‘Mama’s Party’ cabaret at Tucker’s Blues

Get your cabaret fix to start off the week

Even if it is the beginning of the work week or the new year, Monday nights are a Dallas must thanks to Amy Stevenson who hosts Mama’s Party. Every Monday, local musicians and actors come together for a night of song and for a mere pittance. Where else could you get an array of major stage talents performing an ample night of music for cheap? Oh, oh, we know the answer!

DEETS: Tucker’s Blues, 2617 Commerce St. 7 p.m. $5. MamasParty.com or look them up on Facebook.

—  Rich Lopez

“Tuna’s Greatest Hits” at the Eisemann

No helper needed for this Tuna

Joe Sears and Jaston Williams reprise our favorite roles for Tuna’s Greatest Hits: 30 Years of Laughter. Vera, Bertha, Petey and the rest all get a bit older, but only get better as they remind us why we can’t get enough of some Tuna.

DEETS: Eisemann Center, 2351 Performance Drive, Richardson. 8 p.m. Through Mar. 4. $44–$55. EisemannCenter.com.

—  Rich Lopez

Best bets • 10.21.11

Friday 10.21]

Who hasn’t had one?
The trials of dating can be rather daunting, but shoe fetishist and single mother Haley finds that her horrible taste in men isn’t paying off in the one-woman show Bad Dates, starrting Shannon J. McGrann. Haley suffers through mobsters, a teenage daughter and, well, some bad dates. But thankfully, she’s got her fabulous shoes to make her feel better.

DEETS: Contemporary Theatre of Dallas, 5601 Sears St. 8 p.m. Through Nov. 13. $27–$32.
ContemporaryTheatreOfDallas.com.

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Friday 10.21

She will cut you
The Dallas Opera opens its season with Lucia di Lammermoor, about Lucia, who isn’t too fond of her future husband. So much so, she takes matters into her own hands. For opera newbies, TDO offers a free public simulcast of the opening night in Sammons Park. One way or another, you’ll see how Lucia copes with a deceitful brother and the man he tricks her into marrying.

DEETS: Winspear Opera House, 2403 Flora St. 7:30 p.m. Through Nov. 6. $25–$275. ATTPAC.org.

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Saturday 10.22

Pleasure and pain
Fetish adult film star Tony Buff comes to Dallas for the weekend. He make a special appearance at The Tin Room Friday and Saturday and if you don’t like it, well, he’s might have to teach you a lesson. Like you’d mind.

DEETS: Tin Room, 2514 Hudnall St. 10 p.m. No cover. TinRoom.net

This article appeared in the Dallas Voice print edition October 21, 2011.

—  Michael Stephens

‘Cheaters’ plays tonight at CTD

Always getting caught

The Contemporary Theatre of Dallas presents Cheaters written by Michael Jacobs and directed by Michael Serrecchia. No, this isn’t a stage version of that horrible reality show putting cheating boyfriends and girflriends on the spot. The couples here intertwine dangerously before a young couple’s wedding. It’s both funny and oh-so wrong. Did he really sleep with her?

The cast includes Sue Loncar, Ted Wold, Jim Johnson, Marcia Carroll, Danielle Pickard & Andrews Cope.

DEETS: CTD, 5601 Sears St. 8 p.m. $22–$32. ContemporaryTheatreOfDallas.com

Version:1.0 StartHTML:0000000149 EndHTML:0000000416 StartFragment:0000000199 EndFragment:0000000382 StartSelection:0000000199 EndSelection:0000000382 Sue Loncar, Ted Wold, Jim Johnson, Marcia Carroll, Danielle Pickard & Andrews Cope

—  Rich Lopez

‘Five Women’ today at Contemporary Theatre of Dallas

No catfights over these outfits

Being a bridesmaid is a thankless job, as the ladies know in Five Women Wearing the Same Dress. The Alan Ball (American Beauty, True Blood) play shows irreverence toward the custom as the ladies hide away from their duties and begin to bond over their experience in lamé.

DEETS: Contemporary Theatre of Dallas, 5601 Sears St. 2 p.m. Through July 17. $27–$32. ContemporaryTheatreOfDallas.com.

—  Rich Lopez

Best bets • 06.17.11

Friday 06.17

No catfights over these outfits
Being a bridesmaid is a thankless job, as the ladies know in Five Women Wearing the Same Dress. The Alan Ball (American Beauty, True Blood) play shows irreverence toward the custom as the ladies hide away from their duties and begin to bond over their experience in lamé.

DEETS: Contemporary Theatre of Dallas, 5601 Sears St. 8 p.m. Through July 10. $27–$32. ContemporaryTheatreOfDallas.com.

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Friday 06.17

Pop in to the pop-up for DIFFA
Designer Showhouse Sale literally pops up a store in the Design District for high-end bargains for the home. But Friday, a portion of the sales will benefit DIFFA Dallas. Now that’s a good deal.

DEETS: Design District, 1525 Dragon St. Through June 30. 9 a.m. DesignerShowhouseSale.com.

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Saturday 06.18

Handler? We hardly know her
Seems like it was just yesterday Chelsea Handler graced these parts back in April 2010. This time, she’s touting her new book, Lies Chelsea Handler Told Me, with a tour by the same name. But really, who can get enough of the lady?

DEETS: Verizon Theater, 1001 Performance Place, Grand Prairie. 8 p.m. $59–$69.
Ticketmaster.com.

