WATCH: New trailer for next summer’s likely blockbuster

SOFIA BOUTELLA in a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: "The Mummy."  From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, "The Mummy" brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.Remakes! Uggh. How many times can we see an origin story, or a retread of a familiar, legend, before we say “Enough!”

Well, at least one more.

A friend told me the other night he has just seen a trailer that wowed him. I knew the film was coming out, but hadn’t seen the trailer, so I tracked it down … and not only does it do what a trailer should (make you want to see the film), it also shows you how to update, change and reimagine an old saw — in this case, The Mummy — for a contemporary audience. Here is the trailer, then, for Tom Cruise’s next big hit. Enjoy.

—  Arnold Wayne Jones

WATCH: Trailer for ‘Guardians of the Galaxy’

ChrisPrattIt has gotten to the point where one good reason to watch a Marvel film — and in the case of Thor: The Dark World, the only reason — is the sit through the closing credits to see a teaser for the next Marvel film. That’s where I saw, briefly, Benicio del Toro in the teaser for this summer’s Guardians of the Galaxy tentpole. Well, now you can see the whole two-and-a-half minute trailer. It looks kind of goofy, and I have no sense for the plot. But Chris Pratt looks smokin’ hot.

Watch it after the jump.

—  Arnold Wayne Jones

Did you miss the 4D display last night at the Praetorian downtown? No worries

This may seem a lot of trouble for a mere movie trailer, but it was so worth it. Last night, great measures were taken to give a whole lot of Dallasites (especially downtowners) the pleasure of seeing the trailer for The Tourist with Angelina Jolie and Johnny Depp. The old Praetorian building was turned into a 4d mapped movie screen by the peeps at IllumeNight and pretty much kicked ass all over. Imagine if they had done it for Burlesque.

Thanks to a couple of YouTube posters, you can watch it in the comfort of indoors.

—  Rich Lopez

A curtain falls

Propmaster Rick Gilles, DTC’s butchest employee, leaves to be with his man

RICH LOPEZ  | Staff Writer lopez@dallasvoice.com

Rick Gilles
GO WEST | While finishing up work at DTC’s production studio, Gilles is planning his big move to California — for love. (Rich Lopez/Dallas Voice)

Two loves separated by long distance. One left for his future. The other stayed for their future. But now, happily ever after is about to begin.

Quick, what is that? Tagline in a movie trailer for the next sappy Reese Witherspoon rom-com? No, but it is based on a true story. After 14 years in Dallas, Rick Gilles is packing up and heading west to be with his partner Shannon Swindle. Once they are reunited after a year-and-a-half separation, the plan for Gilles is to settle in, get a job and begin planning their wedding next year (initially scheduled for this year). It’s a real-world romance just in time for Prop 8 being overturned.

“I started realizing that I wasn’t going to get the wedding I wanted,” Gilles laughs. “We had been talking about it for a little while, but with the stress of moving, we postponed until next year. We want it outdoors in Napa Valley with close family and friends. And that isn’t going to come particularly cheap.”

Swindle built a sweet reputation as the pastry chef at Craft in Dallas’ W Hotel, but last year he was transferred to the Los Angeles location. He’s been living in an apartment, waiting for Gilles. But as the properties master for the Dallas Theater Center, Gilles had his own full plate — namely, moving into the new Wyly Theatre. After 14 seasons working at the DTC, he couldn’t bring himself to just leave without seeing it flourish.

“Part of the reason the move didn’t happen earlier was I had been working on getting this theater open,” he says. “I really wanted to see that to fruition and see it go through a full season.”

When Gilles wasn’t constructing sets and working on props for the stage, he was an active member of the Leather Knights (see sidebar), where he found something beyond his leather interest: He could also make an impact on the local LGBT community that he doesn’t foresee in L.A.
“When I lived there before it took a lot more effort, time and money to be involved,” he says. “With Leather Knights, I could fit into my schedule and help the community and contribute my talents.”

Perhaps the hardest part of Gilles’ move isn’t just leaving his longtime tenure at DTC, but chiefly because, he isn’t all that ready to leave Dallas. Coming here from Buffalo (though originally from California), Gilles has made his connection to the city.

“I’ll be really sad to leave here,” he admits. “Dallas has treated me exceptionally well. I love this job and I love Dallas a lot. But ultimately, I’m really excited about the future. We’ve been living apart long enough.”

This article appeared in the Dallas Voice print edition August 6, 2010.

—  Michael Stephens