Oscar countdown
Be proud if you’ve seen all the major nominees for this year’s Oscars, but impress your watching party by throwing down some knowledge when this category comes up. The Texas Theatre helps round out those slightly obscure awards by featuring this year’s crops of documentary shorts. And the nominees are The Barber of Birmingham: Foot Soldier of the Civil Rights Movement, God Is the Bigger Elvis, Incident in New Baghdad, Saving Face and The Tsunami and the Cherry Blossom. The theater screens ‘em all save for God, but that’ll be enough to make an informed decision and give you the edge on that Oscar pool.
DEETS: The Texas Theatre, 231 W. Jefferson Blvd. 7 p.m. $9. TheTexasTheatre.com.







Weekend conjures moments of early Gus Van Sant, like My Own Private Idaho and Drugstore Cowboy: It’s full of textures and naturalistic moments that feel unforced. Haigh is a master of long takes that are voyeuristic without seeming prurient. When Glen and Russell meet up again, their banter is both meaningless and confessional, which creates a palpable tension. Their body language points to hormones racing, but they are determined not to make this relationship only about sex, even though the sexual energy is undeniable. This makes the scenes romantic and erotic, and when they explode with passion, you don’t feel like the director has inserted a de rigueur sex scene, but encapsulated the dynamics of the hookup-turned-real-relationship dance (including the slightly scary obsessiveness of “Is this the one?” angst).




