Lea Michele knows exactly where her life is headed. “It’s just gonna be me in bed with gay people and I’m gonna be alone forever like Cher,” the powerhouse playfully foretells, “and that’s totally fine by me.” If you’re like Michele — theater-kid-turned-Broadway-queen, and then, with TV’s Glee and Scream Queens, the apple of Ryan Murphy’s eye — it’s a natural fit. And so be it. “That’s just the story of my fuckin’ life, all right.”
Not the whole story, though. The rest involves brainstorming the 30-year-old singer’s “dream girl” make-out sessions and what Glee episodes she likes the most.
— Chris Azzopardi
Dallas Voice: I loved that you were drinking red wine while singing The Human League’s “Don’t You Want Me” when you reunited with your Glee co-star Darren Criss recently. Lea Michele: Listen, that’s just a typical night for me, let me tell you! I mean, we just wanted it to be casual, like a chill time, us hanging out. We didn’t want it to feel too performed. We just wanted it to be a little peek of what Darren and I do for fun together.
How much wine did you enjoy during the recording of your new album, Places? No wine during the recording of Places, I’ll tell you that. It was too vocally challenging, so none in the recording studio!
This album is more intimate than your debut. You take it down a few notches, and it sounds like you’ve realized that you don’t need to be the pop artist that some people might think you should be. Thank you. Can you do all of my press for me and tell everyone that?
Ha! Sure, I’m for hire. How did you apply what you’ve learned about yourself as a recording artist to Places? I learned a lot from my first album [2014’s Louder]. I definitely think a lot of things contributed to that album: I took a lot of people’s opinions into play, as well as just being a lover of pop music myself and also working on Glee at the same time, so I had a lot of factors kind of coming at me.
I worked on this new record over the past three years, and I really just took the time to be quiet and think about myself, and I was finished with Glee, so I was no longer in the recording studio for that. I just took the time to figure out really, truly who I am as an artist, what kind of music I want to make, and at the end of the day, I’m from Broadway, I’m a theatrical singer, there’s no way around that.
When I did this record, no one told me to change anything; no one told me to sound any different. And this is it, this is me. It’s a true representation of who I am, and all I can hope is that people like it. If they don’t, that’s OK for me now at this point in my life. You know, I’m 30 years old, and I know I can sing. I just hope that people like it and that’s all you can really do. At a certain point, you just have to let it go into the universe.
Did you feel differently making your first album? Did you feel like people were trying to put you in a box? No, I just think that I was sort of influenced a little bit more personally. I was putting myself into a box! No one was really making me do anything – I was the one that was saying, “I want a song that sounds like Katy Perry” and “I want this song to sound like Kelly Clarkson.” But in the recording studio this time, I was like, “No. It can’t sound like anyone but me.”