No helper needed for this Tuna
Joe Sears and Jaston Williams reprise our favorite roles for Tuna’s Greatest Hits: 30 Years of Laughter. Vera, Bertha, Petey and the rest all get a bit older, but only get better as they remind us why we can’t get enough of some Tuna.
DEETS: Eisemann Center, 2351 Performance Drive, Richardson. 8 p.m. Through Mar. 4. $44–$55. EisemannCenter.com.
Sue Ellen’s has made the smart move to go with the artist-in-residence bit on Wednesdays. With a weekly performance by a local artist(s) or band, we either get to know someone new or rediscover some veterans of the scene. This month, Bella and Darla do their acoustic thing on Wednesdays with covers and originals to get you through the week. A beer will help with that also.
DEETS: Sue Ellen’s, 3014 Throckmorton St. 8 p.m. SueEllens.com.
A depressed bride becomes her own ideal husband; the sun god is seduced by a warrior sent by his lover, the king; the world’s longest love poem is collectively composed on a dress; these, and other performance await at KALI at The Orange Show (2402 Munger Street), February 11 from 6-9 pm. The collection of performance pieces is named after Kali, the Hindu goddess of change and distruction and, in honor the upcoming Valentine’s day relationship gauntlet, explores ideas of relationships.
The venue for this project is Houston’s own outsider art masterpiece, The Orange Show. Built by postman Jeff McKissack over 24 years starting in 1956, The Orange Show covers a south-east Houston lot with found objects celebrating McKissack’s favorite fruit and his belief that hard work and good nutrition are the secrets to long life. The pieces in KALI are built to integrate with the surreal environment of The Orange Show and “take participants on a performance art adventure that will leave them with a new depth of appreciation for the dark side of love.”
According to Continuum Art Collective which is producing the event:
In “Unveiled,” a performance exploring self-acceptance and gender through self-love, Koomah embodies a depressed bride who repeatedly hurts herself in creative ways, culminating in a dramatic transition into a happy groom through an injection of testosterone.
In Joy Moore’s “All’s Fair”, a carnival-influenced game, couples (or friends) are given the opportunity to be rewarded by either protecting the one that they adore, or getting revenge for pain caused by the partner. Will the night end in disharmony or deeper love?
Julia Wallace follows the the arc of a love affair in a a self guided adventure for couples (pre-existing or two people who have just met at the event). The adventure consists of a variety of activities and actions that will have the couple exploring the venue and exploring each other. The result will be an experience like no other and a relationship that is forever changed.
Daniel-Kayne and John Pitale’s band “Cosmic Waves” present ‘The Seduction of Mithras,’ a performance that takes us through a journey of sounds representing a story of seduction, jealousy and love. Mithras the Persian Sun God is seduced by a beautiful warrior who is in the service of the King of Persia, his lover. This sound piece employs gongs, chimes, drums and audience participation.
In “The Wrath of Kali,” Continuum’s members deconstruct marriage, family life, and identity, by playing wedding videos overlayed with a soundscape made with found objects and pre-recorded tracks. Performers will then circulate through the audience, doing interactive performances, as they go. Finally, performers will score and chastise Raindawg, and then welcome him into a new identity.
Tina McPherson discusses and spreads love by attempting to compose the Longest Love Poem, inviting the audience to write romantic expressions on canvas from her lovely dress.
In “A Realistic Pledge,” Sway Youngston reinvents romantic commitments and provides couples a realistic alternative to marriage.
Y.E. Torres strips off clothing to share with us a narration of her tattoos that signify past and current loves.
In “Viscosity,” a durational performance addressing the complexity of relationship drama, Jonatan Lopez attempts to untangle piles of electrical cords with the aid of several lubricating fluids.
And as icing on the cake, Stephanie Saint Sanchez aka DJ ESTEFF will provide a heartbreaking soundtrack for the dance floor and showcase her new Valentine Musik Video: Everybody Loves Me Baby.
