From screen to stage

Q Cinema veterans tackle live theater with the guerrilla-like QLive!

CURTAIN UP! | Producing partners Todd Camp and Kyle Trentham have theater backgrounds, but QLive! is a departure from the movie-focused work their organization, Q Cinema, has done for a dozen years.

MARK LOWRY  | Special Contributor
marklowry@theaterjones.com

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QLIVE: NONE OF THE ABOVE
Trinity Bicycles patio,
207 S. Main St., Fort Worth.
Sept. 23–24 at 8 p.m.
$15, QCinema.org

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Anyone who’s ever wanted to start a theater company will tell you that the biggest hurdle is finding the right space. It’s no different in DF-Dub, where the opportunities seem endless, but affordable spaces that can work for the demands of theater are limited.

QLive!, a new theater company based in Fort Worth, is finding ways to work around that. Its first full production, for instance, is None of the Above , a two-person drama by Jenny Lyn Bader. It opens Friday on the back patio of a bicycle shop just west of downtown Cowtown.

“One of the things we’ve talked about is the immersive experience, where it’s not just that you sit down and watch a show, but you experience a show,” says QLive’s Todd Camp, who founded Fort Worth’s LGBT film festival, Q Cinema. “The three shows that we have lend themselves quite well to that.”

Those three shows, which run this fall, begin with Above, which deals with a parochial school student and her teacher. In November, there’ll be Yasmina Reza’s oft-produced Art, which will hopefully happen in a gallery space (they’re still negotiating). It will close out the year with Terrence McNally’s controversial Corpus Christi, taking place in a machine shop near downtown Fort Worth.

QLive! has been a project three years in the making, and will be led by Camp’s Q Cinema cohort Kyle Trentham, as artistic director. The group has already launched a successful Tuesday night open mike comedy event at Percussions Lounge, and in February presented a staged reading of Frank Wedekind’s 1891 play Spring Awakening, the day before the musical based on that play opened at Bass Performance Hall. They also brought Hollywood comedy writer Bruce Vilanch in for a one-night performance.

Like other arts groups with a large LGBT following that present works of interest to that community — including Uptown Players and the Turtle Creek Chorale — Trentham says QLive doesn’t want the label of “gay theater” … despite the big “Q” in its name.

“Young [audiences] don’t think in those terms anymore,” he says. “They just want to see theater they like.”

With Corpus Christi, Trentham says that creating an immersive experience will be crucial to the production. “It’s a working machine shop,” he says. “You walk in and the actors are working, getting their hands dirty. Then in the cleansing scene, they actually are cleaned.”

Camp, who has led Q Cinema for 13 years, is no stranger to controversy. He was a critical player in the late ‘90s “Labor of Love” project at the now-defunct Fort Worth Theatre. That group presented shows like Paul Rudnick’s Jeffrey and The Most Fabulous Story Ever Told, and Mart Crowley’s The Boys in the Band. A few times, there were protesters in front of the performance space, Orchestra Hall.

Considering the dust-up Corpus Christi caused in Texas last year when a Tarelton State University junior had his student production of it canceled, Camp is prepared for blowback.

“You are not going to tell me what I can and cannot do in my town, even if you’re the lieutenant governor,” he says. “This is an important work by a Pulitzer Prize-winning playwright who’s from Texas. … It’s an incredibly pro-spiritual show. It’s not anti-religion or blasphemous. It takes organized religion, which has been used to club the gay and lesbian community for many years, and retells the story that makes it a little more compatible and open to them.”

For now, they’ll have to see how their audience deals with a show outside a bike shop.

This article appeared in the Dallas Voice print edition September 23, 2011.

—  Michael Stephens

‘Morphing’ at The Ochre House tonight

Dark comedy runs in this family

Sure we’ve heard the stories where hidden secrets discovered over a funeral or vacation begin to eat away at an already dysfunctional family. Playwright Matthew Posey has that covered in Morphing. They just don’t usually involve live music, dancing, a video performance, and a large man-eating puppet.Let’s not even get into the morphine addiction thrown into this show.

DEETS: The Ochre House, 825 Exposition Ave. Through Sept. 15. 8:15 p.m.$15. OchreHouseTheater.com.

