TRAVEL DIARY

Bus tours and hosted walking tours of cities are popular ways to learn what sights and stops to hit, but technology is making human contact so less relevant. GPSmyCity.com has developed smartphone apps for 180 international cities — with some gay hubs having gay-specific apps: Buenos Aires, San Francisco, Orlando,

Acapulco, Vancouver, Madrid, even Houston. The apps offer everything from “gay nightlife of B.A.” to “top-rated gay venues of Vancouver” and “LGBT entertainment in Madrid.” The apps cost from $3–$5 per destination.

Dallas Pride officially lasts only until Sunday, but you can road-trip it to nearby Shreveport, La., for a week-long film festival of queer cinema.

PACE (People Acting for Change and Equality) hosts its third annual North Louisiana Gay & Lesbian Film Festival, Sept. 16–22 at its artsy Robinson Film Center. The festivities include an opening night appearance by Bruce Vilanch, who will introduce the documentary Get Bruce.  Other films screening over the course of the fest include Undertow, pictured, Wish Me Away and Thy Will Be Done. Visit RobinsonFilmCenter.org, NLGLFF.org and PaceLouisiana.org for more.

— Arnold Wayne Jones

This article appeared in the Dallas Voice print edition September 16, 2011.

—  Michael Stephens

Something WICKED this way comes

BiteMarks1rs
BLOOD-SUCKING HUNKS | It could be hard to run from these beefy vampires in ‘Bite Marks,’ a horror comedy starring Dallas native Benjamin Lutz.

Alt-gay gorefest Fears for Queers is back for seconds as vampire director Mark Bessenger presses the flesh

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

Mark Bessenger may be the first person to coin the term “horror drag.” The film director, who comes to town Saturday for Dallas’ second annual Fears for Queers Film Festival, ponders over what queer audiences find in horror films. As he sees it, the gays love screams.

“Whether [it’s because] we identify with the monster as an outcast, or because people dress up in all that horror drag, I’m kinda surprised [LGBT-themed horror festivals] are not happening more often,” he says.

Bessenger’s first produced feature, Bite Marks, closes out the one-day fest, following a successful premiere at the San Francisco International Gay and Lesbian Film Festival last week. And even though Fears for Queers isn’t as big, Bessenger is glad organizers Shawn Ewert and Andrew Rose approached him for it.

“It’s like we were made for each other,” he says. “How often do you run into a gay film festival of horror movies? I can’t wait to see how Texans react. And to have it shown at the theater where Lee Harvey Oswald was apprehended?  That’s such a bonus.”

In Bite Marks, Brewster, a truck driver (played by Dallas native Benjamin Lutz), is dealing with his sexuality. While on the road, he picks up a hitchhiking gay couple working out some issues of their own. If you think the premise sounds suspiciously like the plot of a gay porn film, you are not alone.

“Even during casting, we were asked if this was a porno,” he laughs. “Without giving too much away, Brewster is hauling a shipment of coffins to a funeral home, but when the GPS misleads them, they find themselves in an abandoned junkyard — and the coffins may not be empty.”

Written to be dark and brutal, Bessenger made changes during talks with his executive producer. Initially, the hitchhikers were straight, but changed to same-sex to broaden the demographic. (How often has that decision been made?) He also changed the tone to more of a horror comedy.

The decisions have paid off. Bessenger’s reaction from the San Fran crowd was enthusiastic.

“The feedback I’ve gotten has mostly been about the comedy,” he says. “I think they responded because of its gay edge and snappy lines. One funny thing was the more conventional horror scares I use, the audience wasn’t familiar with.”

Bessenger was thrilled hearing gasps in the audience and seeing people jump in their seats. Although he says his next film will be straightforward horror, the gay element isn’t lost on him. His approach has been to create the film and then figure in an LGBT aspect. He has no problem being the “gay filmmaker,” as that sensibility will creep into his movies regardless.

“Of course it depends on who I’m making the movie for, but because I am gay, there will likely be that aesthetic,” Bessenger says. “If I had done Avatar or Super 8, there would be something gay in there. Artistically, something of yourself has to seep in even if it’s just a line of dialogue or a reference.”

But making Bite Marks so gay was easier because all the lead actors were out, including Lutz, an SMU grad making his feature film debut. Lutz performed in Dallas with the likes of Kitchen Dog Theater and the Dallas Theater Center, but left for L.A. six years ago. But he’s downplaying his homecoming.