Tickets are $7 at the door. KALI at the Orange Show is for mature audiences only.
FASHIONS AND FORWARD | The Jean Paul Gaultier exhibit at the DMA, above, was a highlight of the arts scene in 2011, while Dirk Nowitzki’s performance in the NBA playoffs gave the Mavs their first-ever — and much deserved — world title. (Arnold Wayne Jones/Dallas Voice)
A lot of eyes were focused on Dallas nationally in 2011 — for good and bad — but much of what made the city a fun place last year has specific queer appeal. CULTURE The rise of the reality TV star. 2011 was the year Dallas made a big splash across everyone’s television sets — and it had nothing to do with who shot J.R. (although that’s pending). From the culinary to the conniving, queer Dallasites were big on the small screen. On the positive side were generally good portrayals of gay Texans. Leslie Ezelle almost made it all the way in The Next Design Star, while The Cake Guys’ Chad Fitzgerald is still in contention on TLC’s The Next Great Baker. Lewisville’s Ben Starr was a standout on MasterChef. On the web, Andy Stark, Debbie Forth and Brent Paxton made strides with Internet shows Bear It All, LezBeProud and The Dallas Life,respectively.
‘A’ to Z | ‘The A-LIst: Dallas,’ above, had its detractors, but some reality TV stars from Big D, like Chad Fitzgerald, Leslie Ezelle and Ben Starr, represented us well.
There were downsides, though. Drew Ginsburg served as the token gay on Bravo’s teeth-clenching Most Eligible: Dallas, and the women on Big Rich Texas seemed a bit clichéd. But none were more polarizing than the cast of Logo’s The A-List: Dallas. Whether people loved or hated it, the six 20somethings (five gays, one girl) reflected stereotypes that made people cringe. Gaultier makes Dallas his runway. The Dallas Museum of Art scored a coup, thanks to couture. The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk not only featured the work of the famed designer, but was presented the designs in an innovative manner. Nothing about it was stuffy. Seeing his iconic designs in person is almost a religious experience — especially when its Madonna’s cone bra. Gaultier reminded us that art is more than paintings on a wall. (A close runner-up: The Caravaggio exhibit in Fort Worth.) The Return of Razzle Dazzle. There was speculation whether Razzle Dazzle could actually renew itself after a near-decade lull, but the five-day spectacular was a hallmark during National Pride Month in June, organized by the Cedar Springs Merchant Association. The event started slowly with the wine walk but ramped up to the main event street party headlined by rapper Cazwell. Folding in the MetroBall with Deborah Cox, the dazzle had returned with high-profile entertainment and more than 10,000 in attendance on the final night. A Gathering pulled it together. TITAS executive director Charles Santos took on the daunting task of producing A Gathering, a collective of area performance arts companies, commemorating 30 years of AIDS. Groups such as the Dallas Opera, Turtle Creek Chorale and Dallas Theater Center donated their time for this one-of-a-kind show with all proceeds benefiting Dallas’ leading AIDS services organizations. And it was worth it. A stirring night of song, dance and art culminated in an approximate 1,000 in attendance and $60,000 raised for local charities. Bravo, indeed. The Bronx closed after 35 years. Cedar Springs isn’t short on its institutions, but when it lost The Bronx, the gayborhood felt a real loss. For more than three decades, the restaurant was home to many Sunday brunches and date nights in the community. We were introduced to Stephan Pyles there, and ultimately, we just always figured on it being there as part of the fabric of the Strip. A sister company to the neighboring Warwick Melrose bought the property with rumors of expansion. But as yet, the restaurant stands steadfast in its place as a reminder of all those memories that happened within its walls and on its plates. The Omni changed the Dallas skyline. In November, The Omni Dallas hotel opened the doors to its 23-story structure and waited to fill it’s 1,000 rooms to Dallas visitors and staycationers. Connected to the Dallas Convention Center, the ultra-modern hotel is expected to increase the city’s convention business which has the Dallas Visitors and Conventions Bureau salivating — as they should. The hotel brought modern flair to a booming Downtown and inside was no different. With quality eateries and a healthy collection of art, including some by gay artists Cathey Miller and Ted Kincaid, the Omni quickly became a go-to spot for those even from Dallas. 
