‘Project Runway’ ad presses the flesh

pr12_key_artProject Runway launches its new season — its 12th — a week from tomorrow on Lifetime, and honestly, I haven’t been all that excited about it. No more Michael Kors. More gimmicks. No Texans in the cast.

But I have to say, the new ad campaign for the season has me, ummm, intrigued.

Now, I know the models in this photo are not the contestants. It’s just one more gimmick for the aging franchise. But if you have to have a gimmick, using racy nudity of hard-bodied men (and, admittedly, women) isn’t such a bad idea. And Heidi dressed as Marie Antoinette (and Tim Gunn standing beside her in a pose that’s slightly evocative of something S&M) probably has the desired effect: I’ll be watching.

—  Arnold Wayne Jones

“Confessions of a Mormon Boy” at Theater LaB

Steven Fales

Steven Fales

Steven Fales (ironically pronounced “fails”) was born Mormon, sixth generation in fact, what he calls “Mormon DNA.” As a good Mormon boy he grew up, became a missionary, went to Brigham Young University, got married and had kids. The only problem being that Fales is gay. After a failed attempt at “reparative therapy” he was kicked out of the Mormon church, got divorced, moved to New York, became a prostitute and developed a crystal meth problem. If the story ended there Fales would be like any number of queer people injured by their intolerant upbringing and lost to a world only too willing to offer alternatives to healing, but the story didn’t end there. Fales, a trained actor, got his life together and started doing a stand-up comedy routine that eventually became his hit one-man play Confessions of a Mormon Boy.

More than just another tear-jerking coming out story, Confessions of a Mormon Boy connects the behaviors learned by growing up in an environment that tells people they will never be worthy of God’s love with the allure of chemical abuse. The play mixes pathos and tragedy with a very healthy dose of comedy (and it doesn’t hurt that former call-boy Fales is quite easy on the eyes).  Fales has written a story not just for the LGBT community, but also for the Mormon community of his youth (it’s played four times in Salt Lake City). For a play about prostitution and drug addiction Confessions of a Mormon Boy is neigh-on family friendly, containing no nudity or cursing.

Fales performs Confessions of a Mormon Boy at Theater LaB (1706 Alamo) Feb. 8-12. Tickets start at $25 and may be purchased by calling 713-868-7516.

After the jump watch Fales perform the opening monologue:

—  admin

Uptown Players is lookin’ for some guys to get nekkid

When Uptown Players announced last summer that their upcoming 2012 season would include the Tony Award winner Take Me Out, everyone familiar with the Broadway show knew immediate what they meant: Naked ballplayers.

The plot of Take Me Out deals with a (fictional) Derek Jeter-type who (hypothetically, Derek!) comes out, and throws his MLB team and the sport as a whole into a frenzy. As followers know, it includes a locker room scene loaded with clothing-free athletes engaged in good natured (and definitely homoerotic) horseplay.  Of the cast of 10 male roles, seven require nudity.

Which brings me to my point: Please, please, actors out there — audition if you look like a baseball player, not if you simply go to the gym and want to show off, or just liked to get naked and aren’t ashamed of your body. My biggest complaint with plays set in the sporting world is, the actors need to look like athletes. That does not mean (necessarily) pretty boys; hairless twinks may be nice to look at in a magazine, but just pick up Sports Illustrated (or review footage of the Rangers’ World Series appearance) and notice that baseballers come in a lot of sizes and styles. Some are kinda beefy (especially the power hitters) and don’t have Michael Phelps’ build. Don’t be afraid to audition just because you aren’t  sculpted good. Theatergoers (and sports fans) want realism, not abs.

Auditions begin Nov. 28 and continue through callbacks on Dec. 4; video submissions are accepted. Click here for more information, including sides.

—  Arnold Wayne Jones

Applause: Broadgay at Winspear

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

The epic Les Miserables follows with a new 25th anniversary production. Dec. 20–Jan. 1.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Facebook doesn’t like Jenna Skyy’s fake boobs

This morning when I logged into Dallas Voice’s Facebook page, I got the following message:

Please Read This!
Warning

Content that you shared on Facebook has been removed because it violated Facebook’s Statement of Rights and Responsibilities. Shares that contain nudity, pornography, or graphic sexual content, are not permitted on Facebook. This message serves as a warning. Additional violations may result in the termination of your account. Please read the Statement of Rights and Responsibilities carefully and refrain from posting abusive material in the future. Thanks in advance for your understanding and cooperation.

