‘Perform or provide’

DADT repeal gives progressive chaplains a chance to counter evangelical clergy in the military

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CATCH-ALL CHAPLAIN | Chaplain Chris Antal (Lt.) attended the meeting of the Forum on Military Chaplaincy at Cathedral of Hope in October. (David Taffet/Dallas Voice)

DAVID TAFFET  |  Staff Writer
taffet@dallasvoice.com
When a soldier recently came to Chaplain Chris Antal, a lieutenant in the Army National Guard in New York and a Unitarian Universalist minister, and asked if he’d pray with her even though she was a pagan, he said he replied, “Of course I will, but you’ll have to show me how.”

Several weeks later, when he saw her again, she told him that the day she had come to visit him, she had hit rock bottom. He had, she told him, saved her life that day.

But Antal said he was only doing his job — helping any soldier who comes to him.

“I’ve earned the nickname, the Catch-all Chaplain,” he said, explaining that it means he takes everyone the other chaplains don’t want to deal with.

Carpenter.Dodd

Capt. Tom Carpenter (ret.) and Col. Paul Dodd (ret.)

Being there to help a soldier in need is what it’s all about for a military chaplain, said Col. Paul Dodd, a retired chaplain who now lives in Austin.

“The duty of a military chaplain is to perform or provide,” said Dodd, adding that he once sponsored an Islamic conference.

Dodd said that no chaplain can perform every service needed by every member of the military. But if a chaplain can’t perform the service requested, he or she must provide that soldier with a referral to someone else who can.

Antal said that chaplains who enlisted knew what they were getting into — to some extent. But none of them really expected the repeal of the military’s anti-gay “don’t ask, don’t tell” policy. And for many, that repeal was a game changer.

In October, a group of active and retired chaplains and military personnel and other people of faith, such as the Rev. Steve Sprinkle from Brite Divinity

School in Fort Worth, met at the Interfaith Peace Chapel at Cathedral of Hope to begin looking at ways of addressing the issues that arose for military chaplains around DADT repeal.

Dave Guy Gainer said The Forum on Military Chaplaincy is not exactly new. It formed in 2005 as a project of Servicemembers Legal Defense Network and worked under the radar until DADT was repealed.

Sprinkle said people in the Pentagon, up through Secretary of Defense Robert Gates, knew about their work and considered their statements throughout the DADT repeal process.

And now, with repeal complete, the group met to “come out.” At their meeting in Dallas, forum members considered ways to become an independent organization helping to ensure newly out service members receive the pastoral care they need while serving in the military.

Susan Gore, principle of The Mentor Group and editor of the book Coming Out In Faith, moderated the Dallas conference. She said the group started with several retired military officers “who wanted to push back against the far-right skew.”

Sprinkle has been part of the forum for four years and said he was recruited to participate because of his work on hate crimes.
Since the terrorist attacks of Sept. 11, 2001, Sprinkle said, more and more members of the Chaplain Corps have come from just one school — Liberty

University, founded by far-right evangelical Jerry Falwell. Today, Sprinkle estimated, one-third of military chaplains come from Liberty University.

“They instituted a program that barely meets minimum requirements,” he said of the evangelical school. “It’s an online course.”

And, Sprinkle said, Liberty University’s goal is to take control of the Chaplain Corps and use the military as a pool for religious recruits.

“This is fertile ground to bring people to Jesus at taxpayer expense,” said Tom Carpenter, a retired Marine captain and one of the forum’s founders.

“I’ve heard stories of them holding the hand of someone who’s dying and trying to bring them to Jesus.”

And although such actions contradict military policy, no one in the corps has been disciplined or dismissed for it.

“They give chaplains a lot of leeway,” Carpenter said.

Gainer said the military is looking for well-rounded ministers who bring experience with them to the military.

According to the U.S. Army Chaplain Center and School in Fort Jackson, S.C., candidates must be endorsed by their denomination or faith group and be “sensitive to religious pluralism and able to provide for the free exercise of religion by all military personnel, their family members and civilians who work for the Army.”

