By Trinity Wheeler, director, “The Laramie Project”
If one, definitive lesson has lingered with me since working with “Rent,” it is that of the lyric, “No day but today.”
This message in mind, I knew it was time — though, well overdue — for “The Laramie Project” in East Texas. When invited to direct a show in my chiefly conservative hometown of Tyler — which experienced a hate crime nearly identical to Matthew Shepard’s, five years before his murder in Laramie, Wyo. — I could have very easily chosen “Steel Magnolias,” “Harvey,” or any other tried-and-true, community-theater staple.
But I didn’t want a crowd pleaser. I wanted to present a production that would allow the audience to consider the views of others, and reconsider their own. To invite debate, discussion, and to open a dialogue — the seeds of progress.
The response I received in coming out was nowhere near positive or pleasant. If this was the reaction of my own family, how would the community respond to a work in which the topic of homosexuality is unabashedly broached?
I went out on a limb in choosing this show, and was very aware of the chance the bough could break, and down would come baby. But the number of East Texans who voiced their support for this production after protests from members of the theater board proved to be unexpectedly staggering.
The show is no stranger to controversy, though I don’t believe any of us imagined we would face opposition long before we even began rehearsals, especially from those who once fully supported the project. But the cast, crew, and community banded together to brave the storm, and I believe we are all the more resolute because of it, having formed a brand of bond unique to such an experience, which may not have happened otherwise.
And that is exactly what this show is about. A community coming together in the wake of adverse events. I have hope for this production, and for Tyler and East Texas. I hold to hope for tomorrow, but, for now, there is no day but today.