—  Rich Lopez

Queer playwright Kisa Jackson opens ‘After the Rain’ tonight

Gay in the burbs

Kisa Jackson opens her play After the Rain the Sun Will Shine tonight in Garland. Garland isn’t a hotbed for LGBT anything making Jackson’s show even more exciting. The show is about eight friends who put their boundaries to the test when a whole lot of bad factors start creeping in. So much so, they have resolve it all in group therapy. The show plays for this one night only, so don’t miss out.

DEETS: Granville Arts Center, 300 N. Fifth St., Garland. 7 p.m. $20 advance, $25 door. 214-874-5915. Myspace.com/Kisa.Jackson.

—  Rich Lopez

Applause: Stage pink

Queer highlights from the upcoming theater season

RICH LOPEZ  | Staff Writer

Anticipation should be strong for the upcoming theater season in general. Ambitious shows like Giant, The Tempest, West Side Story and Hairspray all dot the stage horizon.
But we also like to see some of our own up there. As we look over the upcoming offerings from local theater companies, we always ask, “Where’s the gay?”  In addition to Uptown Players’ first  Dallas Pride Performing Arts Festival, here are some of the others.

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Fall

Although the Dallas Opera canceled the opera she was set to star in, lesbian soprano Patricia Racette will still perform at a TDO gala. (Photo Devon Cass)

Singer-songwriter Duncan Sheik gave an indie music flair to the musical adaptation of the 1891 play Spring Awakening. Set in 19th century Germany, Awakening follows a group of youths as they discover more about themselves and their rapidly developing sexuality.

The original Frank Wedekind play was controversial in its day, depicting abortion, homosexuality, rape and suicide. Now the show just has an added rock ‘n’ roll score. Along with Sheik’s musical perspective, Steven Slater wrote the book and lyrics in this updated version which debuted in 2006 on Broadway and won the Tony for Best Musical. Terry Martin directs.

WaterTower Theater, 15650 Addison Road., Addison. Sept. 30–Oct. 23. WaterTowerTheatre.org.

It’s almost un-Texan if you’re gay and not familiar with Del Shores’ tales of Southern discomfort.  Southern Baptist Sissies and Sordid Lives are pretty much part of the queer vernacular in these parts, but Shores got his start way back in 1987.

How will those northern folks take to Shores work (And by north, we mean past Central Expressway past LBJ)? Jeni Helms directs Daddy’s Dyin’: Who’s Got the Will for McKinney Repertory Theatre this fall. As the family patriarch suffers a stroke, the Turnover family gathers as they wait for his death. This family may just put the fun in dysfunctional.

McKinney Performing Arts Center, 111 N. Tennessee St., McKinney. Sept. 30–Oct. 7. McKinneyRep.org.

WingSpan Theatre Co. will produce one of the greater comedies of theater-dom this fall: Oscar Wilde’s The Importance of Being Earnest, with Nancy Sherrard sparring over the gay wit’s price bon mots as Lady Bracknell.

Bath House Cultural Center, 521 E. Lawther Drive. Oct. 6–22. WingSpanTheatre.com.

Although A Catered Affair might sound a bit like My Big Fat Greek Wedding, it has the added flair of Harvey Fierstein’s wit. That’s because he wrote the book for the show alongside John Bucchino’s music and lyrics. The play is based on the Gore Vidal-penned 1956 film The Catered Affair starring Bette Davis.

When Jane and Ralph decide to get married, Jane’s mom Agnes wants to put on an elaborate spectacle of a wedding. The truth is, she can’t afford it and Jane isn’t all too thrilled about a huge affair. As in most cases, the wedding planning is more about the mom than the daughter and Agnes soon realizes the fact. Jane’s Uncle Winston — the proverbial gay uncle — is left off the guest list and is rightfully pissed. But as most gay characters, he rallies to be the voice of reason and support.

Theatre Three, 2800 Routh Street, Ste.168. Oct. 13–Nov. 12. Theatre3Dallas.com.

Lesbian soprano Patricia Racette was going to be featured in the production of Katya Kabanová but unfortunately the show was canceled by the Dallas Opera. But fear not. Dallas will still get to bask in the greatness that is her voice as Racette will perform An Evening with Patricia Racette, a cabaret show with classics from the Great American Songbook for a patron recital.

Winspear Opera House, 2403 Flora St. Nov. 9. DallasOpera.org

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Spring

Nancy Sherrard will star as Lady Bracknell in WIngSpan Theater Co.’s fall production of Oscar Wilde’s ‘The Importance of Being Earnest,’ perhaps the greatest comedy ever written by theaterdom’s gayest wit.

