Ovo, Cirque du Soleil’s new insect-themed cavalcade of jaw-dropping wonders, is reason to drive to Frisco
ARNOLD WAYNE JONES | Life+Style Editor
The opening of Ovo, the new Cirque du Soleil touring production, sounds like an attack of locusts, which is sort of the point. The concept of the show is A Bug’s Life, set to abstract music and eye-popping feats of physicality.
As a concept, it works terrifically. Cirque shows traditionally have themes that establish the look, but don’t really tell a story. None of it matters — it’s just a pretext for the juggling and high-wire acts. But here, there really is a romance between a ladybug and a housefly, played out with clownish bravado. And even better, the acts seem to tie into their characters.
That’s due in large, large part to the gorgeous costumes, which are as colorful and varied as the microcosmos of the insect world itself. (And, let’s say it, sexy.) The design mirrors what the acts are supposed to do: Crickets with extended haunches bounce off walks faster than a meadow on a warm summer night; a spider — the slack-wire gymnast, all of 95 pounds, clad in a skin-tight exoskeleton — scurries across a strand of his web, doing handstands and rolling on a unicycle; fleas flick their bodies nimbly through the air as if the dog show just got to town.
All in all, there are about 10 acts in the two-and-a-half hour production under la grand chapiteau in the parking lot of the Dr. Pepper Arena in Frisco. It’s been a long time since Cirque came to North Texas; it’s worth the drive to check it out.
The awesomeness is difficult to describe — or to put in context. After the parade of characters, the main event kicks off with a small display: A firefly who contorts while balanced on his h
and. It sounds simple, even ordinary, but the skill involved astonishes you. Then out come a crew of waif Asian girls who juggle — balls, ottomans, each other — on their feet, passing human bodies around as effortlessly as a salt shaker at the family dinner. It takes the spool juggler — basically, a yo-yo artist extraordinaire — to drop a few to realize these are, in fact, humans who make mistakes. The illusion is that effective.
There’s something for almost every taste, from the elegant aerial ribbon flight of the butterflies to the oh-my muscularity of the trapeze-swinging beetles to the silly, wild dancing of the inchworm. I don’t remember the circus being this fun — or this sexy — when I was a kid. Here’s to progress.
This article appeared in the Dallas Voice print edition Feb. 4, 2011.