This article appeared in the Dallas Voice print edition June 17, 2011.

—  Michael Stephens

All are invited to ‘Mama’s Party’ tonight at Contemporary Theatre

Get your cabaret fix on a school night

Even if it is the beginning of the work week, Monday nights are a Dallas must thanks to Amy Stevenson, pictured, who hosts Mama’s Party. Every Monday, local musicians and actors come together for a night of song and for a mere pittance. Where else could you get an array of major stage talents performing an ample night of music for cheap? Oh, oh, we know the answer!

This week’s show will feature Morgan Swann, Andy Baldwin, Chad Perterson and Drew Kelly.

DEETS: Contemporary Theater of Dallas, 5601 Sears St.. 7 p.m. $5. MamasParty.com or look up on Facebook.

—  Rich Lopez

XL laughs

Plus-sized comedian Ryan O’Connor doesn’t shy away from fat jokes

STEVEN LINDSEY | Contributing Writer stevencraiglindsey@me.com


EAT THAT | The chubby gay boy, center, gets his revenge by turning his life into a humorous cabaret in ‘Ryan O’Connor Eats His Feelings.’

RYAN O’CONNOR EATS
Greenville Center for the Arts, 5601 Sears St.
June 23 at 8 p.m. $15.
ContemporaryTheatreofDallas.com







Don’t call Ryan O’Connor a standup comic. Sure, he’s funny, he stands onstage in front of a microphone and people laugh, but his show is more than that.
The former actor and talk-show character player recently embarked on his first tour (complete with a rented Minivan) and took time out hours before the debut performance in San Francisco to talk about his career, his show and the foods that make him happy. His current boyfriend is Mormon, three of his exes have gone off to marry women and he’s not above smuggling dogs into hotel rooms. How could he not be a comic?

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Dallas Voice: So when did you first start doing comedy — or rather, getting paid for doing comedy? Ryan O’Connor: My first paid comedy gig was with Second City in New York. We formed an improv group out of that called the Birdwatchers. There were eight of us and we got a split of the door, so we got about 20 bucks.

How is being a comedian different from being an actor? It’s been an evolution. In a lot of ways I fought being a comedian because there’s a lot of fear involved in it. Even describing myself as a comedian right now feels ambitious. I consider myself more a storyteller, and I tend to tell funny stories. But I’ve come to terms with the fact that people would like me to call myself a comedian, so I’ll oblige.

People like labels. Exactly. But even when you’re doing cabaret, you’re still one man standing in front of a microphone. I’m a cabaret artist, which I sometimes describe as singing standup. You will never catch me at a standup open mike; you will never catch me going on after a standup performer. It’s just way too terrifying for me. Even though it’s not that much different than what I do, in my brain, it’s terrifying.

You sing a lot in your show. Is the singing your security blanket? Yeah, kind of. It’s not even that I have the world’s most terrific voice. It’s just that I’m comfortable.

Musical theater is what I grew up in. It’s what I’ve known my entire life. It gives me security knowing that if a story bombs, I have a song I can go into and songs are easier to sell than comedy. Even funny songs, it’s at least written into the music. This sounds like the most defensive interview of all time!

I’m sorry. No it’s me, not you!

Your publicity describes you as the “big gay singing Kathy Griffin.” Do you think she’s worried about you stealing her gays? Kathy’s a friend of mine. I got her blessing to refer to myself as the big gay singing Kathy Griffin. I don’t think Kathy sees anyone as a threat any more. In the last couple of years she’s finally getting the acclaim she’s deserved forever.

I’m sure she loves the label — it gets her name out there more. It’s only fair, too, because I’ve been in her act before. She used to refer to me in her act as her Pink Hollywood Gay or something.

That’s the double gay dream: Being friends with Kathy Griffin and being mentioned in her act. I was a huge fan before we became friends, so to have a story mentioned in her act was very surreal.

Do you have any juicy celebrity stories? Not in this show, but I do. I am not as willing as Kathy is to “go there.” Most Hollywood types are so difficult to deal with anyway, that once you do something publicly, it’s even worse. I see how tough it can be for her. It’s isolated her. There’s groups of people that shy away from her. I think they laugh at her in the privacy of their homes, but if she walks into a party, they all avoid her like the plague. That’s a very lonely kind of fame.

I tell stories in my show and I don’t say it and people don’t know that I’m talking about a very famous person. I could cash in and make this more exciting, but I choose not to.

What can people expect from your show? It’s a comedic, self-effacing journey through story and song about my life and experiences as a compulsive overeater. It goes into my food addiction and how that is a manifestation of my experiences as a child, as well as an adult. My experiences in show business, my experiences as a gay man, all sorts of things. The show is Ryan O’Connor Eats His Feelings, but it could just as easily be Joe Schmo Eats His Feelings or Tiger Woods Fucks His Feelings.

You don’t have to be gay to enjoy it then. My show’s definitely not a gay show. It’s a gay story so gay people relate to it immediately.

Are you empowered by the self-effacing part of it, beating others to the punch? That’s absolutely what it is. The whole show is what I learned as a 10-year-old fat kid. My mom always told me if I made the joke first, they can’t make it. That was my survival tool as a fat boy and a gay boy. That’s how you get through it.

This article appeared in the National Pride edition in the Dallas Voice print edition June 18, 2010.

—  Dallasvoice