“I am really excited to see it on my home turf,” he says. “I can’t be nervous about reactions. I’ve done my work, it’s up there and there’s nothing I can do.”

But he had some nerves going into the part. Unlike the blue-collar Midwesterner Brewster, Lutz is a Texas boy; he worried if that would hinder his performance.

“I’ve never driven a truck or done certain things Brewster has,“ he says. “I was nervous I wouldn’t have a believable accent, but everything really fell in place. I felt like I was in really good hands with Mark.”

Both Bessenger and Lutz are at work on their next films, and Bessenger for one is excited about the continued growth of LGBT voices in film into something broader. He just wants them to scream as well.

……………………………

Fears for Queers’ lineup

DOA Blood Bath Entertainment teamed with out filmmaker Shawn Ewert and his company Right Left Turn Productions to bring back the second annual Fears For Queers LGBT Film Festival, consisting of feature films and short scarefests — all by queer filmmakers. The films — which all screen Saturday at the Texas Theatre in Oak Cliff — run the gamut from camp to terrifying.

In J.T. Seaton’s feature George’s Intervention, friends of George meet to help him with his addiction to  eating people. Considering George is a zombie, they may have trouble sticking around through the night.

Ann-rose-hang-up-bras

 

 

 

 

 

 

 

Cupcake, above, is likely the first zombie lesbian musical. The short fits in a chorus line of zombies amid a love story in the suburbs. A lesbian couple moves into Hobart, but the crabby pair of old ladies next door aren’t having it, but beware of that pale-looking mailman.

The Finnish film Metsästysmaata, below, takes two strangers led by a mysterious girl into the deep woods where no one can hear them scream.

Metsa1

 

 

 

 

 

 

 

 

 

Lola Rocknrolla is back with cinematic screwballery in the short, I Was a Tranny Werewolf.

Bite Marks, below, closes the fest along with a Q&A with director Mark Bessenger, actor Benjamin Lutz in attendance.

Bite-Marks-movie-[IMG_6063]

Proceeds from the festival benefit Youth First Texas.

Texas Theatre,
231 W. Jefferson Blvd. June 25, 2–7 p.m. $10. DOABloodbath.com.

This article appeared in the Dallas Voice print edition June 24, 2011.


—  Kevin Thomas

WATCH: ‘One on One,’ a gay short film written and produced at the University of Texas at Dallas

Although this is the first I’ve heard of it, One on One was originally posted to YouTube (where it has more than 7,000 views) in May 2010 and has reportedly been making the rounds on Facebook ever since. One on One was written and directed by UTD student Luis Fernando Midence, and according to YouTube, it’s been screened at numerous LGBT film festivals. “A story about compromise, One On One follows Alex and Trevor as they work out their relationship on and off the basketball court, after one of them asks the other one to join a waltz class together.”

—  John Wright

Louisiana: Top & bottom

Part 2, profiling our gaybor to the East: Shreveport’s homespun gay appeal

ARNOLD WAYNE JONES  | Life+Style Editor jones@dallasvoice.com

KING OF CAKES
KING OF CAKES | The king cakes at Julie Anne’s are the best you’ve ever had, but all the baked goods soar. Arnold Wayne Jones/Dallas Voice)

We profiled the bottom of Louisiana as a travel destination earlier this month — now it’s time to hit the top.

With Southern Decadence right around the corner in New Orleans, nearby Shreveport-Bossier City doesn’t get the attention from gay travelers it deserves. But this neighbor to the east is making strides in cultivating its LGBT cred — and not just during Mardi Gras (although we like it for Mardi Gras a lot).

Much of the central business district is fairly compact and surprisingly lively. Less than a week after SoDec ends, Shreveport will gay up the state with the town’s second annual Gay and Lesbian Film Festival, sponsored by PACE (People Acting for Change and Equality) at the Robinson Film Center. The Robinson, like our own Angelika, is a mecca for artsy films (it was the only place in the region to show Milk a few years ago). It’s a beautiful, modern facility that, along with the ArtSpace across the street, gives Downtown an artistic vibe. That sense is augmented with John Waters in tow, which he will be for the fest.