I initially had no clue what they were referring to, and of course they don’t bother to tell you. So I just clicked “Acknowledge,” because they really don’t give you a choice. Then I checked our Inbox, and it appears the warning was the result of a complaint by one of our so-called “friends,” who also sent us a message saying he objected to the above photo of Gaybingo co-host Jenna Skyy, which accompanied our post about the event’s 10th anniversary last weekend. I checked and, sure enough, the post had been removed from our page. Here’s what our friend wrote about the photo in his message to us:

“It violates the TOS. Please remove it and be more understanding in the future about people who read your newspaper have kids who might see it. Please take into accounts that children might see the post and be more socially responsible. Sexually explicit pictures or movies that show nudity does not ever belong on facebook. Please think about the kids who might see it. Porn has a time and place, but not on facebook.”

Porn? Really? First of all, even if Jenna’s breasts were real, I regularly see far more sexually explicit photos on Facebook. But they’re not real, they’re fuckin’ fake. And if you watch the video in the post, you’ll see that she’s actually in the process of removing them. But she covered them with her arm anyway. Covered fake breasts are porn? This loser must have an interesting sex life.

The fact is this same “friend,” whom we won’t identify here, has been a nuisance for some time — leaving ridiculous comments on our page accusing us of being part of some big gay Republican conspiracy. After I found out he had complained about our photo, I finally deleted him. But what really bothers me is the fact that Facebook agreed with him and issued a warning with no questions asked, and without providing any way to contact them.

On that note, I thought I’d let you know that Dallas Voice is now on Google+.

—  John Wright

You may see Israel Luna’s burning bush today

On today’s very special episode of The 10%, host Israel Luna and company are going to broadcast nekked. Yes, nude radio and video streaming. Why? Well, according to Facebook, “to strip down the issue of nudity.”

“One of of the topics on Tuesday is how America is okay with TV shows raping women, killing them, slaughtering them, shooting them (CSI, L&O, House, Dexter, etc.) but aren’t okay with nudity,” Luna posted Sunday on his Facebook. Which was followed by this male-heavy poster:

A slightly different tone came from today’s post (yes, also from FB) saying, “Like being naked? Thought about being naked with others in public? You may not be the only one.” Whoa. From rape to just being nude, clearly today’s episode will cover (nyuk) a wide range of nude issues while the host and panel broadcast in their birthday suits. I may have to watch to see if the subsequent show’s hosts wipe down their seats.

The 10% airs today on RationalBroadcasting.com at 3 p.m. Video of the show streams online from the site as well. We’ve fallen for it so we’ll be there. Today’s poster is after the jump.

—  Rich Lopez

A little eye candy for President’s Day: Gym nudity in new gay film ‘The Brothers Sinclair’

Although this falls squarely in the category of shameless promotion, it’s awfully hot. This is a featurette (itself a coinage for a promotional video) for an upcoming gay movie called The Brothers Sinclair. Honestly, the movie looks cheesy (not the bird in the pasta) but the hot guys may soften my animosity for the cliches. No word on when the final feature will come out, but the hotties here are good enough for now. Enjoy!


—  Arnold Wayne Jones

Letters • 10.22.10

Many questions on Club Dallas raid

I just read John Wright’s article about the recent raid at Club Dallas (“11 arrested in raid at Club Dallas,” Dallas Voice, Oct. 15).

What is not clear to me is this: What exactly was the “complaint” that was filed with Dallas Police Department? I did not read this in the article. I am not so much interested as to who filed this complaint (though there are many people or groups that I am sure would love to see Club Dallas shut down!). But what was the substance of this complaint that “forced” the DPD to investigate Club Dallas?

Surely, the DPD knows, or should have known, what the 34-year-old Club Dallas is all about, as well as all of the other adult swingers’ clubs and bathhouses in the city where nudity and sexual contact are common? Was this a person who somehow paid and entered this private club, not knowing what a bathhouse was and why many members of the community patronize this private club? Or was this simply a “noise” issue of people coming and going at all hours?

If what is going on in these clubs is illegal, why are they allowed to be open for business at all?

Is Laura Martin seriously unaware of what goes on in a bathhouse? Seriously? Is she aware of the substance of the initiating complaint? Is she OK with DPD’s follow-up investigation and subsequent arrests?

Can Laura Martin, or anyone at the DPD, give us a direct explanation as to how a private club that requires a paid entry fee and, if I remember correctly, warning signs as to the nudity that goes on in the establishment is considered a “public space”?

Isn’t by definition a public space some place where anyone, man, woman or child, can freely visit? Can just anyone walk into Club Dallas? If not, again, how is it considered by law enforcement and the courts as a public space?

Does this mean that all of the other bathhouses and any other sex clubs in Dallas will also be subject to the same type of investigations, gay or straight?
Your thoughts here would be appreciated. Again, please keep up the good work.

Ludwik Kowal
Hong Kong

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Thanks for the hot Szot

Thank you for the great coverage of Paulo Szot (“Hot Szot,” Dallas Voice, Oct. 15). It’s so refreshing to see an out gay man in this kind of role.