SPORTS The Super Bowl came to town. Although seeing the Cowboys make Super Bowl XLV would have been nice for locals, the event itself caused a major stir, both good and bad. Ticketing issues caused a commotion with some disgruntled buyers and Jerry Jones got a bad rap for some disorganization surrounding the game. But the world’s eyes were on North Texas as not only the game was of a galactic measure, but the celebs were too. From Kardashians to Ke$ha to Kevin Costner, parties and concerts flooded the city and the streets. The gays even got in on the action. Despite crummy weather, the Super Street Party was billed as the “world’s first ever gay Super Bowl party.” The ice and snow had cleared out and the gays came out, (and went back in to the warmer clubs) to get their football on. The XLV Party at the Cotton Bowl included a misguided gay night with acts such as Village People, Lady Bunny and Cazwell that was ultimately canceled. The Mavericks won big. The Mavs are like the boyfriend you can’t let go of because you see how much potential there is despite his shortcomings. After making the playoffs with some just-misses, the team pulled through to win against championship rivals, Miami Heat, who beat them in 2006. In June, the team cooled the Heat in six games, taking home its first NBA Championship, with Dirk Nowitzki appropriately being named MVP. The Rangers gave us faith. Pro sports ruled big in these parts. The Mavericks got us in the mood for championships and the Texas Rangers almost pulled off a victory in the World Series. With a strong and consistent showing for the season, the Rangers went on to defend their AL West Division pennant. Hopes were high as they handily defeated the Detroit Tigers in game six, but lost the in the seventh game. Although it was a crushing loss, the Texas Rangers proved why we need to stand by our men.
— Rich Lopez
This article appeared in the Dallas Voice print edition January 6, 2012.
After witnessing Jackie Hall’s performance at Twist Dallas earlier this year, we couldn’t wait till she got her voice down to the gayborhood. And that happens tonight. The Jackie Hall Experience welcomes in Christmas tonight with a slew of rock, R&B and of course, Christmas carols for the night. Do all that Christmas Eve stuff early and hit up the club for a voice to remember. Seriously, how she’s not a bigger star is beyond us.
DEETS: Sue Ellen’s, 3014 Throckmorton St. 9 p.m. SueEllens.com.
A queen of eclectic music, Amos has gone orchestral in this year’s Night of Hunters. Like scotch, Amos can be an acquired taste, but her ethereal voice and insane amount of talent wins over audiences who get to catch her live. She has the enchanting aura of Stevie Nicks, but that smooth operator delivery is all her own.
DEETS: Verizon Theatre, 1001 Performance Place, Grand Prairie. 8 p.m. $39.50–$59.50. Ticketmaster.com.
The Dallas arts community is coming together for a spectacular One-Night-Only performance commemorating 30 Years of AIDS. An unprecedented collaboration between some of the finest arts organizations in Dallas, A Gathering: The Dallas Arts Community Reflects on 30 Years of AIDS will feature eleven Dallas cultural institutions coming together and sharing their talents to create a powerful evening of entertainment. With a cast of more than 200 singers, dancers and actors, A Gathering promises to be a soul-stirring performance, and a night to remember.
All the organizations involved are donating their time and talent for this unique performance. 100% of the proceeds will directly benefit four of Dallas’ leading AIDS service organizations. Don’t miss this rare opportunity to be a part of an extraordinary night of song, dance, hope and solidarity.
