Movies: Conviction, Jackass 3D, Cleopatra, Oscar’s Foreign Film List and More


Jackass
Johnny Knoxville and the boys are up to their old tricks again.

 

GuestbloggerNATHANIEL ROGERS
…watches trailers through fingers (too many spoilers) and waits impatiently for the feature. He blogs daily at the Film Experience.


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Are you seeing JACKASS 3D? I still remember hurting from laughing at the first one. If 3D must exist, let it be attached to gimmicky pictures like this, that might have some appropriate use for it and that are only worth watching in theaters with big crowds. The MPAA, the puritanical movie ratings board, has been in the news a lot lately. First they made the huge stupid blunder of giving BLUE VALENTINE, a wrenching marital drama, an NC-17 for no defendable reason. Now they've helpfully started labelling movies with a "male nudity" descriptor and Jackass 3D is one of the first to be so shamed. Never mind that the MPAA has never in their history placed "female nudity" on a rating. Apparently "nudity", the regular acceptable kind, is entirely the province of the female sex.

Conviction CONVICTION, the true story of Betty Anne Waters (Hilary Swank) who became a lawyer to free her brother (Sam Rockwell) from a life sentence without parole is also opening. It's a bit generic given that it's a) a courtroom drama and b) you always know where it's going –helpful hint: they tend to make movies of the true stories with happy endings — but it's quite watchable and the actors do a lot to elevate the material. My favorites were Juliette Lewis, who the world needs more of, in a showy cameo and Sam Rockwell, who could even fetch an Oscar nomination as the unpredictable convict. And yes, he drops his pants briefly…again. Rockwell loves to moon us. Where's the MPAA? "Male Nudity!"

BONUS SCENES

 road Who are these fierce bitches and what do they have to do with this year's Oscar race?

Find out AFTER THE JUMP

Dragqueensportugal

That's Cindy Scrash and Jenny Larrue, two queens from Portugal. They're starring as rival transsexual cabaret stars in the Portuguese Oscar submission TO DIE LIKE A MAN. While Oscar has handed statues to some trans-related films like All About My Mother and Boys Don't Cry in the past, it's not usually their kind of thing. Here are Cindy and Jenny doing the classic duet "I Know Him So Well". (This is not a clip from the movie.)

To Die Like a Man is directed by João Pedro Rodrigues who previously brought you the explicitly gay and rather disturbing O Fantasma (2000). To Die… didn't get much attention earlier this year at Cannes but at least one critic thought it was one of the very best of the venerated fest.

 road If you want to see the whole Foreign Film Oscar Submission List, click here for extensive information charts designed by yours truly. Each year sees around 65 films competing for the 5 coveted "Nominee" slots.

Undertow I've been covering this race in depth for ten years and generally among the sixty-plus films there will be one to three that are gay-themed or…uh… gay adjacent. This year, besides Portugal's transsexual drama, there's a Slovenian film about a cop who becomes obsessed with the life of a bisexual man who committed suicide and I assume there are gay characters sprinkled in a few others though info is still coming in. Gay festival favorite, UNDERTOW (previously reviewed here at Towleroad), from Peru was also submitted. Peru won their first nomination ever in this category just last year, so maybe they'll experience leftover goodwill from the voters?

The two most famous faces in this year's competition are Gael García Bernal who stars in Spain's EVEN THE RAIN and Javier Bardem in Mexico's BIUTIFUL which comes out in December this year… but even if you don't recognize the other names, there's a ton of beautiful actors in the submission list if you'd just like to gawk (Alexander Skarsgård's little brother is among them.)

