Houston’s American Hockey League team, the Aeros, has suspended player Justin Fontaine for two games after a homophobic tweet from the right winger.
The suspension was handed down from the Aeros’ parent NHL team the Minnesota Wild, who issued a press statement apologizing for Fontaine’s “inappropriate” comment.
Fontaine has since removed the offending tweet and tweeted an apology, saying “Twitter rookie and it came out totally wrong. It was a roommate battle, nothing more.” Missing from Fontaine’s apology was any recognition that it is cruel to use a term for queer people to deride something.
The issue is not that Fontaine used a naughty word, or that he did it in a public venue. The issue is that Fontaine seems to think that words meaning LGBT people are synonyms for “a thing I don’t like.” It’s hard to imagine that that equation does not stem from a dislike for LGBT people.
















Any other director would almost certainly have turned Restless into a maudlin tearjerker (even the disrespectfully crass Judd Apatow made the mawkish disaster Funny People). But Van Sant operates on about two settings: Crazy genius (Milk, To Die For, Drugstore Cowboy) and disastrous boondoggle (his misguided Psycho remake) …. though he throws some impenetrable art films in as well (Gerry, Elephant, Last Days). Restless is really none of those, though it is very good — a lighthearted look at death that never seems off-beat for its own sake.
When Southern Methodist University alum Wade McDonald set out to make his debut feature film, the one thing he didn’t want to do was make a “typical” gay film: No naked boys as the selling point, no ridiculous gay-angst drama, no coming-out story. McDonald loves romantic comedies and wanted to make his own — just with men.