Participating organizations: AT&T Performing Arts Center, Booker T. Washington High School of the Performing and Visual Arts, Bruce Wood Dance Project, CharlieUniformTango, Dallas Black Dance Theatre, Dallas Opera, Dallas Theater Center, SMU Meadows School of the Arts, Texas Ballet Theater, TITAS and Turtle Creek Chorale
—AT&T Performing Arts Center
DEETS: Winspear Opera House, 2403 Flora St. 7 p.m. $12–$100. ATTPAC.org/Gathering
Get all militarized for GayBingo Platoon. This is the final bingo for the year and they go out with a bang. With LGBT military vets as the special guests, a performance by Something Fabulous and a raffle benefiting Lone Star Ride, the night looks to be jampacked with with excitement as Jenna Skyy, Patti Le Plae Safe and Beaux Wellborn guide you through the evening.
DEETS:
The Rose Room, 3911 Cedar Springs Road (inside S4). 5 p.m. $25. RCDallas.com.
Joe Solmonese, Eric Alva, Jessie Tyler Ferguson, Marlee Matlin, Caroline Rhea, Taylor Dayne, Chet Flake and the late Bud Knight are among those who will be honored or will speak at The Black Tie Dinner on Saturday.
LAST NIGHT | Human Rights Campaign President Joe Solmonese speaks at a previous Black Tie Dinner in Dallas. Solmonese will be leaving HRC next March, making this weekend’s event the last Black Tie Dinner he will attend as president of the national LGBT advocacy organization.
JOHN WRIGHT | Senior Political Writer
wright@dallasvoice.com
Joe Solmonese admits he’s “very concerned” about President Barack Obama’s prospects for re-election.
But Solmonese says he’s equally concerned about how the LGBT community — and his successor at the Human Rights Campaign — would respond if Obama loses.
Solmonese will step down as president of HRC after seven years in March. On Saturday, Nov. 12, he’ll make his final appearance as the group’s president at the Black Tie Dinner, of which HRC is the national beneficiary.
In an interview last month with Dallas Voice, Solmonese focused largely on the importance of 2012 elections, saying that depending on their outcome, major advances during his tenure could be all but erased.
“I don’t think that he’s going to lose,” Solmonese said at one point, attempting to clarify his assessment of Obama’s chances. “I think that if everybody does what they need to do, I think there is just as good a chance that Barack Obama will be re-elected, but I’m as concerned that he could lose.”
Solmonese said Republicans already have a majority in the House, Democrats have only a slim majority in the Senate, and “everything about these [2012] elections points to us having real challenges.”
“I think that if everybody who has gained from the Obama administration does everything they need to do over the course of the next year, he’ll get re-elected,” Solmonese said. “But I would be lying if I said I’m not very concerned about the prospects of him getting re-elected.”
Solmonese said the message he wants to send to the LGBT community is that Obama has done more for us than any other president, and that the movement has seen more gains under the current administration than at any other time in its history.
“If we care about continuing with the forward motion that we’ve experienced, then we as a community need to do everything possible to re-elect Barack Obama,” Solmonese said. “And we can talk about and debate and press the administration on his ability to do more, and him coming out for marriage, or anything else that we want to talk about, but now is the time to sort of decouple that from all of the work we need to put into getting him re-elected. Because at the end of the day, it comes down to a choice, and the choice isn’t even hard for me: It’s Barack Obama or any of these other people who are running against him.”
Despite his concerns about Obama’s chances, Solmonese said he has no misgivings about leaving HRC seven months prior to Election Day. He said he made a commitment to give the organization six months notice, and his contract expires in March.
He said announcing his resignation at the end of August allowed HRC to begin the transition process, which will be completed when his successor takes over, midway through the Republican primary. Solmonese also said he’ll continue to be involved with the organization through next year, assisting with its efforts around the November election.
“I’m a lot more concerned about what happens the morning after the elections,” Solmonese said. “I’m a lot more concerned about this organization and its leader being in the best possible position to navigate those waters, and either we are contemplating a second term with Obama and a continuation of our agenda and perhaps a decidedly different Congress, or we’re contemplating President Mitt Romney and all of the implications that means for our community, and I want whoever is in this seat leading this organization contemplating where we go from there, to have had some time under their belt to figure that out.”