Credit SBC’s progressives for standing up for gay rights. Last year, a city councilman threatened to yank funding for the Robinson because of the gay film fest. The reaction was large enough that not only did the resolution get nowhere, in December the city adopted a non-discrimination policy that covers sex and gender identity. (PACE is also sponsoring a mayoral candidate forum this Sunday.)

Walk or drive down toward the Red River to check out Sci-Port, an interactive science museum targeting families and especially curious kids, but an addictively entertaining place for nerds of all ages. The Sawyer Space Dome Planetarium inside offers everything from laser shows to calculating your weight on the moon (a boon to pound-conscious gays) and lets you show the stars on the day you were born. It also hosts the state’s only IMAX dome theater.

Just down the street, the Barnwell Memorial Garden and Art Center has a greenhouse that’s a hoot to wander through.

Farther away, but completely worth the drive, is the R.W. Norton Art Gallery, a huge museum of eclectic and excellent art, including “double elephant” Audubon portfolios and rotating high-end exhibitions. The self-guided cell-phone tour is an ingenious way to enjoy the art at your own pace.

Perhaps the most interesting attraction, though, is the Logan Mansion. Built in 1897, this private home (Vicky and Billy LeBrun live here full-time) is an architectural marvel bursting with history. It’s also full of believable ghost stories, which Vicky is more than willing to share. It’s one the best historic home tours ever.

Although SBC is not as famed as the Crescent City, all Louisianans know how to enjoy their food, and the culinary scene has several highlights.

Don’t miss the Wine Country Bistro, which deftly executes rustic dishes with French and American country influences. Try the perfectly seared scallops (the size of a fish) on a bed of bacon grits, a corn bread soufflé so sweet it’s more like spoon bread and a mixed berry cobbler with buttermilk ice cream that’s slap-yo’-mama good.

Bistro Byronz has branches in Baton Rouge and Mandeville, but the décor and fare cry out New Orleans, with traditional French dishes like cassoulet (a hearty white bean soup) and chicken paillard (a form of scallopini) in a casual setting that invites jazz music and mimosa.

Logan Mansion
GHOST TOUR | Logan Mansion offers one of the best hist- oric home tours anywhere. (Arnold Wayne Jones/Dallas Voice)

More formal and spacious, but just as delectable, is Giuseppe, an Italian restaurant with tons of private dining rooms for intimate parties. Try the Sunday “champagne symphony” brunch, which serves bottomless bellinis, mimosas or champagne for six bucks and has well-priced entrees. The razor-thin salmon carpaccio is a highlight, but the housemade pastas are unmissable.

OK, some of the food is more kitsch that cuisine — but even that is noteworthy. Julie Anne’s Bakery is home to the king cake, the signature confectionary of the Lenten season. If you’ve only choked down local grocery store versions, be prepared: They do ‘em right here (as many as 600 a day in the week before Fat Tuesday) and aside from being about as healthy a stick of butter, the flavors are heavenly. (There are other delicious baked goods here for the other 10 months of the year.)

On the other hand, it’s not a bad idea to plan a Mardi Gras season visit, where you can enjoy floats, a pet parade and maybe even get access to the pre-parade krewe parties where the massive moving structures are finished out. Some of the krewes are even gay — which goes to show NOLA doesn’t have a lock on queer-friendly Louisiana.

…………………………………..

LITTLE BLACK BOOK

Wine Country Bistro
Wine Country Bistro

ACTIVITIES & ATTRACTIONS
ArtSpace, 710 Texas St. ArtSpaceShreveport.com.
Barnwell Memorial Garden & Art Center, 601 Clyde Fant Parkway. BarnwellCenter.com.
North Louisiana Gay and Lesbian Film Festival (Sept. 10–16), NLGFF.org.
Logan Mansion, 725 Austin Place. R.W. Norton Gallery, 4747 Creswell Ave. RWNAF.org.
Robinson Film Center, 617 Texas St. RobinsonFilmCenter.org.
Sci-Port Museum, 820 Clyde Fant Parkway. SciPort.org.

DINING
Bistro Byronz
, 6104 Line Ave. BistroByronz.com.
Giuseppe, 4800 Line Ave. RistoranteGiuseppe.com.
Julie Anne’s Bakery, 825 Kings Highway.
Wine Country Bistro, pictured, 4801 Line Ave. Wine Country Net.com.

RESOURCES
PACE,
PaceLouisiana.org.

This article appeared in the Dallas Voice print edition August 20, 2010.

—  Michael Stephens