagan Era) is set to air at 8 p.m. on May 25. The production, directed by Glee creator Ryan Murphy, features out actors Matt Bower, Jim Parsons, Joe Mantello, Denis O’Hare, Stephen Spinella, B.D. Wong and Jonathan Groff, as well as Julia Roberts, and Mark Ruffalo and Taylor Kitsch, pictured.

Groff had some more good news this week as well: His HBO series Looking got a second-season pickup. The drama about 20something gay men navigating the dating life in present-day San Francisco will return next season.

—  Arnold Wayne Jones

WATCH: Preview of episode 2 of HBO’s new gay series ‘Looking’

Groff1The excellent new gay series Looking, which began airing last Sunday on HBO, is a mature and sexy look at the modern urban gay male. We spoke with the series’ star, Jonathan Groff, here, but you can also check out a preview of episode 2, which airs on Sunday, after the jump. (Take, note, though! Episode 3 will air next Saturday, not Sunday, so as not to compete with the Super Bowl.)

—  Arnold Wayne Jones

‘Looking’ star Jonathan Groff: The gay interview

Jonathan Groff

Jonathan Groff has had a pretty good week. The animated film he stars in, Frozen, was just nominated for two Oscars and his new HBO series, Looking, debuts on Sunday. So it was a good time for our Chris Azzopardi to sit down with Groff to discuss all his gay projects, idolizing Mark Ruffalo and how Looking freaked out his family.  

Jonathan Groff is remembering a scene he shot for the upcoming HBO adaptation of The Normal Heart. It’s his only part with Julia Roberts, and he doesn’t have a single line with her.

“She plays a doctor and I collapse on the street, and then they take me into her office and she’s like, ‘He’s dying,’” the actor recalls. “So I didn’t get to act with her because I’m, like, hyperventilating on a stretcher. I was foaming at the mouth. She was probably all, ‘This kid is really going for it.’ But she was really nice, very chill, very undramatic and easy.”

The same could be said for Groff. The affable Pennsylvania native got his start on stage, nabbing a Tony nomination for his role in the 2006 Broadway musical Spring Awakening before battling it out with New Directions on Glee, portraying a young David Sedaris in the recent feature film C.O.G. and voicing Kristoff in Disney’s hot winter hit Frozen. Now the actor plays Patrick, the charmingly clueless lead in the new gay-friends-living-in-San-Fran series Looking, which debuts Sunday on HBO. Will there be foam? Probably, but only if it’s at a party.

Dallas Voice:  With Looking and The Normal Heart, it must be nice knowing that HBO is gonna pay your bills for at least the next year.  Jonathan Groff: Right? It’s great. But I’ve already been paid for those jobs in 2013!

In the Looking pilot’s opening scene, after a phone call interrupts a hand-job hookup, you tell your friends you worried it was your mom calling. Has your own mother seen the show?  My mom has always been really supportive of my work. When I was doing Spring Awakening she took bus trips of people to come and see the show — like, seriously, 40 people on a touring bus up from Pennsylvania. That was before she had even seen it, so she was shocked when she saw the sex and the nudity and me hitting Lea Michele with a stick, but she obviously enjoyed it … because there were three more bus trips after that! So she overcame the awkwardness of seeing my butt on stage, but ever since they cast me in Looking, the big question in my family has been: “Are they gonna watch it or not when it comes on TV?”

When I came home for the summer to Pennsylvania, I brought the pilot home on DVD and I just said, “I don’t know if you wanna watch this or not, but I feel like if you do watch it, you probably won’t wanna watch it with me in the room.” I think that really freaked them out.

—  Arnold Wayne Jones

WATCH: Debut trailer for upcoming HBO series about gay guys, ‘Looking’

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January is fast becoming the season of gay TV premieres. Yesterday, I shared a video for Chozen, a gay animated comedy for FX; today, HBO one-ups FX with a live-action show that’s just as gay.

Looking is the highly anticipated new series from out actor-producer Jonathan Groff (guest actor on Glee and co-executive producer on Happy Endings). Groff stars as a gay man looking for love in San Francisco. Not surprisingly, it’s set to debut immediately after the third season premiere of Girls on Jan. 19 — so, we have the girls and the boys right after.

Based on the trailer — which you can see after the jump — it’s apparently along the lines of Queer as Folk with honest portrayals of love and sex … and some nudity (don’t worry, the trailer, at least, is safe for work).

Looks like the winter is heating up!

—  Arnold Wayne Jones

High nooner

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LAID ON END Jeff (Jonathan Groff, left) seduces three women but is cursed with talking to them as well in the unfocussed sex parable ‘Twelve Thirty.’

Even getting ‘Glee’ star Jonathan Groff naked can’t make ‘Twelve Thirty’ interesting

In classic 18th century picaresque novels, young men bounce bawdily from maiden bed to maiden bed, banging a few horny housewives in between, usually in service of a comic satire of sexual liberation peppered with commentary on politics and cultural mores. They are lascivious and funny — that’s what gets people reading them. It’s what makes them part of a genre.

Twelve Thirty follows a similar structure — Jeff (Glee’s Jonathan Groff), a flirtatious young man, claims sexual inexperience but gets laid more often than beige carpeting during a remnants sale, bedding two sisters and their mother. But the thing is, the film isn’t especially (at all?) funny; it has a frank, raw energy (there’s a good deal of sex and nudity) and it’s character-driven with intensive exposition, but it doesn’t amount to much.

Twelve Thirty is ripe with sexual liberation and tons of quirk, but the quirkiness feels forced. Writer-director Jeff Lipsky’s style echoes indie filmmakers Henry Jaglom and Hal Hartley: It’s sophisticated and smart in a cocktail-party-chatter way, but the emotions are treated with academic aloofness. You don’t feel the movie, you merely experience it.

Lipsky doesn’t mind addressing sex, or even showing sex pretty explicitly, but he prefers to talk about sex. And talk and talk and talk. (The title, I’m guessing, is a joke about having a “nooner” — after it’s over, you still need to find something to talk about from 12:30 on.) So, we get a few tantalizing moments of a naked Groff (and some naked ladies, including a surprisingly perky Karen Young), but much, much more conversation. If the dialogue were scintillating, that might suffice. But while the characters are painstakingly conceived (Young’s character, the mother of two girls, is a furrier who still sleeps with her gay ex-husband), there’s not much insight and the chats generally go nowhere (two British women turn up for moments of colorful backstory, then disappear). The film does take a dark turn bordering on cruelty or madness, but then ends as suddenly as it began. Huh?

The film itself has as much a crisis of identity as Jeff himself: It’s a romantic comedy in search of comedy. And romance.

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— Arnold Wayne Jones

This article appeared in the Dallas Voice print edition May 20, 2011.

—  Kevin Thomas