Kevin Moriarty directs Next Fall for the Dallas Theater Center next spring. Written by Geoffrey Nauffts, the play centers on Luke and Adam, a couple with some unusual issues. What’s new about that in gay couplehood? Not much, but when Adam’s an absolute atheist and Luke’s a devout Christian, the two have been doing their best to make it work.
The comedy played on Broadway in 2010, garnering Tony and Drama Desk nominations. And now Dallas gets to see how, as DTC puts it, “relationships can be a beautiful mess.”
Kalita Humphreys Theater, 3636 Turtle Creek Blvd. April 13–May 6. DallasTheaterCenter.org.

Perhaps the most surprising queer offering this next season is Theatre Arlington’s production of The Laramie Project. The show usually creates quite a stir — at least it did in Tyler, thanks to Trinity Wheeler — so how will this suburban audience handle it? Doesn’t matter. Props to T.A. for taking Moises Kaufman’s play about the tragic bashing and death of Matthew Shepard to its community.

Theatre Arlington, 305 W. Main St., Arlington. May 18–June 3. TheatreArlington.org.

Usually the question with MBS Productions is “what’s not gay?” Founder Mark-Brian Sonna has consistently delivered tales of gay woe and love that are sometimes silly and sometimes sweet, but always a laugh.

This season is no different. Playwright Alejandro de la Costa brings back drag queen Lovely Uranus in The Importance of Being Lovely. The last time we saw Uranus, Sonna wore the stilettos and pink wig in last season’s Outrageous, Sexy, (nekkid) Romp.  This time around, Uranus graduates to leading lady status as the show is all about her as audiences follow her through the changes she makes in her make-up, wigs and men.

Stone Cottage Theatre, 15650 Addison Road, Addison. July 16–Aug. 11, 2012. MBSProductions.net.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Weekly Best Bets

Friday 03.18

Footes won’t fail you now
Honoring the Texas playwright, the theater community unites for the first Horton Foote Festival. The fest kicks off with DTC’s Dividing the Estate. but even a touch of gay can be found with The Young Man from Atlanta, which Uptown Players will perform in April.
DEETS:
Various theaters and venues. Through May 1. Visit HortonFooteFestival.com for details.

Friday 03.18

When wine strolls attack
Savor Dallas is upon us again, filling the weekend with food, wine and fabulosity. The event starts off with an Arts District Wine Stroll within the museums and venues. Just don’t get tipsy and spill the wine on the art. That’s a whole lot of bad karma. And look for local celebrichefs like Stephan Pyles and Blythe Beck. Bon appetit!
DEETS:
Various venues. 5 p.m. $35. Through Saturday. Visit SavorDallas.com for schedule.

Saturday 03.19

Hey, why don’t you go take a walk
Designer Anthony Chisom took issues into his own hands starting the Anthony Chisom AIDS Foundation and creating the inaugural South Dallas AIDS Walk. Seeing the impact of AIDS beyond the gayborhood, Chisom’s foundation strives to expand the city’s vision of where AIDS impacts. After all, it is the same fight for the cure.
DEETS: South Dallas Cultural Center, 3400 S. Fitzhugh Ave. 8 a.m. SouthDallasAIDSWalk.org.

—  John Wright

Flying solo

Weedman-New-Headshot

STEVEN LINDSEY  | Contributing Writer
stevencraiglindsey@me.com

Hilarious actress-playwright Lauren Weedman brings her one-woman show to Out of the Loop

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OUT OF THE LOOP

NO…YOU SHUT UP
at Addison Theatre Centre, 15650 Addison Circle.
Friday–Saturday at 8 p.m., Sunday at 2 p.m.
WaterTowerTheatre.org

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Get this straight: Lauren Weedman is not a standup comedian; she’s an actress who just happens to be insanely funny. There’s a big difference. Even as a straight woman and new mother, the Los Angelena often portrays lesbians in plays she writes. It’s all in a day’s work for a woman making a career channeling multiple characters in a single show with a precision and nuance that’s a joy to behold. This weekend, local audiences have an opportunity to witness her in action in her newest play, No… You Shut Up, part of the Out of the Loop Fringe Festival.

