Sen. Al Franken, D – Minnesota, is asking the public for help passing S. 555, The Student Non-Discrimination Act, a bill that would prohibit discrimination against public school students on the basis of sexual orientation or gender identity. Under the provisions of S. 555 students who experienced discrimination because of their real or perceived sexual orientation or because of their association with LGBT people could bring a civil suit against the school officials or districts responsible for the discrimination. The bill currently has 34 co-sponsors (none from Texas) and its House companion (H.R. 998 by Rep. Jared Polis, D – Colorado) has 150 (with 7 Texan co-sponsors including Houston’s own Sheila Jackson Lee and Al Green) . Both bills have been referred to committee but neither has received a hearing, a crucial step towards becoming law.
In the video requesting the public call their Senators (after the break) Franken points out that federal law already provides protection for school children harassed because of race, color, sex, religion, disability, and national origin, but that no protection exists for sexual orientation or gender identity.
The inclusion of “association” in S. 555 is particularly well thought out. According to the Williams Institute nearly 1 in 5 same-sex couples in the United States is raising children, in Harris County 18% of same-sex couples are. As these children enter school it’s important that they be able to receive an education without harassment or bullying due to who their parents are.
Franken is asking people to call the Senate switchboard at 202-224-3121 and encourage their Senator’s to support the bill.















Weekend conjures moments of early Gus Van Sant, like My Own Private Idaho and Drugstore Cowboy: It’s full of textures and naturalistic moments that feel unforced. Haigh is a master of long takes that are voyeuristic without seeming prurient. When Glen and Russell meet up again, their banter is both meaningless and confessional, which creates a palpable tension. Their body language points to hormones racing, but they are determined not to make this relationship only about sex, even though the sexual energy is undeniable. This makes the scenes romantic and erotic, and when they explode with passion, you don’t feel like the director has inserted a de rigueur sex scene, but encapsulated the dynamics of the hookup-turned-real-relationship dance (including the slightly scary obsessiveness of “Is this the one?” angst).