Asked whether that means he believes Romney will be the Republican nominee, Solmonese clarified that anyone claims to know definitively “doesn’t’ know what they’re talking about” — but he added that he thinks the former Massachusetts governor is the “odds-on favorite.”
And while Romney may appear less anti-gay than some other GOP presidential hopefuls, Solmonese said called him “someone you have to be careful of” because “he’s essentially beholden to no issue.”
“He adopts a position that works best for the political predicament he finds himself in,” said Solmonese, a Massachusetts native who’s watched Romney’s political career closely. “So, while he was seemingly pro-gay as he attempted to unseat Ted Kennedy, and his rhetoric isn’t harsh and he doesn’t have the same sort of narrative that a Rick Santorum has, he’s effectively said that he doesn’t believe in the repeal of ‘don’t ask don’t tell’ and that he would support the federal marriage amendment. But what we don’t know, just like we didn’t really anticipate with [President] George [W.] Bush, is how beholden he is going to feel to the hard right once he becomes president.”
It was Bush, of course, whose administration was pushing a federal marriage amendment when Solmonese joined HRC in 2005.
The marriage amendment, Solmonese said, represents the worst possible thing that could happen to the LGBT community, because it would enshrine discrimination into the Constitution.
And although the threat of the amendment may seem like a distant memory to some, Solmonese warned that it could easily resurface. Which is why, he said, the 2012 elections are the biggest challenge HRC faces going forward.
“I think the elections loom largest because what the elections really represent to me is the potential for us to really stop, potential derail and ultimately set back a lot of the progress that we’ve made,” Solmonese said. “What also concerns me then is that the community be braced for that, and we understand that we’ve been in these places before, and the measure of who we are and how we’ll be defined, is how we react in those moments, the degree to which we stay in the fight and make sure we continue to press forward regardless of the outcome of the election.”
Solmonese said he fears the progress of the last several years may lead to complacency. And he said based on his experience, when the LGBT community suffers setbacks, instead of regrouping and uniting, people have a tendency to lose their way and point fingers.
“If we lose, if the outcome is negative, if we go from the march toward marriage equality and the repeal of DOMA and the positive direction that we’ve been in, to a president and a Congress who decide they’re so troubled by all the success we’re having with marriage they want to take up the fight again to pass the federal marriage amendment — well, boy, we’ve come full circle from where we were back in 2005, the last time that happened,” he said.
“And you can react to that in one of two ways. You can say this is the inevitable ebb and flow of social change, so pull up your boot straps and let’s get going and turn that around again — and understand that that sort of energy that the other side has around something like that is a reaction to their own fear of the progress we’ve made — or you can become very dispirited and depressed and disenfranchised and decide that it’s our own doing, it’s our own lack of progress, it’s our own failing. And that would be the worst possible thing that we could do.”
Caroline Rhea
From her role as Noleta Nethercott on Del Shores’ campy queer Texas-based sitcom Sordid Lives to taking over Rosie O’Donnell’s talk show, Caroline Rhea has long has a strong connection to the gay community. This week, she breaks new ground again, becoming the first professional comedienne to serve as soup-to-nuts emcee for the Black Tie Dinner.
Rhea took a moment this week to discuss her involvement with the LGBT community, her Texas ties and her new (like her, Canadian) reality TV show.
Dallas Voice: You’ve always seemed to be close to the LGBT community. Where does that stem from? Rhea: I am not a direct member of the LGBT community, but I have had a BLT. In the Venn diagram of life, there is a lot of crossover between gay men and female comedians. It’s a mutual lovefest.
How different is it to do a gay event like Black Tie vs. a comedy show on the road? The audience is much better looking.
For special events like this, do you bring your family? Not if it involves bringing a toddler on a plane.
What in you is fulfilled to do an event such as Black Tie Dinner? I want to support the LGBT community in all that they do.
If you were to rank all you do — acting, hosting, voiceovers, comedy, etc. — how do you rank your priorities? Motherhood first. Then comedy, and working with people that I like.
