REVIEW: “Fashioned Forward” Gaultier music exploration at the DMA fails

Last night held a whole lot of mixed feelings for me.

I finally made it to the Jean Paul Gaultier exhibit at the Dallas Museum of Art, thanks to a sort-of ticket-only pre-show viewing. The crowd wasn’t so thick and I could soak in all the edgy, avant garde work by the designer, as well as the innovations used in the exhibit — mannequins with animated faces, two-level displays and an automated runway showed the museum really upping their game. It made me  proud of the place. And the exhibit itself was full of energy.

But then came the reason we were there.

Fashioned Forward was billed as “a musical exploration of the creative spirit of fashion icon Jean Paul Gaultier.” I was fascinated by the idea of pairing music with fashion, like wine with food. With punk rock skirts for men and ornate corsets made of straw, I could only imagine how the side-by-side would be.

I did not expect what happened.

A cast of four singers, a guitarist and a pianist made up the cast for the night, led by artistic director Ryan Taylor (not onstage). The Horchow Auditorium was packed with a diverse crowd and the show opened with Cole Porter’s “Anything Goes” followed by John Duke’s “Morning in Paris.” Unfortunately, it started the show on the completely wrong stiletto. American standards aren’t what I picture as augmenting the hard edges and spiky textures of Gaultier. Not. At. All. Foreign language songs like “Chiome d’Oro” disengaged the show even more, and poems about (or merely mentioning) fashion were peppered in without much effect while slides of fashions acted as backdrops for works intended to relate to that look.

That was the first half.

—  Rich Lopez

Far from Brokeback

With ‘Hold Your Peace,’ SMU grad Wade McDonald adds his name to a budding local community of queer filmmakers

SO HAPPY TOGETHER | Soon-to-be-marrieds Max (Tyler Brockington, above left) and Forrest (Blair Dickens) trigger mixed feelings from Max’s ex in the new film from local filmmaker Wade McDonald, on set right, opposite page.

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

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HOLD YOUR PEACE
Angelika Film Center, 5321 E. Mockingbird Lane. Sept. 20 at 7 p.m. Free (passes at Buli or Skivvies). HoldYourPeaceMovie.com.

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When Southern Methodist University alum Wade McDonald set out to make his debut feature film, the one thing he didn’t want to do was make a “typical” gay film: No naked boys as the selling point, no ridiculous gay-angst drama, no coming-out story. McDonald loves romantic comedies and wanted to make his own — just with men.

His plan worked. The result, Hold Your Peace, seems to have resonated with audiences.

“We finished in April 2011 and started applying to film festivals right away,” McDonald says. “We premiered in Philadelphia and it snowballed form there to San Diego and even a non-gay film fest in Rhode Island. We got a distributor before the film even premiered! It was crazy.”

Dallas audiences get their first chance to screen Hold Your Peace at the Angelika Film Center Mockingbird Station on Tuesday — just in time for Pride.

“It hadn’t shown here yet, but a friend of our audio editor, Terry Thompkins, was kind enough to pay for a screening,” he says. “I’m so excited it’ll show at the Angelika because I love it there.”

McDonald describes Peace as a meditation on relationships where shenanigans ensue after Aiden is asked to be the best man at his ex Max’s commitment ceremony. Only Aiden isn’t too keen on going alone, much less going at all.

What McDonald strived for was not a “gay movie” per se, but a film where characters happen to be gay. Anyone gay or straight can identify with the situation of unexpressed love and torch-bearing. At the same time, it was important to create a fun and easy watch that fairly portrayed queer men.

“It’s a very human and very honest film. This is a portrayal of normalcy,” he says. “I’ve had straight people tell me they didn’t think they would like this film. It plays a bit safer and I think more people can relate to it.”

McDonald funded Peace mostly on his own, making it on a $200,000 budget. By Hollywood standards, that’s nothing, but it’s high for indies. But he knew he had to make the production high quality. As a cinematographer by day, he had both the know-how and the equipment to shoot a film that looked polished. But he holds the entire cast and crew responsible for putting out a quality product. Don’t call him the film’s auteur — this was completely a team effort.

McDonald is intent on making his mark in queer cinema. Hollywood can take care of itself, he says, but he feels at home in Dallas. A burgeoning community of local gay filmmakers has left him with the sense there’s something special going on around here. He joins Israel Luna, Shawn Ewert, Robert Camina, Yen Tan and Mehul Shah as current or recent Dallasites forming a budding cinema community, turning Dallas into a Mecca of queer film. Hey, it could happen.

