‘Adjustment Bureau’ portrays God as bureaucrat. That’s its best quality
At the risk of being accused of picking nits, the first thing among the many that bothers me about The Adjustment Bureau is that a key plot point involves a former congressman and current Wall Street big-wig traveling through New York City by bus. Now, in a movie that deals with angels, fate and magic doors, the details of transportation may seem miniscule, but that’s the problem: If you want me to buy the big stuff, you have to convince me in the details. There’s a reason monkeys pick nits out of their fur: They are annoying.
So is, ultimately, The Adjustment Bureau. As a movie, it’s neither fish nor fowl: Does it want to be a chick flick, about how a romance between an ambitious politician (Matt Damon) and a free-spirited dancer (Emily Blunt) can overcome fate itself? Or is it a sci-fi action film with Matrix-like ambitions to reveal the One Big Secret: That what we think of as free will is actually an intense heavenly bureaucracy of angels wearing fedoras and God as a CEO who meddles in individual lives?
The script, based on a Phillip K. Dick story, is too gadabout for its own good. There are echoes of Men in Black, but not the humor. (The joke of MiB is that the agents look like clichés of spies; apparently, the best angels can do to disguise themselves in 2011 America is dress like 1950s G-Men, or extras who wondered off the set of Mad Men.)
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