Picture 4  road James Cameron (Avatar) is considering a Cleopatra biopic to star Angelina Jolie. It doesn't really sound like a Cameron project given his taste for boundary pushing f/x and genre films in general. But then… one can always dream. Here's mine for challenge-junkie Cameron: Dump Angelina. Convince Elizabeth Taylor to come out of retirement to recreate her signature role and develop a new technology that will make La Liz look exactly as she did back in the early 60s when she and that Cleopatra were bankrupting the studio.

 road Paul Verhoeven, infamous Dutch director of Showgirls and Basic Instinct, who recently had a critical hit with Black Book (well worth a rental), is coming back to Hollywood for Eternal, a sexy ghost story.

 roadDo you think Tom Cruise will really do this Top Gun 2 thing?

 road Amy Adams is joining the new Muppets movie. Please let her have a duet with Miss Piggy. Or Gonzo.

 road Let's end with a new image from BURLESQUE. Is Xtina is trying to bring the hand bra back?

Burlesqueimage

Will Cher be pleased or is that too much of a Barbra thing?


Towleroad News #gay

—  John Wright

Movie Monday: Heads will roll in ‘Machete’

‘Machete’ succeeds in B-movie glory

Some elitists used to think the ”B” in B-movie stood for bad.  Well, they weren’t out to win Oscars.  They were just lower-budgeted pictures without big stars and some of them were more fun than their more expensive brethren. Quentin Tarantino and Robert Rodriguez have made it their mission to bring back the Bs, bigger and better than ever.  The results have been mixed but still reach a pinnacle of sorts with Machete, expanded by Rodriguez and company from a fake trailer in the 2007 release of Grindhouse which featured a classic double-bill of Death Proof by Tarantino and Planet Terror by Rodriguez.

Like Russ Meyer’s films Machete works on two levels.  It has enough boobs and booms to please fans of cheap action movies, but others will see it as a hilarious spoof of that genre.  Like Avatar, it has a liberal political message that may go over conservative heads.

For the full review, click here.

DEETS: Machete starring Robert DeNiro, Jessica Alba, Danny Trejo. Rated R. 105 minutes. Now playing in wide release.

—  Rich Lopez

And the nominees are…

I will be a guest on The Rick and R.J. Show on RationalBroadcasting.com talking about the Oscar nominations, but until then, here are the contenders for the top awards this year (and, with the exceptions of A Single Man, Precious and Nine, hardly a notable gay connection in the bunch):

Best Picture: Avatar, The Blind Side, District 9, An Education, The Hurt Locker, Inglourious Basterds, Precious, A Serious Man, Up, Up in the Air

Best Director: James Cameron, Avatar, Kathryn Bigelow, The Hurt Locker, Quentin Tarantino, Inglourious Basterds, Lee Daniels, Precious, Jason Reitman, Up in the Air

Actor: Jeff Bridges, Crazy Heart, George Clooney, Up in the Air, Colin Firth, A Single Man, Morgan Freeman, Invictus, Jeremy Renner, The Hurt Locker

Actress: Sandra Bullock, The Blind Side, Helen Mirren, The Last Station, Carey Mulligan, An Education, Gabourey Sidibe, Precious,  Meryl Streep, Julie & Julia

Supporting Actor: Matt Damon, Invictus, Woody Harrelson, The Messenger, Christopher Plummer, The Last Station, Stanley Tucci, The Lovely Bones, Christoph Waltz, Inglourious Basterds

Supporting Actress: Penelope Cruz, Nine, Vera Farmiga, Up in the Air, Maggie Gyllenhaal, Crazy Heart, Anna Kendricks, Up in the Air, Mo’Nique, Precious

Animated Feature: Coraline, Fantastic Mr. Fox, The Princess and the Frog, The Secret of Kells, Up

—  Arnold Wayne Jones

The Grammys are gone, but the Oscars are right here

Now that the Grammys are finis, it’s time to look to the film world: Tomorrow morning, the Oscar nominations come out. And it’s kinda a crap shoot.