Weedman officially got her big break as a correspondent on The Daily Show with Jon Stewart and is a regular contributor on an NPR radio show, but her career began long before that.
“I started doing on-camera professional stuff when I was living in Seattle around 1995 when I was on a local TV show called Almost Live,” she says. ”But if you call Indianapolis community theater ‘the entertainment industry’ — and I don’t know if you should — it’s since third grade. I’m show-folk. Or circus-folk. Or a dirty artist-hippy — whatever you want to call it.”

The Daily Show, she admits, was an incredible coup, “even though nobody ever remembers me. And I wasn’t on that much during the year I worked there. And I was fired. Otherwise, wow! What a job.”

Weedman spent five years in Amsterdam studying, writing and performing. Before that trip, she thought she was the shocking one among her friends; but once there, she turned into a Puritan, “mostly about the overall passion for nudity all the Dutch people seemed to have,” she says. “I mean, if I was a seven-foot-tall skinny Dutch lady with uncomplicated nipples, I’d be naked all the time, too. But you just could not keep clothes on those people.”

Her varied life experiences show up in some form or fashion in many of her shows. No… You Shut Up comes to Addison via, of all places, Boise, Idaho, where a theater commissioned a play focusing on motherhood — even two-mommie households.

“Well, it’s a play. That starts to get annoying to hear, at least that’s what my friends always say because I’m always saying it whenever someone refers to it as ‘my act.’ As in ‘Lauren, you should meet my sister. You’d love her and you’d want to put her in your act,’” Weedman says. “I’ve done standup, but it’s not what solo theater is to me. The last two shows I’ve been focused on trying to make a narrative — plot-driven, character-driven, semi-autobiographical, fast-paced dark comedies.”

The rapid-fire switching of characters takes a lot of skill. And Red Bull.

“It’s like a dance, so I don’t have to think about it, or grab a hat and spend 14 minutes changing costumes to become another character. I get bored easily — I like to keep it moving.”

As a strong, funny woman, she naturally attracts her share of gay admirers.

“I think that my solo shows have continued to evolve and get better and better instead of sliding into delusion. All thanks to my very bossy, judgy gay friends, who come and see all my shows and let me know everything that they think. I’m a guest on a Sirius Radio show on Out Q with Frank DeCaro and Doria Biddle and they always make me feel like I’m this gigantic star who is just so underappreciated. So I love those gays. I always say the gays keep me on top because they yell at me and they monitor my weight. So they are like family. They are my family.”

This article appeared in the Dallas Voice print edition March 11, 2011.

—  Kevin Thomas

‘Trinity River Plays’ tonight at the Wyly

Dallas is the backdrop for actress-playwright Regina Taylor’s new trilogy

For Dallas native Regina Taylor, it was important to set The Trinity River Plays in her hometown. It’s something she intimately knows, which allows her characters to be grounded in a reality that’s close to home physically and spiritually.

“It’s not autobiographical, but it is set at home,” she says. “And that is as palpable as the womb in terms of identity.”

Dramatic storytelling is nothing new for Taylor, whose previous work as a playwright include Crowns and Drowning Crow. She’s also an accomplished actress with an amazing résumé spanning theater, television and feature films. She was the first black woman to play Juliet in Broadway’s Romeo and Juliet, but is probably best known for her role as Lilly Harper in the television series I’ll Fly Away, for which she won a Golden Globe and two Emmy nominations. More recently, she starred in CBS’ The Unit alongside Dennis Haysbert.

Yet even with her acting success, writing has always been one of Taylor’s truest loves.

“I started as a writer from as far back as I can remember,” she recalls. “I was writing my own children’s stories when I was little and it was with the encouragement of my mother who wanted me to live a creative life and empower me with the possibilities in terms of creating my own worlds. That changes your perspective on how you face the world and move through the world. It’s something I truly cherish.”

DEETS: The Trinity River Plays, Wyly Theatre, 2400 Flora St. Nov. 5–Dec. 5 (in previews through Nov. 11). $15–$85. DallasTheaterCenter.org.

—  Rich Lopez

A ‘River’ runs through it

Dallas is the backdrop for actress-playwright Regina Taylor’s new trilogy

STEVEN LINDSEY  | Contributing Writer stevencraiglindsey@me.com

Actress and Dallas native Regina Taylo
HOME AGAIN | Actress and Dallas native Regina Taylor comes home for inspiration for her new plays.