But Sprinkle said that Liberty University is transparent about its goals, and those goals do not line up.

“They’re not committed to pluralism or serving all the troops,” he said.

Gainer said that the greatest opposition to repealing DADT came from the Chaplain Corps because military chaplains answer to two groups — the military and their denomination. Those chaplains that didn’t adhere to a strict stance of maintaining the ban on gays and lesbians were threatened with losing their accreditation from their endorsing religious body — and with it their livelihood and their pensions.

But that contradicts the stated goals of the Chaplain Corps.

“Someone has to say, ‘Either you comply and serve all the troops all the time or get out,’” Sprinkle said.

Gore said that one of the goals of the newly public forum is to “rebalance the Chaplain Corps by bringing in more mainstream faiths.” She said that for many who come from more liberal traditions, questions of what’s a just war make it hard to serve in the military. Antal, for example, is one of just four Unitarian Universalists in the Chaplain Corps.

During its push for repeal of DADT, members
said, the forum had several successes working behind the scenes.

Despite the assumption of confidentiality between parishioner and clergy, that wasn’t always the case between gay soldier and chaplain. Dodd said that a number of discharges under DADT occurred after a soldier talked to a chaplain and the chaplain turned them in.

In fact, he wrote a white paper on the practice. After he submitted it, the military tightened up on chaplain confidentiality, Dodd said.

Carpenter, an attorney, wrote an amicus brief for the Log Cabin Republicans’ lawsuit against DADT. The court found in favor of declaring DADT unconstitutional, but Congress repealed the law before the decision could be enforced.

Carpenter said that the repeal allows gays and lesbians to serve with no protection. The legal decision, had it not been vacated upon repeal, would have allowed gays and lesbians to serve equally.

Now that DADT is gone, the forum is examining how to ensure LGB personnel receive the same services as other troops from chaplains.

Dodd said that right-wing chaplains charge that allowing gays and lesbians to serve in the military will force them to act in ways that go against their beliefs. Some have said they would be required to perform same-sex weddings.

Dodd called that ridiculous. Chaplains are never asked to perform duties that go against their religious beliefs, he said.

“I turned down weddings,” he said. “An officer came to me who wasn’t divorced.”

He said the officer tried to pull strings and force the issue, but Dodd wasn’t going to discuss marrying someone who was still married to someone else.

“But we’re insisting chaplains have the authority, if it’s in keeping with their faith, to marry same-sex couples,” he said.

Because of the Defense of Marriage Act, the repeal provides no family benefits. For some issues, Dodd and Carpenter suggested work-arounds.

Issuing ID cards would be extremely helpful, especially to same-sex couples with children, Carpenter said, noting that “That way either parent could get on base to get a child to the hospital.”

In another example, joint assignments can be offered at the discretion of a commanding officer, and married couples are often assigned together when they both qualify for positions that are available at the same base. Same-sex couples could be given the same priority.

As the forum looks ahead, rebalancing the Chaplain Corps with members from a more diverse background to reflect the membership of the military is a priority.

“And we need to take care of our trans brothers and sisters,” Carpenter said.

The repeal of DADT did not address any transgender issues and does not allow transgender men or women to serve in the military.

Gainer believes representatives of the forum need to sit down with far-right members of the Chaplain Corps and agree to disagree. He said that before the repeal of DADT, they talked to people at Veterans of Foreign Wars and the American Legion. While both groups testified against the repeal, they met with some success.

“The president of the VFW in Pflugerville said it was the right thing to do,” Gainer said.

That dialogue, he believed, would help chaplains perform or at least provide a useful referral, rather than doing more damage to a soldier seeking help.

Gore thought that the focus of discussion should be with the majority of chaplains “who want to do a good job and are part of the moveable middle.”

“We have to convince administrators and educators in divinity schools to encourage some of their best and brightest to serve,” Sprinkle said. “So many schools dropped what they were doing during the Vietnam era.”

Antal thinks that gays and lesbians will gain more acceptance as they tell their stories in non-confrontational settings and others see “their identity as professional service members is primary.”