Last year, the Academy announced that for the first time since the 1940s, they would allow 10 best picture nominees instead of the usual five. Problem was, in October, as I looked at the slate of upcoming releases, I could only see two — Avatar and Nine, after Scorsese’s Shutter Island was pushed to this month — that looked to have “Oscar-caliber” written on them. Now, things change when the films are actually released (Nine ended up being a dreadful misfire), but who needs 10 spots when it looked hard to fill five?

More about my predictions after the jump.

—  Arnold Wayne Jones

PGA nominees are … interesting

The Producers Guild of America has announced the 10 nominees for its annual awards and the results are… interesting. That’s all I can say.

See, the PGA usually nominates only FIVE films, and over the last decade or so, on average four of the PGA-nominated films go on to et best picture nominations from the Oscars. (Interestingly enough, though, winners in both  are all over the place and don’t necessarily match up.) But this year the PGA went to 10, which is EXACTLY what the Oscars will due when they announce their nominees in about a month. So this is an insight into the thinking of the producers.

Keep in mind, though, that the PGA is made up of people who finance and produce films, so they tend to appreciate either (a) gigantic productions (especially ones that end up as financially successful) and (b) small indies (that end up as financially successful). See a pattern?

So this year’s nominees are all hits, from the biggest of the big to art house hits and some surprises … but mostly big, big hits. They are:

Avatar (big), Up (big), Up in the Air (headed toward big), Inglourious Basterds (big and kinda arty), Star Trek (big and a surprise), District 9 (pretty big and a surprise hit), The Hurt Locker (art hit), An Education (art hit), Precious (art hit) and Invictus (neither a hit nor arty nor actually any good, but made by Clint Eastwood, so no surprise). NOT on the list are A Single Man (best film of the year!), Nine (thank God), Sherlock Holmes or The Lovely Bones.

—  Arnold Wayne Jones

Oscarcast, part 3

My favorite song — heck, series of songs — in 2007 came in the deeply felt Once. It should have been in the running for three songs, but the fact it won against Alan Menken and Stephen Schwartz’s wildly popular Enchanted is great.

But the real favorite this hour was Freeheld, the only outwardly gay-themed film nominated for an Oscar this year. It won for documentary short, and in a little bit of irony, the win was announced by an active soldier in Iraq.

 Finally, though, it is a bit odd that the best picture and director win, the very American No Country for Old Men, is about the only “American” recipient. Every acting winner this year is European.

— Arnold Wayne Jones 

—  Dallasvoice

Oscarcast, part 2

anton-chigurh.jpg

Holy, moly — I knew this year was gonna be f*cked up. I mean, we all knew supporting actress was wide open, but how many people lost money on Tilda Swinton’s win? She looked more surprised even than Ruby Dee and Amy Ryan (Amy, to be fair, smiled wide). That followed quickly on the heals of Javier Bardem’s predictable win for supporting actor. (No gay man would have given him that haircut, but he deserved the win.) The Coens then won for adapted screenplay for No Country for Old Men, the evening’s first double winner.

I saw all the short film nominees. I have a policy about live action short and foreign films: Movies with cute kids in adult situations so mawkish that the Academy would laugh them off a list of potential best picture nominees win these awards like popcorn. So the fact Les Mozart des Pickpockets was not the best of the lot doesn’t matter. On the other hand, Peter and the Wolf was the best animated short.

 They aren’t wasting time, either — it’s barely 90 minutes in, and already actress (an upset Marion Cotillard), supporting actor and actress and adapted screenplay have been presented. 

 — Arnold Wayne Jones

—  Dallasvoice

The Oscarcast, part 1

Well, not off to a great start. Jon Stewart’s monologue was full of duds — virtually no memorable one-liners. And any awards for Elizabeth: The Golden Age seem misdirected. Still, anything beats the terrible red carpet idiocy. Why did Regis Philbin offer “good luck” to Helen Mirren? She’s a presenter! And shouldn’t you wish that an actor break a leg?

Oh, well, gotta get back to it — there’s another six hours of this.

 — Arnold Wayne Jones

—  Dallasvoice