Broadway diva Linda Eder talks of her longevity … and her drag queen imitators
RICH LOPEZ | Staff Writer
The earliest evidence of what Linda Eder would become is available, of course, on YouTube: A video of Eder, maybe 19 or 20, singing Melissa Manchester’s “Looking Through the Eyes of Love” at the 1980 Miss Minnesota pageant. (She didn’t win the title.)
But Eder doesn’t blanch with embarrassment when confronted with this relic of her past. Now a responsible adult, she offers that Linda Eder career advice.
“There’s a whole list of things I’d tell her not to do,” she insists. “My advice would be to save more money. Don’t spend so much because you don’t really need so much.”
Eder turned 50 this year, and the wisdom earned from the passage of time is clear in her tone. She’s relaxed, professional and unfazed discussing the range of her career, whether working with her ex-husband on her last album Now or the drag queens that perform her work. But she does seem to get jazzed about one thing — longevity.
“What makes me proud of this album is just the fact I am here at 50 and making records,” she says. “I’ve been most fortunate to have this kind of career and I have a real sense of accomplishment with this album.”
Now, her 13th that dropped in February, reunited her with longtime collaborate Frank Wildhorn, the man behind Jekyll and Hyde — the musical that put Eder on the Broadway map. But Wildhorn is also Eder’s ex-husband (they divorced in 2004). Still, she describes the experience as drama-free.
“You know, it worked out fine and it really was easy. We stay in contact,” she says. “For this album, we brought back some of the same people from before.
Things were slightly different now that I’m my own entity if you will. There was a little more freedom but it wasn’t he ever made me do anything I didn’t want.”
After 20 years since her first release, Eder knows she’s not radio fodder, but she also knows her audience.
“I certainly hoped for this kind of career. Making records is fun,” she says.
“Fortunately people enjoy my voice.”
That, of course, includes her large contingent of gay fans. She understands the territory that comes with being a Broadway diva. Eder even relishes it.
“Do you know that there is this drag show called Better than Eder? That’s so great,” she says.
She’ll likely introduce some of her new works when she returns to Dallas Sunday for her holiday concert at the Winspear. Eder helps ring in the season with The Linda Eder Holiday Show. Her Christmas Stays the Same CD from 2000 featured both original and traditional carols with that Eder touch; getting the chance to perform them on stage is what drives her at this time of year.
“You know, I’m an entertainer and doing these shows with talented people and musicians is just a fun hang,” she says. “It’s hard to believe still that I get to do this for a business.”
She’ll argue the celebrity label, but knows she is one in a certain sense. Eder doesn’t propose a false modesty either when asked about her past work. Instead, she actively strives for a sense of normalcy.
“I don’t think of myself [as a star],” she says. “I was driven early on and carved a niche career for myself but I found that I wanted to pull back to a level of success that was normal. I’m simply a musician. I might call myself a minor celebrity.”
Her fans might disagree.
This article appeared in the Dallas Voice print edition December 9, 2011.