While the work of the forum will concentrate on helping LGB military personnel, creating a more diverse Chaplain Corps may help a majority of service members. Recent polls show that a majority of troops find the chaplaincy irrelevant.

Sprinkle called the work of the forum a gift from the LGBT community to the nation.

“You wouldn’t think we’d be the ones opening the doors so that all troops will be served with dignity, integrity and respect,” he said.

This article appeared in the Dallas Voice print edition November 4, 2011.

 

—  Kevin Thomas

Show vs. Show

In this installment of Show vs. Show, we take a look at two bands both welcome at any party. It’s the battle of young and not-so-young as The B-52s bring out their campy tunes and CSS turn on their Brazilian beats for Dallas audiences.

Despite a healthy discography, we might always know The B-52s for “Love Shack,” but there are worse tunes on which to hang a legacy. Now a classic party anthem, the song has held up for more than 20 years.

The band’s talent shouldn’t be overlooked for its camp factor. When the late Ricky Wilson threw down that riff for “Rock Lobster,” he made music history with a strong sound. It’s easy to blow off, but over the years, has proven unforgettable. Guitarist Keith Strickland stepped in and filled those shoes with the perfect blend of musicality and whimsy.

Cindy Wilson and Kate Pierson always keep our attention with their mod outfits and high-to-heaven ’dos, but Fred Schneider symbolizes the band most with his outrageous flair.

But don’t count out CSS for party ’peal. The Brazilian popsters may be the heirs apparent to The B-52s (if not LMFAO), infusing a comic touch on their songs. They don’t offer as much of a punchline as The Bs do, but with tunes like “Let’s Reggae All Night” and “City Grrrl,” they add their own panache. Another point in their corner is opening dance band and performance artists MEN, led by lesbian JD Samson.
This should be more like Party vs. Party. All that’s missing are the party favors, confetti and punch bowl.

— Rich Lopez

Artist: The B-52s

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The B52's

 

Known mostly for… being the premiere party rock band veterans, churning out hits “Rock Lobster,” “Love Shack” and “Roam.”

Good for the gays? As gay as it can get. Their camp factor is off the charts.  And of course, there’s queer singer Fred Schneider.

What to wear? Anything but beige or gray. And lots of hairspray.

Relevance: The B-52s haven’t delivered big since 1989’s Cosmic Thing, but their songs are timeless fun.

Reason to be there: This is one resilient band that wholeheartedly still delivers. And how awesome is “Love Shack” going to sound live?

Reason to not: It’s in Frisco.

Deets: Dr. Pepper Arena, 2601 Avenue of the Stars, Frisco. Nov. 3
at 7:30 p.m. $27–$77. Ticketmaster.com.

Artist: CSS

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CSS


Known mostly for… their Brazilian dance pop. Hipsters party out to this band
that wants nothing more than to have a good time.

Good for the gays? With openers MEN, both are queer-centric with refreshing
but catchy tunes.

What to wear? Ironic T-shirts and colorful Converse Chuck Taylors.

Relevance: Their latest album, La Liberacion, strikes an unusual dance chord that’s also infectious and irreverent.

Reason to be there: While CSS has a strong fan base, they are still off the gaydar. You can be the one to tell all your friends about them.

Reason to not: With this one-two punch of catchy alterna-pop, there really isn’t a reason not to be there.

Deets: With MEN. House of Blues, 2200 N. Lamar St. Oct. 28
at 8 p.m. $18–$20. HouseOfBlues.com.

This article appeared in the Dallas Voice print edition October 28, 2011.

—  Kevin Thomas

‘The Lady’ exhibit at Bath House Cultural Center

Who’s that lady of the lake?

You know those stories of driving in the White Rock Lake area and seeing a mysterious drenched lady. She needs a ride, sits in the back seat and then disappears leaving only a puddle ruining your fine upholstery. The story is legend in Dallas and for whatever reason, is still creepy. The urban legend is turned into art in The Lady, where artists depict in various ways their take on the legend of the woman who drowned in the lake years ago. Real or not, it’s a spooky slice of Dallas history retold in art form — and perfect for getting in the Halloween mood.