You have hosted a new reality competition series in your native Canada, Cake Walk: Wedding Cake Edition. How did you enjoy that? Did you get to taste the goods? Believe it or not, I didn’t taste the cakes.
Will there be a same-sex couple on the show? I hope so.
How do you think that would fly with the show’s audience? Same-sex marriage has been legal for years in Canada. It would be another beautiful wedding.
Having now worked with Del Shores on the Logo series Sordid Lives, how do you perceive Texas in general? Dallas in particular? Any misconceptions you had that were proven wrong? My dad’s family was from Texas and my father looked like J.R. Ewing. I am not a fan of your toll roads and every time I am on the George Bush Turnpike I feel like I am going backwards.
—Arnold Wayne Jones
Taylor Dayne
Rich Lopez | Staff Writer
lopez@dallasvoice.com
Helping out LGBT people is nothing new for singer Taylor Dayne.
She can’t quite recall when she knew she was a hit with the gay community: Over the course of her 23-year career in pop music, she’s played venues of all sizes, but she did notice early on how a certain fan base seemed to keep showing up.
“It’s kinda hard to remember, but I would perform very specific shows and then some gay clubs and it dawned on me,” she said.
With an explosive debut, thanks to her platinum selling 1988 debut Tell It To My Heart and the more sophisticated follow-up Can’t Fight Fate a year later, Dayne became a quick force to be reckoned with on the charts.
But her pop hits were just as big on the dance floor, and Dayne was resonating across the queer landscape.
“I’ve had wonderful relationship with gay and lesbian fans for years. I’m so glad to be doing Black Tie because I have a great core of fan base here,” she said. “It’ll be a good show with lots of fun and for a good cause. It’s a win-win.”
Dayne’s performed at gay bars and Pride events in Boston, Chicago and the Delaware Pride Festival. But appreciation of her work in the community was clearly evident in 2010 when she was asked to record “Facing a Miracle” as the anthem for the Gay Games.
“That was quite an honor and then they asked me to perform at the games,” she said. “It was very emotional for me. The roar of the crowd was great.”
Even after two decades, Dayne remains just as committed to music as she was in 1988. She’s embraces her sort of “elder” status in pop music and instead of seeing the likes of Nikki Minaj and Katy Perry as rivals, she enjoys what they are bringing to the landscape of music now.
“I love listening to all the new stuff going on. There is some great talent out there. It’s nice to know I was some inspiration to them, the way ladies like Debbie Harry and Pat Benatar were for me. The cycle goes on,” Dayne said.
But they still push her to keep in the game. She admitted, “I’m pretty competitive that way.”
This year, Dayne released the single, “Floor on Fire,” which made it to the Billboard Dance/Club Charts Top 10.
At 49, Dayne doesn’t show signs of slowing. Along with a rumored second greatest hits album, she recently wrapped up filming the indie movie Telling of the Shoes and she’s a single mother to 9-year-old twins. Juggling it all is a mix of emotions, but her confidence pushes her through.
“I can say I’m a great singer, so when it comes to decisions, I’m fine about recording and performing,” she said. “But I would say I work really hard at acting. It’s nerve-wracking but it’s also amazing. But I’m not a novice at any of this.”
With her children, she doesn’t make any pretenses about the difficulty of being both a musician and a mom — as long as she instills the proper principles in them.
“We don’t try to get wrapped up in small time crap,” she said. “At the end of day it’s about having a good heart and they have great heart.”
It’s likely she’ll show the same at Black Tie.
……………………
BLACK TIE DETAILS
The 30th annual DFW Black Tie Dinner will be held Saturday night, Nov. 12, at the Sheraton Dallas Hotel. The event is already sold out.
Special guests at this year’s dinner include Academy Award-winning actress Marlee Matlin as keynote speaker and Emmy Award-winning actor Jesse Tyler Ferguson as Media Award winner. Singer Taylor Dayne will perform.