“I think it’s something that’s unique to Dallas,” he says. “We are starting something here and if we begin producing enough content here then we can create an industry. Something that can let people quit their day jobs to work on something they love.”

McDonald has no intention of moving to Los Angeles or New York for his movie career. He grew up here, went to SMU for school and he now lives with his partner in Plano. McDonald is the local boy done good, but who hasn’t moved away. He prefers to keep it that way.

“I’m proof positive you can do it in Dallas,” he says. “I could move to L.A., but my personality doesn’t mesh there and that’s fine. It’s inexpensive to shoot here, we have a great support system and I’d love to continue making films right here.”

For now, McDonald is gearing up for his initial Dallas screening. He showed it to cast and crew already, but now the general public gets to see his finished product. For any filmmaker, putting his work out there is nerve-racking, but McDonald and team already see the film taking on a life of its own.

“It’s your baby in a way and you don’t wanna be told you have an ugly baby,” he says. “I’m very proud of what we accomplished with Hold Your Peace and everyone worked their butt off. We’re not setting out to make great literature, just a film that’s fun to watch. You’re just supposed to enjoy it.”

This article appeared in the Dallas Voice print edition September 16, 2011.

—  Michael Stephens

XLV Party gets some gay in after all

We had mixed feelings about the cancellation of Thursday’s queer-skewing XLV Party. With a lineup that included Cazwell, Lady Bunny and The Village People, organizers reached out to the LGBT community. But the headliners weren’t a strong enough draw and the concert was pulled.

Organizers bounced back, though, and added a quick hint of mint to the remaining shows, with DJ Samantha Ronson joining Friday’s lineup. The lesbian DJ isn’t just Lindsay Lohan’s ex, she’s a pretty big deal all on her own. Thanks for keeping us in mind, guys!

— Rich Lopez

Visit XLVParty.com for information.

This article appeared in the Dallas Voice print edition Feb. 4, 2011.

—  John Wright

John Cornyn to vote for DADT repeal?

Sen. John Cornyn

Texas Republican Sen. John Cornyn’s decision to accept an award from Log Cabin Republicans — the gay GOP group — in October was likely designed primarily to drum up votes and money in advance of the November mid-terms. And it may even have worked. But who knows, maybe we’ve also been a little too hard on our junior senator. Maybe, just maybe (but we doubt it), Cornyn is starting to warm up to the gays. And could you really blame him after Log Cabin sang “Happy Birthday” to his freakin’ wife?

Anyhow, we can’t seem to get a response from Cornyn’s spokesman, Kevin McLaughlin, about where he stands on standalone legislation to repeal “don’t ask don’t tell,” which is expected to come up for a vote in the Senate on Saturday. But we do know that Cornyn DID NOT VOTE last week when the Senate blocked a Defense Authorization bill that contained DADT repeal. McLaughlin won’t tell us why Cornyn didn’t vote or where he may have been (at the dentist?), and now we can’t help but wonder: Was he trying to avoid the issue? Does he have mixed feelings about DADT repeal? Is he even a potential yes vote on Saturday? Yeah, right.

Obviously Cornyn is aware of polls showing that nearly eight in 10 Americans support DADT repeal. And given recent polling numbers from Texas on other LGBT issues, we doubt support for repeal is much lower here, even though some might have you believe that.

A while back, McLaughlin issued a statement saying Cornyn felt there were more important priorities for the lame duck session than repealing DADT. Note that the statement didn’t say outright that Cornyn opposes repeal:

“There are a handful of time sensitive issues that must be addressed during lame duck,” the statement said. “A continuing resolution to fund the government, the medicare reimbursement rate also known as the ‘doc fix,’ and preventing every American from incurring a massive tax increase on the first of the year just to name a few. Sen. Cornyn believes these things should be the focus of the lame duck session.”

Two of the issues mentioned in Cornyn’s statement — Bush-era tax cuts and the “doc fix” — have now passed the Senate. Meanwhile, the omnibus spending bill containing government funding was abruptly pulled from the floor last night due to opposition over earmarks ($16 million worth of which were inserted by Cornyn). Now, the Senate is expected to vote today on a short-term resolution that would fund the government until Feb. 18.

In June, Cornyn said he didn’t believe the Senate should act on DADT repeal until the Pentagon study was complete. Then, after the study was released and showed strong support for DADT repeal, he issued the above statement. So, we’re just wondering, what will be his new excuse? At least his counterpart, Sen. Kay Bailey Hutchison, has the guts to take a position and state it for the record.

—  John Wright