DEETS: Bath House Cultural Center, 521 E. Lawther Drive. Through Jan. 28. Free. BathHouseCultural.com.

—  Rich Lopez

Judas Priest farewell tour at Allen Event Center

Let your rock ‘n’ roller out

This isn’t the priest you kneel down to and make your confessions. Judas Priest demands that you stand up, raise your arms and rock the hell out. Especially now as they hit the road on their Epitaph Farewell Tour. What will we do without our original leather daddy and out lead singer Rob Halford to scream into our ears?

DEETS: With Thin Lizzy, Black Label Society. Allen Event Center, 200 E. Stacy Road, Ste. 1350, Allen. 7 p.m. $40–$130. Ticketmaster.com.

—  Rich Lopez

‘Spring Awakening’ tonight at WaterTower

Coming of age

“This rock musical adaptation of an 1891 German play is set against the backdrop of a progressive and provincial late 19th century Germany.  Spring Awakening tells the timeless story of teenage self-discovery and budding sexuality through the eyes of three teenagers.  Haunting and provocative, Spring Awakening celebrates an unforgettable journey from youth to adulthood.  The musical won multiple Tony Awards (8 awards including Best Musical).”

— from WaterTowerTheatre.org

DEETS: WaterTower Theatre, 15650 Addison Road, Addison. 7:30 p.m. $20–$50. WaterTowerTheatre.org.

—  Rich Lopez

Drawing Dallas • Rick Phillips

With the holiday upon us, floral designing is a labor of love for Dallas’ Rick Phillips

MARK STOKES  | Illustrator
mark@markdrawsfunny.com

Name: Rick Phillips

Occupation: Floral designer

Spotted at: Dog park on Swiss Avenue

Tanned, fit Aquarian Rick Phillips was born in Dallas but raised in neighboring Grand Prairie. He sprouts from a small but creative family: His mother sings opera, his brother is a drummer in a rock band, and his grandmother was also a gifted artist.

Labor of Love: Rick has been creating beautiful floral arrangements for more than 17 years. His first job interview in the business was to create a funeral arrangement. “I almost cut my thumb off,” says Rick, “I think they felt sorry for me. I got the job!”

Studying photography in college led to a natural progression into painting and finally into floral design. The instant gratification he gets from the process satisfies his art muse. Rick says he makes up his arrangements as he goes along. “I have a concept about color and shape when I start, but after that I free-wheel it.” He has been the exclusive florist for a high-profile jewelry store for eight years.

When he’s not handcrafting floral masterpieces, Rick enjoys cooking and shopping vintage and junk shops for awesome shirts and cool coats (and he can’t wait to for the weather to get cooler so he can wear them!) He loves all kinds of music from classical to techno/dance.

This article appeared in the Dallas Voice print edition September 2, 2011.

—  Michael Stephens

Broken Mould

Queer punk pioneer Bob Mould turned an abusive childhood into a musical movement, but memoir targets hardcore fans

2.5 out of 5 stars
SEE A LITTLE LIGHT: THE TRAIL OF RAGE AND MELODY
By Bob Mould (with Michael
Azerrad). 2001 (Little, Brown)
$25; 404 pp.

………………………….
It all starts with “Twinkle, Twinkle Little Star.” It continues with the itsy-bitsy spider, the ABCs and being a little teapot. From there, you embrace whatever your older siblings are listening to until you develop your own musical tastes. Maybe you started with records, moved on to the cassette tapes, CD and now, your iPod is full.

The point is, you’ve never been without your tunes.

But what about the people who make the music you love?

When Mould was born in 1960 in the northernmost end of New York, he entered a family wracked with grief: Just before he was born, Mould’s elder brother died of kidney cancer. He surmises that the timing of his birth resulted in his being a “golden child,” the family peacekeeper who sidestepped his father’s physical and psychological abuse.

“As a child,” he writes, “music was my escape.”