THE TRINITY RIVER PLAYS
Wyly Theatre, 2400 Flora St.
Nov. 5–Dec. 5 (in previews through Nov. 11). $15–$85.
DallasTheaterCenter.org.

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For Dallas native Regina Taylor, it was important to set The Trinity River Plays in her hometown. It’s something she intimately knows, which allows her characters to be grounded in a reality that’s close to home physically and spiritually.

“It’s not autobiographical, but it is set at home,” she says. “And that is as palpable as the womb in terms of identity.”

Dramatic storytelling is nothing new for Taylor, whose previous work as a playwright include Crowns and Drowning Crow. She’s also an accomplished actress with an amazing résumé spanning theater, television and feature films. She was the first black woman to play Juliet in Broadway’s Romeo and Juliet, but is probably best known for her role as Lilly Harper in the television series I’ll Fly Away, for which she won a Golden Globe and two Emmy nominations. More recently, she starred in CBS’ The Unit alongside Dennis Haysbert.

Yet even with her acting success, writing has always been one of Taylor’s truest loves.

“I started as a writer from as far back as I can remember,” she recalls. “I was writing my own children’s stories when I was little and it was with the encouragement of my mother who wanted me to live a creative life and empower me with the possibilities in terms of creating my own worlds. That changes your perspective on how you face the world and move through the world. It’s something I truly cherish.”

The trilogy consists of three plays, Jar Fly, Rain and Ghost(story), which unfold sequentially at each performance in the Dallas Theater Center production, co-produced with Chicago’s Goodman Theatre.

They follow the life of Iris Sparks, who is a writer, as she moves through these defining transforming moments in her life.

In Jar Fly, we see her when she turns 17 — the same age when jar flies (cicadas) go from little grubby worms living underground to insects climbing up a tree in the dark until the light of day hits it and it can shed its skin and spread its wings.

“It has this incredible voice that’s jarring,” Taylor says, “so you have this young woman trying to find her voice as a writer and a human being. It is the occurrences of this day that take her on this journey that will absolutely transform her life. And it’s what we do with these obstacles, this hard rain that inevitably comes in every life, many times and many seasons, and how we move through that.”

The second play, set 17 years later, focuses on that same hard rain.

“Iris is ready to face another storm as she’s 34 years old. It’s after the disintegration of her marriage and the diagnosis of her mother with cancer. You see this mother and daughter taking this journey together. And with that, there’s a transformation. Do we run away from the hard rain, try to outrun it, or do we stand our ground and take the nourishment from it to grow? We’re tested by life. How we meet those tests on a daily basis defines who we are. It’s an exploration of the human spirit and the tenacity of the human spirit.”

The trilogy closes with Ghost(story), which takes place the day before Iris’ mother’s funeral, then offers a glimpse at what her life is like — again, 17 years later.

“She’s trying to figure out where she’s going to go to move forward. And in that she wrestles with and embraces her ghosts. And that’s what we do. Our past is our shadows. Moving forward, we’re always circling back to deal with and wrestle with our ghosts,” explains Taylor.

Taylor wants audiences to embrace the humor and warmth of her Trinity River Plays, but most importantly, she wants to transport them to another place — even if the stories are set just a few miles from the Wyly.

“You have this arc, this journey, this development of the human spirit,” she says. “I think there’s poetry to the pieces.”

This article appeared in the Dallas Voice print edition November 5, 2010.

—  Michael Stephens

Labor Day play with ‘Songs from an Unmade Bed’ at Theatre Three

Art imitates life (sorta) in Theatre Three’s musical love triangle  ‘Songs from an Unmade Bed’

The chamber musical Songs from an Unmade Bed was written as a song cycle to be sung by one gay male character. But when Terry Dobson — the musical maven at Theatre Three as well as an occasional director, actor and playwright there — heard it, he couldn’t get an idea out of his head: That the musical made more sense if it was performed not from one point of view, but from three.

“I read the reviews from when it came out, and many mentioned that it lacked theatricality,” Dobson says. And he knew how to make it more theatrical: Turn it into a love triangle between a bisexual man and his two lovers: a straight woman and a gay man. Call it Sunday Bloody Sunday (in the Park with George). The result promises to be one of the edgier queercentric productions of the fall.

DEETS: Theatre Three’s Theatre Too,  2800 Routh Street, Suite 168. Sep. 3–Oct. 3. $20.
Theatre3Dallas.com.

—  Rich Lopez