REVIEW: “The Frequency of Death!”

Pegasus Theatre’s Living Black & White production has become as much a holiday season tradition as A Christmas Carol or The Nutcracker, and like those, it relies heavily on the familiar: The characters you’ve grown fond of, the emotional reaction you’ve come to expect. Unlike those, however, Pegasus can mix up the show every season, with new settings, new casts, new plots. (Who would want to see Xmas Carol without Tiny Tim, or set on Mars in 2121?)

That’s its blessing and its curse: It allows Pegasus’ artistic director, playwright and leading actor,Kurt Kleinmann — who always plays clueless gumshoe Harry Hunsacker — flexibility, but it also makes each show a crap-shoot: Will it be as good as last year?

This year’s production, The Frequency of Death!, is better … at least in Act 1, which has a high percentage of laughs, some hilarious performances and a setting — the studio a 1930s-era radio drama — that permits a variety of action.

—  Arnold Wayne Jones