Mould’s father, surprisingly indulgent, bought his son guitars and young Bob taught himself to play chords and create songs. By the time he entered high school, Mould knew that he had to get out of New York and away from his family. He also knew he was gay, which would be a problem in his small hometown.

He applied for and entered college in Minnesota, where he started taking serious guitar lessons and drinking heavily. His frustrations led him to launch a punk rock band that made a notable impact on American indie music.

Named after a children’s game, Hüsker Dü performed nationally and internationally, but Mould muses that perhaps youth was against them. He seemed to have a love-hate relationship with his bandmates, and though he had become the band’s leader, there were resentments and accusations until the band finally split.

HUSKER DON’T | Bob Mould turned his youthful rage and homosexuality into a music career. (Photo by Noah Kalina)

But there were other bands and there were other loves than music, as Mould grew and learned to channel the rage inside him and the anger that volcanoed from it.

“I spent two years rebuilding and reinventing myself,” writes Mould. “Now that I’ve integrated who I am and what I do, I finally feel whole.”

If you remember with fondness the ‘80s, with its angry lyrics and mosh pits, then you’ll love this book. For most readers, though, See a Little Light is going to be a struggle. Mould spends a lot of time on a litany of clubs, recording studios, and locales he played some 30 years ago — which is fine if you were a fellow musician or a rabid, hardcore fan. This part of the book goes on… and on… and on, relentlessness and relatively esoteric in nature.

Admittedly, Mould shines when writing about his personal life but even so, he’s strangely dismissive and abrupt with former loves, bandmates, and even family. I enjoyed the occasional private tale; unfortunately there were not enough.

Overall, See a Little Light is great for Mould fanboys and those were heavy into the punk scene. For most readers, though, this book is way out of tune.

— Terri Schlichenmeyer

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Applause: Stage pink

Queer highlights from the upcoming theater season

RICH LOPEZ  | Staff Writer

Anticipation should be strong for the upcoming theater season in general. Ambitious shows like Giant, The Tempest, West Side Story and Hairspray all dot the stage horizon.
But we also like to see some of our own up there. As we look over the upcoming offerings from local theater companies, we always ask, “Where’s the gay?”  In addition to Uptown Players’ first  Dallas Pride Performing Arts Festival, here are some of the others.

……………………….

Fall

Although the Dallas Opera canceled the opera she was set to star in, lesbian soprano Patricia Racette will still perform at a TDO gala. (Photo Devon Cass)

Singer-songwriter Duncan Sheik gave an indie music flair to the musical adaptation of the 1891 play Spring Awakening. Set in 19th century Germany, Awakening follows a group of youths as they discover more about themselves and their rapidly developing sexuality.

The original Frank Wedekind play was controversial in its day, depicting abortion, homosexuality, rape and suicide. Now the show just has an added rock ‘n’ roll score. Along with Sheik’s musical perspective, Steven Slater wrote the book and lyrics in this updated version which debuted in 2006 on Broadway and won the Tony for Best Musical. Terry Martin directs.

WaterTower Theater, 15650 Addison Road., Addison. Sept. 30–Oct. 23. WaterTowerTheatre.org.

It’s almost un-Texan if you’re gay and not familiar with Del Shores’ tales of Southern discomfort.  Southern Baptist Sissies and Sordid Lives are pretty much part of the queer vernacular in these parts, but Shores got his start way back in 1987.

How will those northern folks take to Shores work (And by north, we mean past Central Expressway past LBJ)? Jeni Helms directs Daddy’s Dyin’: Who’s Got the Will for McKinney Repertory Theatre this fall. As the family patriarch suffers a stroke, the Turnover family gathers as they wait for his death. This family may just put the fun in dysfunctional.

McKinney Performing Arts Center, 111 N. Tennessee St., McKinney. Sept. 30–Oct. 7. McKinneyRep.org.

WingSpan Theatre Co. will produce one of the greater comedies of theater-dom this fall: Oscar Wilde’s The Importance of Being Earnest, with Nancy Sherrard sparring over the gay wit’s price bon mots as Lady Bracknell.

Bath House Cultural Center, 521 E. Lawther Drive. Oct. 6–22. WingSpanTheatre.com.