Chet Flake and his late partner, Bud Knight, will be honored as recipients of the Raymond Kuchling Humanitarian Award, and gay military veteran Eric Alva, the first U.S. serviceman injured in the Iraq war and an advocate for repeal of “don’t ask, don’t tell,” will received the Elizabeth Birch Equality Award.
Dinner organizers this year decided, for the first time, to bring in an emcee for the evening, choosing popular comedian Caroline Rhea.
This year also marks the final time that Joe Solmonese will attend the dinner as president of the Human Rights Campaign, the national beneficiary of Black Tie, which each year receives about half the proceeds of the event. Solmonese has resigned as head of HRC, effective next March.
Seventeen local HIV/AIDS and LGBT organizations have also been designated as beneficiaries.
Black Tie Dinner includes a silent auction, a live luxury auction and an after-party at the hotel.
For more information, go online to BlackTie.org.
This article appeared in the Dallas Voice print edition November 11, 2011.
In this installment of Show vs. Show, we take a look at two bands both welcome at any party. It’s the battle of young and not-so-young as The B-52s bring out their campy tunes and CSS turn on their Brazilian beats for Dallas audiences.
Despite a healthy discography, we might always know The B-52s for “Love Shack,” but there are worse tunes on which to hang a legacy. Now a classic party anthem, the song has held up for more than 20 years.
The band’s talent shouldn’t be overlooked for its camp factor. When the late Ricky Wilson threw down that riff for “Rock Lobster,” he made music history with a strong sound. It’s easy to blow off, but over the years, has proven unforgettable. Guitarist Keith Strickland stepped in and filled those shoes with the perfect blend of musicality and whimsy.
Cindy Wilson and Kate Pierson always keep our attention with their mod outfits and high-to-heaven ’dos, but Fred Schneider symbolizes the band most with his outrageous flair.
But don’t count out CSS for party ’peal. The Brazilian popsters may be the heirs apparent to The B-52s (if not LMFAO), infusing a comic touch on their songs. They don’t offer as much of a punchline as The Bs do, but with tunes like “Let’s Reggae All Night” and “City Grrrl,” they add their own panache. Another point in their corner is opening dance band and performance artists MEN, led by lesbian JD Samson.
This should be more like Party vs. Party. All that’s missing are the party favors, confetti and punch bowl.
— Rich Lopez
The B52's
Known mostly for… being the premiere party rock band veterans, churning out hits “Rock Lobster,” “Love Shack” and “Roam.”
Good for the gays? As gay as it can get. Their camp factor is off the charts. And of course, there’s queer singer Fred Schneider.
What to wear? Anything but beige or gray. And lots of hairspray.
Relevance: The B-52s haven’t delivered big since 1989’s Cosmic Thing, but their songs are timeless fun.
Reason to be there: This is one resilient band that wholeheartedly still delivers. And how awesome is “Love Shack” going to sound live?
Reason to not: It’s in Frisco.
Deets: Dr. Pepper Arena, 2601 Avenue of the Stars, Frisco. Nov. 3
at 7:30 p.m. $27–$77. Ticketmaster.com.
CSS
Known mostly for… their Brazilian dance pop. Hipsters party out to this band
that wants nothing more than to have a good time.
Good for the gays? With openers MEN, both are queer-centric with refreshing
but catchy tunes.
What to wear? Ironic T-shirts and colorful Converse Chuck Taylors.
Relevance: Their latest album, La Liberacion, strikes an unusual dance chord that’s also infectious and irreverent.
Reason to be there: While CSS has a strong fan base, they are still off the gaydar. You can be the one to tell all your friends about them.
Reason to not: With this one-two punch of catchy alterna-pop, there really isn’t a reason not to be there.
Deets: With MEN. House of Blues, 2200 N. Lamar St. Oct. 28
at 8 p.m. $18–$20. HouseOfBlues.com.
This article appeared in the Dallas Voice print edition October 28, 2011.