Gordon Yusko
Via E-Mail

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Broden’s dangerous views

Thanks for your coverage of congressional candidate Stephen Broden’s homophobic statements on Fox’s The Glenn Beck Show (DallasVoice.com/Instant Tea, Oct. 5).

It is troubling that Dallas Morning News has not covered this and would endorse this radical individual given the 30th District’s large LGBT community.
I also want to point out Broden’s close ties to a radical abortion group called Maafa 21 and his association with Life Dynamics President Mark Crutcher.

Broden holds many very dangerous views!

Michael Thomas
Dallas

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Aggie Corps more accepting of gays now

I am writing in response to the open letter Dallas Voice published online from Clint Hooper to Texas A&M’s acting commandant, Col. Jake Betty (“A former Aggie cadet comes out and comes clean,” Dallas Voice.com Instant Tea, Oct. 11).

In 2003 I became the first openly gay cadet to complete the Corps of Cadets program, and did so as an outfit commander, just like Mr. Hooper. While my interactions with some other cadets were sometimes difficult and occasionally devolved into outright harassment, I had the full support of then-commandant Gen. John Van Alstyne and his staff, which included Col. Jake Betty.

Mr. Hooper’s very public coming out is something that takes a lot of courage to do, particularly when you consider the conservative history and environment of the Corps of Cadets, and I commend him for it. However, his letter lends the impression that corps leadership, and Col. Betty in particular, do not understand what gay and lesbian cadets face and do not have an adequate sensitivity to those issues in order to address them properly.

I respectfully disagree.

Col. Betty is one of the most honorable men I know, and I could not have made it through the corps being openly gay were it not for the leadership, guidance and understanding of him, Gen. Van Alstyne and the rest of the commandant’s staff.

I can assure you and your readers that Col. Betty and the rest of commandant’s staff do indeed understand what it means to be openly gay in the Corps of Cadets and will not allow it to be an impediment to the success of any cadet. In fact, their understanding and sensitivity have helped ensure that openly gay cadets do not experience the negativity I did all those years ago.

After I served as the first openly gay outfit commander in 2003, there was an openly gay Aggie Band drum major in 2004, and another openly gay cadet served as an outfit commander just a few years later.

Our experiences and the support we received from Col. Betty and others clearly demonstrate openly gay men and women have been and will continue to be successful, strongly contributing members of the Corps of Cadets.

I am pleased Mr. Hooper’s letter has given us an opportunity to have this discussion again in the Aggie community, but I question the decision to publish it in Dallas Voice, as opposed to the A&M student newspaper The Battalion, where it might have the greatest impact among Aggies.

I think it is a discussion to be had among alumni and current students who have the greatest stake in the organization, but the broadcasting of a letter that misplaces the blame for intolerance in a statewide forum reinforces the view that the Corps of Cadets is still a harshly intolerant place for us. Trust me: It is a far better place than it used to be, and a far better organization than Mr. Hooper presents it to be

While there is still a lot of progress to be made, the Fightin’ Texas Aggie Corps of Cadets is a more welcoming place for gays and lesbians because of the outstanding leadership of Col. Jake Betty and the rest of the commandant’s staff.

Thanks and Gig ’em!

Noel A. Freeman
Texas A&M Class of 2003

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TO SEND A LETTER  |  We welcome letters from readers. Shorter letters and those addressing a single issue are more likely to be printed. Letters are subject to editing for length and clarity, but we attempt to maintain the writer’s substance and tone. Include  your home address and a daytime telephone number for verification. Send letters to the senior editor, preferably by e-mail (nash@dallasvoice.com). Letters also may be faxed (214-969-7271) or sent via the U.S. Postal Service (Dallas Voice, 4145 Travis St., Third Floor, Dallas TX 75204). All letters become the property of Dallas Voice.

This article appeared in the Dallas Voice print edition October 22, 2010

—  Kevin Thomas

'Twunky' Levi will give a peek, no full Monty

This bit of gossip about the Levi Johnston photoshoot for Playgirl. (Personally, I love the fact the shoot took place the same week that Sarah Palin’s book comes out; way to steal thunder, Levi!)

According to Jack E. Jett, who interviewed Daniel Nardico from the e-mag, we will see only a wee bit of weenie during a shower scene; otherwise, Johnston is demurring about full-on, Men Magazine-style sexiness. Apparently, he still plans to do mainstream movie acting and doesn’t want to, ummm, shoot his load too soon…

Levi reportedly is also suing for custody of Tripp and again embraced the gay community, asking Nardico what he would be called in the gay world. Nardico labeled him a “twunk” — half twink, half hunk. Sounds like a new subculture is born. Welcome, twunks.

—  Arnold Wayne Jones