Although A Catered Affair might sound a bit like My Big Fat Greek Wedding, it has the added flair of Harvey Fierstein’s wit. That’s because he wrote the book for the show alongside John Bucchino’s music and lyrics. The play is based on the Gore Vidal-penned 1956 film The Catered Affair starring Bette Davis.

When Jane and Ralph decide to get married, Jane’s mom Agnes wants to put on an elaborate spectacle of a wedding. The truth is, she can’t afford it and Jane isn’t all too thrilled about a huge affair. As in most cases, the wedding planning is more about the mom than the daughter and Agnes soon realizes the fact. Jane’s Uncle Winston — the proverbial gay uncle — is left off the guest list and is rightfully pissed. But as most gay characters, he rallies to be the voice of reason and support.

Theatre Three, 2800 Routh Street, Ste.168. Oct. 13–Nov. 12. Theatre3Dallas.com.

Lesbian soprano Patricia Racette was going to be featured in the production of Katya Kabanová but unfortunately the show was canceled by the Dallas Opera. But fear not. Dallas will still get to bask in the greatness that is her voice as Racette will perform An Evening with Patricia Racette, a cabaret show with classics from the Great American Songbook for a patron recital.

Winspear Opera House, 2403 Flora St. Nov. 9. DallasOpera.org

………………………….

Spring

Nancy Sherrard will star as Lady Bracknell in WIngSpan Theater Co.’s fall production of Oscar Wilde’s ‘The Importance of Being Earnest,’ perhaps the greatest comedy ever written by theaterdom’s gayest wit.

Kevin Moriarty directs Next Fall for the Dallas Theater Center next spring. Written by Geoffrey Nauffts, the play centers on Luke and Adam, a couple with some unusual issues. What’s new about that in gay couplehood? Not much, but when Adam’s an absolute atheist and Luke’s a devout Christian, the two have been doing their best to make it work.
The comedy played on Broadway in 2010, garnering Tony and Drama Desk nominations. And now Dallas gets to see how, as DTC puts it, “relationships can be a beautiful mess.”
Kalita Humphreys Theater, 3636 Turtle Creek Blvd. April 13–May 6. DallasTheaterCenter.org.

Perhaps the most surprising queer offering this next season is Theatre Arlington’s production of The Laramie Project. The show usually creates quite a stir — at least it did in Tyler, thanks to Trinity Wheeler — so how will this suburban audience handle it? Doesn’t matter. Props to T.A. for taking Moises Kaufman’s play about the tragic bashing and death of Matthew Shepard to its community.

Theatre Arlington, 305 W. Main St., Arlington. May 18–June 3. TheatreArlington.org.

Usually the question with MBS Productions is “what’s not gay?” Founder Mark-Brian Sonna has consistently delivered tales of gay woe and love that are sometimes silly and sometimes sweet, but always a laugh.

This season is no different. Playwright Alejandro de la Costa brings back drag queen Lovely Uranus in The Importance of Being Lovely. The last time we saw Uranus, Sonna wore the stilettos and pink wig in last season’s Outrageous, Sexy, (nekkid) Romp.  This time around, Uranus graduates to leading lady status as the show is all about her as audiences follow her through the changes she makes in her make-up, wigs and men.

Stone Cottage Theatre, 15650 Addison Road, Addison. July 16–Aug. 11, 2012. MBSProductions.net.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Applause: Broadgay at Winspear

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

The epic Les Miserables follows with a new 25th anniversary production. Dec. 20–Jan. 1.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Stevie Nicks tonight at Verizon

Goth queen for days

Save for Fleetwood Mac’s 2003 Say You Will, Stevie Nicks has been a bit off the radar until this spring. Now she’s on tour in support of her newest album In Your Dreams. The feathered and frocked queen of classic rock maintains her goth flair but still manages an air of relevance.

DEETS: With Michael Grimm. Verizon Theatre, 1001 Performance Place, Grand Prairie. 8 p.m. $35–$250. Ticketmaster.com.

—  Rich Lopez